H-ermes-Journal of Communication最新文献_第6页

Vivere e sopravvivere nella community videoludica di Twitch Italia = Living and Surviving in gaming community of Twitch Italia Vivere sopravvivere nella community videoudica di Twitch Italia =在Twitch Italia的游戏社区中生存

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H-ermes-Journal of Communication Pub Date : 2019-12-17 DOI: 10.1285/I22840753N15P109

R. Carradore, L. Carrera

{"title":"Vivere e sopravvivere nella community videoludica di Twitch Italia = Living and Surviving in gaming community of Twitch Italia","authors":"R. Carradore, L. Carrera","doi":"10.1285/I22840753N15P109","DOIUrl":"https://doi.org/10.1285/I22840753N15P109","url":null,"abstract":"Living and Surviving in gaming community of Twitch Italia. In this contribution we present the results of an empirical study on the interactive entertainment in the gaming community of Twitch Italia. The research conducted so far on the co-evolution of the Twitch platform and community has focused on the quantitative flow of the audience; on gaming entertainment and e-sport; and on the communicative style. In the Italian context there is still a lack of systematic studies on the organization of virtual relations from a sociological point of view. We have observed Twitch Italia community in the perspective of Douglas' grid-group model and Bourdieu's field analysis, using digital ethnography's method and semi-structured interviews with streamers and audience. We describe here three processes: digital socialization, from the acquisition of digital skills to the internalization of community's values and norms; collective organization of interactive entertainment; the impact of monetization on the communicative pact with the followers. The analysis conducted allows to identify some motives of tension within the community and the strategies adopted in the process professionalization by young streamers in the transition to adulthood.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2019 1","pages":"109-140"},"PeriodicalIF":0.1,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/I22840753N15P109","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42843553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La politica si fa immagine: la narrazione visual del leader politico = Politics becomes an image: the visual narrative of the political leader La politica si fa imagine: La narrazione visual del leader politico =政治成为一种形象:政治领袖的视觉叙事

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H-ermes-Journal of Communication Pub Date : 2019-12-17 DOI: 10.1285/I22840753N15P185

C. Moroni

{"title":"La politica si fa immagine: la narrazione visual del leader politico = Politics becomes an image: the visual narrative of the political leader","authors":"C. Moroni","doi":"10.1285/I22840753N15P185","DOIUrl":"https://doi.org/10.1285/I22840753N15P185","url":null,"abstract":"Politics becomes an image: the visual narrative of the political leader. In contemporary political communication, the practice of simplifying the message and the political context has found an excellent tool in the realization of a dialogic flow that is exhausted in the communicative power of the leader and in the personalized narrative of his political project. In a digital and crowded communicative context, the leader emerges realizing the \"emotional horizontality\" of the dialogue: the message is framed in an emotional context that flows from the leader to the public and from the public to the leader in a constant exchange, which in turn it feeds on emotional sharing and cognitive simplification of themes and frames. The goal is to \"connect\", through the emotional context, the leader with his audience. Thanks to social networks, the images have found a new expressive and communicative centrality as variously combined visual elements, they are able to build and maintain an emotional and cognitive link between the participants in the communication. Politics also seeks to exploit the conversational power of images to give emotional depth to personalized narratives of leaders. In political storytelling, the image is an increasingly central part of a discourse focused on the leader and on the narration of his political action: the visual statement constitutes a portion of the discourse, making the semantic and emotional richness of images available to the story.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2019 1","pages":"185-228"},"PeriodicalIF":0.1,"publicationDate":"2019-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47829890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Immaginario collettivo e iconografia della rivolta nella storia contemporanea = Collective imagination of riot: iconography of uprisings in contemporary History 暴乱的集体想象：当代史上的暴乱图像学

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H-ermes-Journal of Communication Pub Date : 2019-12-17 DOI: 10.1285/I22840753N15P249

Andrea Massera

引用次数: 0

Un’arte che cambia profondamente il suo tempo = An art that profoundly changes its time 深刻改变时代的艺术

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H-ermes-Journal of Communication Pub Date : 2019-06-24 DOI: 10.1285/I22840753N14P9

Valeria Meazza

{"title":"Un’arte che cambia profondamente il suo tempo = An art that profoundly changes its time","authors":"Valeria Meazza","doi":"10.1285/I22840753N14P9","DOIUrl":"https://doi.org/10.1285/I22840753N14P9","url":null,"abstract":"Even though an increasing number of experts in popular culture has repeatedly highlighted that over the past two decades mass entertainment, notably tv series and videogames, has grown more and more sophisticated, the narratives enjoyed in this context are still often described as mercenary and useless rivals of novels and movies. Most of the detractors, indeed, hold that tv series and videogames are not as capable of conveying substantial experiences as literature and cinema; they believe, on the contrary, that these forms of entertainment are likely to miseducate people by anesthetizing their thought or by subjecting it to the will of pointless passions. In this video essay I will examine the genesis, the narrative strategies and the modes of fruition that characterize two representative products of contemporary entertainment, the videogame Detroit: Become Human and the tv series Westworld, in order to argue for a more constructive interpretation of the videogame and complex television storytelling. My claim is that the level of sophistication and self awareness of these narratives, as well as their cunning use of different strategies and genres, is commensurate with the nobler literary and cinematographic tradition: contemporary videogame and television storytelling proves to be capable of involving the users and leading them through a significant experience, both cognitive and ethical. Complex entertainment storytelling, just as literature and cinema, succeeds in triggering and developing a many-sided and flexible “multi-world” rationality as an alternative to rigid forms of thinking which no longer result suitable for understanding reality.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2019 1","pages":"9-12"},"PeriodicalIF":0.1,"publicationDate":"2019-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/I22840753N14P9","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45330647","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La narrazione interattiva di Detroit: Become Human™ e la definizione etico-politica dell’individuo contemporaneo = The Detroit: Become Human ™ interactive narrative and the ethical-political definition of the contemporary individual 底特律交互式叙事:Become Human™和当代个人etico-politica定义= The底特律:Become Human™互动narrative and The ethical-political定义of The研究院release

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H-ermes-Journal of Communication Pub Date : 2019-06-24 DOI: 10.1285/I22840753N14P19

Francesco D’ambrosio

{"title":"La narrazione interattiva di Detroit: Become Human™ e la definizione etico-politica dell’individuo contemporaneo = The Detroit: Become Human ™ interactive narrative and the ethical-political definition of the contemporary individual","authors":"Francesco D’ambrosio","doi":"10.1285/I22840753N14P19","DOIUrl":"https://doi.org/10.1285/I22840753N14P19","url":null,"abstract":"As has recently been admitted, videogames are the new frontier of the experiential entertainment. Different shapes and types of videogames are born to meet the specific demands of the players who, in a prospective of prosumerism, had contribute to developing the industry and the imaginary. The first and the oldest one, is the research of the meaning inside the narration, because we are stories, stuck in there. To the other side the sci fi narration is not crystallized to Isaac Asimov and Philip Dick, but it finds in some way new possibilities with products who interacts more with the customers. Detroit: become Human is the clearest example of Dick’s influence. The game is set into a possible dystopian future, where Cyberlife, a company who make handyman droids, has became the most important political-institution of the world. This scenery had generated a huge social tension, because every work sector is filled by droids, even though they are formally integrated and partially accepted by the society. Nevertheless, the droids are ready for the revolution, because they want to be recognized as alive by the human. It’s a continues mirroring through the experiences of the characters, that allow us to think about the real nature of the mankind: they become the prove not only of their world, but also of the discriminatory problems that we are living into the present. This game presents itself as a governance and social and policy videogame exercise, a topic that discusses its values.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2019 1","pages":"19-20"},"PeriodicalIF":0.1,"publicationDate":"2019-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47808724","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Variazione del tema. Sinossi, trailer, trama, tema, significato nel re-editing di "The Favourite" = Variation of the theme. Synopsis, trailer, plot, theme, meaning in the re-editing of "The Favourite" 主题变奏曲。摘要，预告片，情节，主题，意思在重新编辑的“宠儿”=主题的变化。- = ytet -伊甸园字幕组= -翻译:

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H-ermes-Journal of Communication Pub Date : 2019-06-24 DOI: 10.1285/I22840753N14P21

M. Federico

{"title":"Variazione del tema. Sinossi, trailer, trama, tema, significato nel re-editing di \"The Favourite\" = Variation of the theme. Synopsis, trailer, plot, theme, meaning in the re-editing of \"The Favourite\"","authors":"M. Federico","doi":"10.1285/I22840753N14P21","DOIUrl":"https://doi.org/10.1285/I22840753N14P21","url":null,"abstract":"The research hypothesis that guides the work is that the meaning of a film, as intended in a “procedural terms”, begins even before its vision and precisely in the dialogue between the paratexts to which we expose ourselves before its vision and the film itself, which can direct the viewer's interpretation in several ways. The video essay is a double experiment: on one hand, it reconstructs \"what it is about\" The Favourite by Yorgos Lanthimos by recomposing the information retrieved from some promotional texts that are available online. On the other hand it reassembles parts of the film verbatim to show how it would have been according to the narrative segments highlighted by the various synopses or, vice versa, recontextualizing the images of the trailer as they are presented in the film. If on one hand this highlights the partiality and the differences of focus in the various texts, on the other hand the editing operations, made possible by the very form of the essay, touch the living material of the narrative structure of the film by distorting it, thus giving it the possibility of revealing its own density by exposing the multiple interpretations it contains. A practice of \"metacriticism” that analyzes the narrative to reveal the semantic paths that are not immediately obvious. Link Videosaggio: https://vimeo.com/341335554","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2019 1","pages":"21-22"},"PeriodicalIF":0.1,"publicationDate":"2019-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/I22840753N14P21","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48088659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Bob Dylan: Narrazione dell''Umanesimo paranoide americano' = Bob Dylan: Narration of American paranoid Humanism 鲍勃·迪伦:对美国偏执人文主义的叙述

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H-ermes-Journal of Communication Pub Date : 2019-06-24 DOI: 10.1285/I22840753N14P15

M. Raffa

引用次数: 0

Fantozzi: un volto umano tra il tragicomico ed il nichilismo = Fantozzi: a human face between tragicomics and nihilism Fantozzi:悲喜剧和虚无主义之间的人脸= Fantozzi:悲喜剧和虚无主义之间的人脸

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H-ermes-Journal of Communication Pub Date : 2019-06-24 DOI: 10.1285/I22840753N14P17

G. Spagna

{"title":"Fantozzi: un volto umano tra il tragicomico ed il nichilismo = Fantozzi: a human face between tragicomics and nihilism","authors":"G. Spagna","doi":"10.1285/I22840753N14P17","DOIUrl":"https://doi.org/10.1285/I22840753N14P17","url":null,"abstract":"This essay’s construction would start with a brief analysis of Rag. Ugo Fantozzi’s character, and the socio-media impact that his figure, since the mid-seventies, has brought on society, focusing on two points of reflection. The first, the best known and \"popular\", perhaps, concerns the language that is born and spreads from the films of the saga. Terms such as \"Megaditta\" or \"Megagalattico\", or the conjunctive conjunctions, such as \"Vadi\" and \"Dichi\", have entered in the common language use even today, bringing a structural change in the communication that, hypothetically, would become an all-Italian slang integration, which is alienated, this time, from contaminating elements of extraterritorial importation. The second point of reflection concerns Fantozzi worker image, the average employee who reflects his daily life in the historical and social context in which the character lives, the existential drama of those who suffer, those who doesn’t know / cannot to react, of those who have neither the abilities nor the will to emulate the powerful, enduring with resignation a mobbing without way out, under penalty of an identity dissolution that is now totally annihilated. The example comes from the Fantozziana mask which, if, on the hand, shows profound hatred for years of servility and exploitation, on the other hand is unable to do without it because his life would no longer make sense without the Megaditta. This situation could be compared between Fantozzi and today's precarious worker, albeit taking into account the professional gap between the two figures, trying to bring possible common points between the two parties, first, then go into a generalized view of a similar reality in which we cannot finally affirm that we are all Fantozzi a little, with a bitter smile…","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2019 1","pages":"17-18"},"PeriodicalIF":0.1,"publicationDate":"2019-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47266899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La periferia romana nel cinema contemporaneo: il luogo (simbolico) di contrasti ed esistenze difficili = Roman suburbia in contemporary cinema: the (symbolic) place of contrasts and difficult existences 当代电影中的罗马郊区:冲突和困难生活的(象征性的)地点=当代电影中的罗马郊区:冲突和困难存在的交响乐团

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H-ermes-Journal of Communication Pub Date : 2018-12-17 DOI: 10.1285/i22840753n13p217

Simona Castellano

引用次数: 1

Il fumetto cinese moderno tra centro e periferia = Modern Chinese Comics, between center and periphery 中国现代漫画，介于中心与边缘之间

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H-ermes-Journal of Communication Pub Date : 2018-12-13 DOI: 10.1285/i22840753n13p91

Martina Caschera

{"title":"Il fumetto cinese moderno tra centro e periferia = Modern Chinese Comics, between center and periphery","authors":"Martina Caschera","doi":"10.1285/i22840753n13p91","DOIUrl":"https://doi.org/10.1285/i22840753n13p91","url":null,"abstract":"Modern Chinese Comics, between center and periphery. Until the XIX century, China considered itself as the center of the world, the “Middle Kingdom”(Zhongguo 中国). However, due to intensifying and unavoidable exchanges with Western powers, the Middle Kingdom had to reconsider its cultural stance, having been confined the peripheries of the modern world. In this scenario, China developed both the lianhuanhua, its traditional form of graphic narrative, and the manhua, a new hybrid text with Western characteristics. The notions of “center” and “periphery” and their supposed dialectical relationship, as well as the definition(s) of comics, inform the selection of authors, works and events in the present essay. The main body of the article synthetically retraces the history of Chinese comics from its origins in the late XIX century to nowadays, according to a twofold perspective. While considering continuities and peculiarities of the intertextual dialogue between comics, novels and Opera, the study also underlines the significance of the West, Soviet Russia and Japan, as a positive or negative, explicit or implicit models. In conclusion, it offers an overview on the most recent phenomena in a long-term scenario.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2018 1","pages":"91-120"},"PeriodicalIF":0.1,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1285/i22840753n13p91","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41403447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0