Immaginario collettivo e iconografia della rivolta nella storia contemporanea = Collective imagination of riot: iconography of uprisings in contemporary History

IF 0.2 Q4 COMMUNICATION
Andrea Massera
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引用次数: 0

Abstract

Collective imagination of riot: iconography of uprisings in contemporary History. The purpose of this article consists in finding recurrent iconographies in urban riots during Contemporary History. After a brief description of what can be considered a riot nowadays, it analyzes visual material that represents the most known social protests in contemporary History. From the French riots in 1830 and 1848 to the most recent events such as G8 Summit of Genoa, banlieues riots, Arab Spring, and so on. To do so, the paper is supported by a lot of different visual sources: paintings and newspaper's illustrations, photos and digital media. In fact, this iconographic research also deals with new media’s images, such as videogames, social media, Google. The focus of this paper is to find and analyze the recurring patterns of urban riots’ representations, that can be found through centuries and different visual materials. From the already mentioned traditional media to the new digital ones, any urban riot has common elements which are interesting to explore and deeply analyze.
暴乱的集体想象:当代史上的暴乱图像学
暴乱的集体想象:当代史上的暴乱图像。这篇文章的目的在于寻找当代历史上城市骚乱中反复出现的图像。在简要描述了当今可以被视为骚乱的事件后,它分析了代表当代历史上最著名的社会抗议的视觉材料。从1830年和1848年的法国骚乱到最近的事件,如热那亚八国集团峰会、郊区骚乱、阿拉伯之春等等。为此,论文得到了许多不同的视觉来源的支持:绘画和报纸的插图、照片和数字媒体。事实上,这项图像学研究也涉及新媒体的图像,如视频游戏、社交媒体、谷歌。本文的重点是寻找和分析城市骚乱再现的模式,这些模式可以通过几个世纪和不同的视觉材料找到。从已经提到的传统媒体到新的数字媒体,任何城市骚乱都有共同的元素,值得探索和深入分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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