H-ermes-Journal of Communication最新文献_第4页

Media empatici, emozioni e gamification: dalla quarta rivoluzione industriale alla società postpandemica = Empathic media, emotions and gamification: from the Fourth Industrial Revolution to the postpandemic society 移情媒体、情感和游戏化:从第四次工业革命到大流行后社会:移情媒体、情感和游戏化:从第四次工业革命到大流行后社会

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H-ermes-Journal of Communication Pub Date : 2020-11-06 DOI: 10.1285/I22840753N16P7

Nello Barile, G. Bovalino

{"title":"Media empatici, emozioni e gamification: dalla quarta rivoluzione industriale alla società postpandemica = Empathic media, emotions and gamification: from the Fourth Industrial Revolution to the postpandemic society","authors":"Nello Barile, G. Bovalino","doi":"10.1285/I22840753N16P7","DOIUrl":"https://doi.org/10.1285/I22840753N16P7","url":null,"abstract":"The Fourth Industrial Revolution represents the most advanced frontier of technological innovation that will transform the economy of the future in a disruptive way, introducing new devices such as: self-guided vehicles, 3D printing, advanced robotics, new materials, digital platforms, gene editing etc. The expression \"empathic media\" means not only the platforms and devices that develop forms of \"emotional artificial intelligence\", but also all those innovations who have been able to enhance the emotional nature of the human being in commercial terms. The ever closer relationship between emotions, artificial intelligence and creativity represents a dominant trend of our time that can be examined, for example, by comparing the recent cinematographic imagination with some innovations on the market. Through this comparison we can understand the way in which new technologies enhance the emotional dimension that has become a central aspect not only in human-machine interaction but also more generally of a new concept of design, communication and consumption. By analyzing the social context created as a consequence of the coronavirus, we discuss a classification based on three scenarios that it seems they can work as interpretative models of the relation between technology and everyday life: 1) Isolation, 2) Integration and 3) Co-design. Each of them is expressed as a form of experience in which the media are the medium and therefore the environment capable of creating, nurturing and hosting particular feelings and emotions. The media are transfigured as empathic tools because they allow \"suffering together\", as the etymology of the term prefigures, producing different types of experiential sharing","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":" ","pages":"7-26"},"PeriodicalIF":0.1,"publicationDate":"2020-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47129375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La vanguardia del cómic digital: Transmedialidad y recursos narrativos en Joselito de Marta Altieri = Digital Comics Avant-garde: Transmediality and narrative resources in Marta Altieri's Joselito 数字漫画的前卫：Joselito de Marta Altieri中的跨媒体性和叙事资源=数字漫画前卫：Marta Altieri的Joselito中的跨媒体性和叙事资源

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P163

R. Bartual, Gerardo Vilches

{"title":"La vanguardia del cómic digital: Transmedialidad y recursos narrativos en Joselito de Marta Altieri = Digital Comics Avant-garde: Transmediality and narrative resources in Marta Altieri's Joselito","authors":"R. Bartual, Gerardo Vilches","doi":"10.1285/I22840753N18P163","DOIUrl":"https://doi.org/10.1285/I22840753N18P163","url":null,"abstract":"One of the latest and more complex examples of the potentialities of digital comics is Joselito (2018-) by Spanish author Marta Altieri. Published on her own webpage, Joselito is a serial melodrama, in which the author uses all her knowledge as a webpage designer in order to introduce various intermedial elements, such as real-time diegetic music, photographs, chat conversations, gif animations, memes or vertical scroll as a reading mechanism, imitating our way of reading someone else's stories today. In this paper, we propose a study of Joselito's narrative and analyze the strategies that it uses when it comes to represent psychological and subjective realities, as well as the way it provokes emotional and sensorial responses in the readers. We also analyze the implications of the absence of the conventional panoptic qualities of conventional comics, which are replaced by a multimodal way of organizing information. We also investigate the many ways whereby Joselito defies the most traditional comic definitions, not to mention the great changes that animations introduce in the representation of movement. Additionally, we analyze how the return of serial narrative and the possibility of extending each chapter without restrictions have an influence in webcomics like Joselito, making way to a different kind of narrative, based on the anecdotal and on routine, where the psychological evolution of the characters is not as important as it is in the classical graphic novel.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2020 1","pages":"163-190"},"PeriodicalIF":0.1,"publicationDate":"2020-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47742799","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introduzione. E-comics - Attualità e inattualità del fumetto nel tempo digitale = Introduction. E-comics - The contemporary and uncontemporary nature of comics in the digital era 引言。电子漫画-数字时代漫画的时事和非时事=引言。电子漫画——数字时代漫画的当代和非当代性质

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P7

S. Brancato, Ivan Pintor Iranzo

引用次数: 0

Marvel's Spider-Man: "Ragnoverso" crossmediale = Marvel's Spider-Man: crossmedia "Spider-Verse" 漫威蜘蛛侠:跨媒体版“蜘蛛侠”

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P73

Nicolò Villani

引用次数: 1

Dalla tavola al touch (e ritorno). Rimediazioni tra fumetto cartaceo e digitale in Leo Ortolani = From paper page to touchscreen (and back). Remediations between printed and digital comics in Leo Ortolani 从桌子到触摸。利奥·奥托拉尼(Leo Ortolani)的纸质和数字漫画书的修复:从纸页到触摸屏。Leo Ortolani出版和数字漫画之间的调解

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P209

Alessio Aletta

{"title":"Dalla tavola al touch (e ritorno). Rimediazioni tra fumetto cartaceo e digitale in Leo Ortolani = From paper page to touchscreen (and back). Remediations between printed and digital comics in Leo Ortolani","authors":"Alessio Aletta","doi":"10.1285/I22840753N18P209","DOIUrl":"https://doi.org/10.1285/I22840753N18P209","url":null,"abstract":"On the basis of Bolter and Grusin's definition of 'remediation' as 'the representation of one medium in another', this paper analyses the various ways in which digital comics have tried to rethink the comics 'grid' for computers and smaller devices, following three main approaches: digitalized comic, 'infinite canvas' and 'panel delivery'. In particular, this study discusses the problems that may arise when comics created for the screen are published on paper (an issue which is much less explored in the literature). The analysis focuses on the interactions between 'traditional' and digital comics in the latest works of Italian cartoonist Leo Ortolani. Over the last few years this author, despite being famous mostly for having created the popular superhero parody Rat-man, has experimented a variety of different approaches on e-comics. Most recently, Ortolani worked on a series of 'mobile comics' in which he chronicled the developing of Covid's first wave in the Spring of 2020. This series was later published in a volume titled Andra tutto bene ('Everything will be fine'), which imitates the original 'panel delivery' format by printing one panel per page. This peculiar typographical choice, which seems to embody the very idea of 'remediation', muddles the separation between 'traditional' paper comics and e-comics. Furthermore, by trying to preserve the 'mobile comic' layout, Ortolani seems to legitimize the peculiarity of e-comics as an independent medium with its own potentialities.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2020 1","pages":"209-228"},"PeriodicalIF":0.1,"publicationDate":"2020-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46125067","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From poly-medium to post-medium A discourse on non-evolutionary movements of manga and comics 从多元媒介到后媒介——论漫画的非进化运动

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P23

Marco Pellitteri

引用次数: 0

Historietas, lectores y máquinas de Turing = Comics, Readers and Turing Machines 历史，讲师máquinas de图灵=漫画，读者和图灵机

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P297

Jesús Gisbert Sampedro

引用次数: 0

Fanzinismo catódico experimental desde España = Experimental cathodic fanzinism from Spain 他的父亲是一名律师，母亲是一名律师。

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P139

Pons Moreno, M. Álvaro

{"title":"Fanzinismo catódico experimental desde España = Experimental cathodic fanzinism from Spain","authors":"Pons Moreno, M. Álvaro","doi":"10.1285/I22840753N18P139","DOIUrl":"https://doi.org/10.1285/I22840753N18P139","url":null,"abstract":"In the last decade, small press and self-publishing has undergone an important boom in Spain, mainly around two phenomena: on the one hand, the generalization of the introduction of comics in higher art studies; on the other hand, the appearance of a circuit of festivals and events of self-publishing and smll press. Two forces that have contributed to the appearance of a brilliant generation of young authors who have found in the comic a valid way of expression, far from any previous canon of the comic and without previous baggage in the medium. As opposed to a tradition that was marked by the influence and admiration of the great authors on the past of the medium, this new generation has been influenced by the culture of the audiovisual image, from television series, cinema and, of course, the omnipresent graphic presence in social networks such as Instagram, DevianArt or Pinterest. Despite the fact that most of the creation has been developed on paper, as part of a claim for the organic in rebellion against the digital omnipresence, this work has been also published in social media or online, questioning the limitations between media and taking full advantage of the new options that web publication brings. An example of this fruitful relationship is Tik Tok comics, a website showing the work of young authors in search of new expressive paths, which has evolved into an Instagram channel, Tris Tras, where the dynamics of the social network itself establish new contours of interaction. New experiences that advance in a line of radical experimentation in which we would find Joselito, by Marta Alteri, who hybridizes the medium without concessions.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2020 1","pages":"139-162"},"PeriodicalIF":0.1,"publicationDate":"2020-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47042440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Identità diasporica cinese nel fumetto di realtà: da American Born Chinese a Primavere e Autunni = Chinese Diasporic Identity in "reality-based comics": from American Born Chinese to Primavere e Autunni 现实漫画中的中国移民身份:从美国出生的中国人到春天和秋天

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P229

Martina Caschera

引用次数: 1

Il fumetto digitale tra sperimentazione e partecipazione : il caso Homestuck = Digital comics halfway between experimentation and participation : the example of Homestuck 实验与参与的数字漫画:Homestuck案例=介于实验与参与之间的数字漫画:Homestuck的例子

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H-ermes-Journal of Communication Pub Date : 2020-07-12 DOI: 10.1285/I22840753N18P45

G. Rizzi

{"title":"Il fumetto digitale tra sperimentazione e partecipazione : il caso Homestuck = Digital comics halfway between experimentation and participation : the example of Homestuck","authors":"G. Rizzi","doi":"10.1285/I22840753N18P45","DOIUrl":"https://doi.org/10.1285/I22840753N18P45","url":null,"abstract":"Digital comics that try to maximize the affordances of their medium seem to be condemned to in-betweenness: their strength (leveraging on unusual narrative potentials) often becomes their limit, and authors are hardly able to free themselves from the role of niche experimenters and open up to audience participation. A significant exception, however, is Homestuck, a gigantic webcomic by Andrew Hussie. Strongly connected to videogame culture and the very nature of the internet, Homestuck features animations, sounds, embedded flash games, and so on. The webcomic resulted in various transmedial branches (a videogame spin-off and several friendsims, a multi-volume soundtrack, a book epilogue) and an ongoing intermedial adaptation in book format. It has equally managed, over the years, to consolidate an extremely lively community active both in its interactions with the author (with a constant exchange of ideas and an endless readiness to subsidize his projects), in its interpretation of the canon production, and in providing an amazing extent of fan production. This contribution aims to analyze Homestuck as a possible mediation between the two inclinations (experimental and participated) of digital comics.","PeriodicalId":40441,"journal":{"name":"H-ermes-Journal of Communication","volume":"2020 1","pages":"45-72"},"PeriodicalIF":0.1,"publicationDate":"2020-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41833577","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1