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Jazz Research Journal最新文献

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‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s “周末做什么”:了解20世纪30年代堪萨斯城爵士乐现场的分心，广告和报纸报道
Jazz Research Journal Pub Date : 2019-10-13 DOI: 10.1558/jazz.39106
Anthony J. Bushard
{"title":"‘What to do over the week-end’: Towards an understanding of distraction, advertising and newspaper coverage of the Kansas City jazz scene in the 1930s","authors":"Anthony J. Bushard","doi":"10.1558/jazz.39106","DOIUrl":"https://doi.org/10.1558/jazz.39106","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43034839","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing “朝九晚五，上大学，而不是两晚回家”:让-米歇尔·巴斯奎特笔下的爵士乐与美国世俗
Jazz Research Journal Pub Date : 2019-10-12 DOI: 10.1558/jazz.37810
Ellen O'Donoghue Oddy
{"title":"‘9-TO-5, WENT TO COLLEGE, NOT 2-NITE HOMEY BLUES’: Jazz and the American mundane in Jean-Michel Basquiat’s writing","authors":"Ellen O'Donoghue Oddy","doi":"10.1558/jazz.37810","DOIUrl":"https://doi.org/10.1558/jazz.37810","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45838846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED 爵士乐、空间与劳动:贾森·莫兰《舞台》中劳动歌曲的混合媒介审美化
Jazz Research Journal Pub Date : 2019-10-12 DOI: 10.1558/jazz.37803
K. Teal
{"title":"Jazz, space and labor: Mixed media aestheticization of work songs in Jason Moran’s STAGED","authors":"K. Teal","doi":"10.1558/jazz.37803","DOIUrl":"https://doi.org/10.1558/jazz.37803","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42517113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Russia and the Creation of Jazz in the British Everyday Imaginary 俄罗斯与英国日常想象中的爵士乐创作
Jazz Research Journal Pub Date : 2019-10-12 DOI: 10.1558/jazz.37811
Robert Lawson-Peebles
{"title":"Russia and the Creation of Jazz in the British Everyday Imaginary","authors":"Robert Lawson-Peebles","doi":"10.1558/jazz.37811","DOIUrl":"https://doi.org/10.1558/jazz.37811","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49620374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings Christian Scott aTunde Adjuah对丹齐格桥枪击案的批评
Jazz Research Journal Pub Date : 2019-10-12 DOI: 10.1558/jazz.37660
James Williams
{"title":"Christian Scott aTunde Adjuah’s critique of the Danziger Bridge shootings","authors":"James Williams","doi":"10.1558/jazz.37660","DOIUrl":"https://doi.org/10.1558/jazz.37660","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47511428","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz 与Grappelli合作：当代爵士乐小提琴教育学与吉普赛爵士乐的遗产
Jazz Research Journal Pub Date : 2019-10-12 DOI: 10.1558/jazz.37944
T. Sykes, Ari Poutiainen
{"title":"Grappling with Grappelli: Contemporary jazz violin pedagogy and the legacy of gypsy jazz","authors":"T. Sykes, Ari Poutiainen","doi":"10.1558/jazz.37944","DOIUrl":"https://doi.org/10.1558/jazz.37944","url":null,"abstract":"The violin has been played in jazz from the beginning of the music's history, and yet ithas, until relatively recently, been somewhat neglected as a significant jazz instrumentin terms of both performance and education. One style of jazz in which the violin is significantis so-called 'gypsy jazz', which originated with the formation of Le Quintette duHot-club de France in the early 1930s featuring gypsy guitarist Django Reinhardt andviolinist Stephane Grappelli. The success of this group led to Grappelli being consideredcentral to jazz violin and gypsy jazz, and the gypsy jazz style-initially a Frenchphenomenon-being equated with jazz violin as the everyday aesthetic of jazz violin.The number of successful French jazz violinists following Grappelli (including Jean-LucPonty and Didier Lockwood) has led to the idea of a 'French school' of jazz violin, and anumber of recently published jazz violin tutor books base their approach on the premisethat the Grappelli swing style is central to jazz violin, despite many contemporaryjazz violinists choosing to play in more modern styles. The authors critically considerthe existence of a 'French school' of jazz violin and whether teaching the Grappelli styleis an effective approach to jazz violin pedagogy.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41930153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham 日常爵士乐生活：伯明翰当代爵士乐音乐家生活摄影项目
Jazz Research Journal Pub Date : 2019-10-01 DOI: 10.1558/jazz.39943
Pedro Cravinho, Brian Homer
{"title":"Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham","authors":"Pedro Cravinho, Brian Homer","doi":"10.1558/jazz.39943","DOIUrl":"https://doi.org/10.1558/jazz.39943","url":null,"abstract":"This article examines fragments of a local jazz scene through photographs. It is theoutcome of a collaborative pilot research project entitled 'Everyday Jazz Life: A PhotographicProject on Contemporary Jazz Musicians' Lives in Birmingham' that took placeat Birmingham Centre for Media and Cultural Research, and brought together an academicand a photographer. As Ian Jeffrey suggests, photographs can be consideredas understandable fragments, which invite their viewers' minds to reflect about them.However, as fragments, photographs of contemporary Birmingham's jazz musicians aspeople, not just performers, in the context of their everyday lives can also be understoodas records of intention illuminating how musicians view themselves, the local jazz scene,and how they negotiate their lives while expanding their music. This visual approachopens up the possibility of new, or under-studied, topics for jazz studies research, forexample, those concerning musicians' off-stage complementary activities, social dynamicswithin their communities, and the living challenges and constraints.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49419338","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand 在发光的以太中爵士乐：国际广播如何影响20世纪20年代至30年代新西兰的爵士乐体验
Jazz Research Journal Pub Date : 2019-08-31 DOI: 10.1558/jazz.37953
Aleisha Ward
{"title":"Jazzing through the luminiferous ether: How international radio broadcasts affected the experience of jazz in 1920s–1930s New Zealand","authors":"Aleisha Ward","doi":"10.1558/jazz.37953","DOIUrl":"https://doi.org/10.1558/jazz.37953","url":null,"abstract":"","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44549901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
What can everyday aesthetics teach us about jazz practice? 关于爵士乐实践，日常美学能教给我们什么?
Jazz Research Journal Pub Date : 2019-08-31 DOI: 10.1558/jazz.38246
M. Fletcher
{"title":"What can everyday aesthetics teach us about jazz practice?","authors":"M. Fletcher","doi":"10.1558/jazz.38246","DOIUrl":"https://doi.org/10.1558/jazz.38246","url":null,"abstract":"The Stanford Encyclopedia of Philosophy explains how the evolving field of everyday aesthetics seeks to offer an alternative to the ‘tendency to equate aesthetics with the philosophy of art by arguing that aesthetic experiences are present in many aspects of daily life. Furthermore, the article highlights the fact that often what counts as an everyday activity for one person might be much more unusual for another. Consequently, despite the fact that there are some activities that are largely common to all of us—eating, sleeping—it should also be acknowledged that context plays a vital role in the discourse on the everyday. In this article I will examine how concepts that arise in the discourse on everyday aesthetics relate to the understanding of contemporary jazz performance practice. I will focus on how the daily practice and performance of jazz gives rise to a number of areas of conceptual questioning, and consider how everyday aesthetics might serve as a model for contextualizing the numerous methodological components of jazz performance practice. Citing examples from the work of historical musicians—Lee Konitz and Steve Lacy—as well as from my own practice, and with reference to the daily activities of instrumental study, group rehearsal and repeated performance, I will present a reading of jazz performance practice that seeks to challenge","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43882350","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition “密西西比，我的家”：非裔美国人传统中的歌曲创作、身份认同和日常美学
Jazz Research Journal Pub Date : 2019-08-31 DOI: 10.1558/jazz.39374
Josep Pedro, Begoña Gutiérrez-Martínez
{"title":"‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition","authors":"Josep Pedro, Begoña Gutiérrez-Martínez","doi":"10.1558/jazz.39374","DOIUrl":"https://doi.org/10.1558/jazz.39374","url":null,"abstract":"This article focuses on the analysis of 'Mississippi, My Home', a blues composition byAfrican-American singer Lavelle White, which posits key issues about the meaningsof home, identity, and everyday aesthetics. Presented as a true story, the song dealswith the idea of returning home to Mississippi. It represents everyday life in a plantationthrough the bond between the narrator and her mother while picking cotton. Therefore,it introduces the listener to an aesthetic of everyday life that combined blues, work songs, and spirituals. Drawing on a personal interview with the artist, as well as on othersources, we will analyse the song as part of a broader interest in the musical discourseof blues. Exploring the song's text and context, the aim is to reach a complex understandingabout the ways in which biography and fiction intertwine with each other in thecreative act of songwriting and musical performance.","PeriodicalId":40438,"journal":{"name":"Jazz Research Journal","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44177558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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