“密西西比,我的家”:非裔美国人传统中的歌曲创作、身份认同和日常美学

IF 0.1 0 MUSIC
Josep Pedro, Begoña Gutiérrez-Martínez
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引用次数: 0

摘要

本文重点分析了非裔美国歌手拉维尔·怀特的蓝调作品《密西西比,我的家》,该作品提出了关于家的意义、身份和日常美学的关键问题。这首歌是一个真实的故事,讲述了回到密西西比州的想法。它通过叙述者和她母亲在采摘棉花时的纽带,代表了植物园的日常生活。因此,它向听众介绍了一种将布鲁斯、工作歌曲和灵歌结合在一起的日常生活美学。根据对这位艺术家的个人采访以及其他来源,我们将分析这首歌,作为对蓝调音乐论述更广泛兴趣的一部分。探索歌曲的文本和背景,目的是对传记和小说在歌曲创作和音乐表演的创造性行为中相互交织的方式达成复杂的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Mississippi, My Home’: Songwriting, identity and everyday aesthetics in the African-American tradition
This article focuses on the analysis of 'Mississippi, My Home', a blues composition byAfrican-American singer Lavelle White, which posits key issues about the meaningsof home, identity, and everyday aesthetics. Presented as a true story, the song dealswith the idea of returning home to Mississippi. It represents everyday life in a plantationthrough the bond between the narrator and her mother while picking cotton. Therefore,it introduces the listener to an aesthetic of everyday life that combined blues, work songs, and spirituals. Drawing on a personal interview with the artist, as well as on othersources, we will analyse the song as part of a broader interest in the musical discourseof blues. Exploring the song's text and context, the aim is to reach a complex understandingabout the ways in which biography and fiction intertwine with each other in thecreative act of songwriting and musical performance.
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来源期刊
CiteScore
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期刊介绍: Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.
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