Everyday jazz life: A photographic project on contemporary jazz musicians’ lives in Birmingham

IF 0.1 0 MUSIC
Pedro Cravinho, Brian Homer
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引用次数: 0

Abstract

This article examines fragments of a local jazz scene through photographs. It is theoutcome of a collaborative pilot research project entitled 'Everyday Jazz Life: A PhotographicProject on Contemporary Jazz Musicians' Lives in Birmingham' that took placeat Birmingham Centre for Media and Cultural Research, and brought together an academicand a photographer. As Ian Jeffrey suggests, photographs can be consideredas understandable fragments, which invite their viewers' minds to reflect about them.However, as fragments, photographs of contemporary Birmingham's jazz musicians aspeople, not just performers, in the context of their everyday lives can also be understoodas records of intention illuminating how musicians view themselves, the local jazz scene,and how they negotiate their lives while expanding their music. This visual approachopens up the possibility of new, or under-studied, topics for jazz studies research, forexample, those concerning musicians' off-stage complementary activities, social dynamicswithin their communities, and the living challenges and constraints.
日常爵士乐生活:伯明翰当代爵士乐音乐家生活摄影项目
这篇文章通过照片研究了当地爵士乐场景的片段。这是一个名为“日常爵士乐生活:当代爵士乐音乐家在伯明翰生活的摄影项目”的合作试点研究项目的成果,该项目在伯明翰媒体和文化研究中心举行,一名学者和一名摄影师参加了该项目。正如伊恩·杰弗里(Ian Jeffrey)所建议的那样,照片可以被视为可以理解的片段,它会引起观众的思考。然而,作为片段,当代伯明翰爵士音乐家的照片,不仅仅是表演者,在他们的日常生活中,也可以被理解为意图的记录,揭示音乐家如何看待自己、当地的爵士乐场景,以及他们如何在扩展音乐的同时协商自己的生活。这种视觉方法为爵士乐研究开辟了新的或研究不足的主题的可能性,例如,那些关于音乐家场外互补活动、社区内的社会动态以及生活挑战和限制的主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
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期刊介绍: Jazz Research Journal explores a range of cultural and critical views on jazz. The journal celebrates the diversity of approaches found in jazz scholarship and provides a forum for interaction and the cross-fertilisation of ideas. It is a development and extension of The Source: Challenging Jazz Criticism founded in 2004 at the Leeds College of Music. The journal aims to represent a range of disciplinary perspectives on jazz, from musicology to film studies, sociology to cultural studies, and offers a platform for new thinking on jazz. In this respect, the editors particularly welcome articles that challenge traditional approaches to jazz and encourage writings that engage with jazz as a discursive practice. Jazz Research Journal publishes original and innovative research that either extends the boundaries of jazz scholarship or explores themes which are central to a critical understanding of the music, including the politics of race and gender, the shifting cultural representation of jazz, and the complexity of canon formation and dissolution. In addition to articles, the journal features a reviews section that publishes critical articles on a variety of media, including recordings, film, books, educational products and multimedia publications.
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