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Revista de Historia da Sociedade e da Cultura最新文献

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Agnaldo dos Santos e o museu de arte negra de Abdias do Nascimento 阿纳尔多·多斯桑托斯和Abdias do Nascimento的黑人艺术博物馆
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI: 10.20396/rhac.v3i1.16106
Gabriela Caspary Corrêa
{"title":"Agnaldo dos Santos e o museu de arte negra de Abdias do Nascimento","authors":"Gabriela Caspary Corrêa","doi":"10.20396/rhac.v3i1.16106","DOIUrl":"https://doi.org/10.20396/rhac.v3i1.16106","url":null,"abstract":"A proposta deste trabalho é colaborar com o aprofundamento da recepção crítica do escultor Agnaldo dos Santos (1926-1962), estabelecendo contato entre sua produção e a formação do Museu de Arte Negra (MAN), idealizado por Abdias do Nascimento (1914-2011). A constituição da coleção do MAN caracterizou-se pela tentativa de reunir obras que tivessem como premissa padrões estéticos de matriz africana. O propósito é observar a diversidade de intenções no âmbito das escolhas estéticas de Agnaldo dos Santos em sua prática artística e a formação da coleção do MAN. ","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"35 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88525681","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
IN-SITU 现场
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI: 10.20396/rhac.v3i1.16040
Henrique Grimaldi Figueredo
{"title":"IN-SITU","authors":"Henrique Grimaldi Figueredo","doi":"10.20396/rhac.v3i1.16040","DOIUrl":"https://doi.org/10.20396/rhac.v3i1.16040","url":null,"abstract":"No contexto da exposição Ouverture, mostra inaugural da Pinault Collection em seu espaço parisiense, a Bourse de Commerce, este trabalho visa refletir sobre as dimensões conceituais a extensão, mas também os limites da categoria In-situ, utilizada como recurso narrativo, tanto curatorial quanto museológico, na institucionalização de obras relacionadas ao espaço arquitetônico. Ancorados na ideia de site-specific, e mais propriamente no conceito de site-specificity, tomaremos o trabalho Untitled (2011), do artista suíço Urs Fischer, como exemplo heurístico de tais transformações.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88322068","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Representation of bathers by Paul-Emile Chabas (1869-1937) 保罗-埃米尔·查巴斯(Paul-Emile Chabas, 1869-1937)的《洗澡者》
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI: 10.20396/rhac.v3i1.16211
Charlotte Collet
{"title":"Representation of bathers by Paul-Emile Chabas (1869-1937)","authors":"Charlotte Collet","doi":"10.20396/rhac.v3i1.16211","DOIUrl":"https://doi.org/10.20396/rhac.v3i1.16211","url":null,"abstract":"The painting of Paul-Emile Chabas is representative of that of the end of the 19th century which relies on the fantasies of the public by showing female nudity. Nevertheless, the artist stands out for having made these figures a subject in their own right, having his young models pose most often at the edge of the water. For this article, it is a question of analyzing and categorizing the different representations of the female nude by Paul-Emile Chabas with regard to artistic production between the two centuries. This study has also aims to account for the preponderance of the subject of bathers within the artist’s production, a multiplicity that earned him recognition.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"29 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81313900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Richard Speare 理查德Speare
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI: 10.20396/rhac.v3i1.16170
R. Wilkes
{"title":"Richard Speare","authors":"R. Wilkes","doi":"10.20396/rhac.v3i1.16170","DOIUrl":"https://doi.org/10.20396/rhac.v3i1.16170","url":null,"abstract":"This article is the first to examine a little-known British artist, Richard Speare (1785–1815), who visited Brazil in 1808–9 and exhibited three watercolours of Brazilian subjects at the prestigious Royal Academy of Arts in London. It presents new biographical information about Speare, including his involvement with the mission to relocate the Braganza royal family from Lisbon to Rio de Janeiro. The article also analyses two engravings reproducing Speare’s drawings of Rio de Janeiro, which were published in a British magazine during the artist’s lifetime.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"19 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73690745","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Apparition de la nature aquatique à l'exposition universelle de 1867 1867年世界博览会上水生自然的出现
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI: 10.20396/rhac.v3i1.16538
G. Le Gall
{"title":"Apparition de la nature aquatique à l'exposition universelle de 1867","authors":"G. Le Gall","doi":"10.20396/rhac.v3i1.16538","DOIUrl":"https://doi.org/10.20396/rhac.v3i1.16538","url":null,"abstract":"Deux aquariums publics ont été édifiés au sein de l’Exposition universelle de 1867 à Paris. Si leur structure emprunte aux grands édifices modernes leurs principes fondamentaux, ils sont aussi pourvus de cavités artificielles qui renvoient à la tradition des grottes maniéristes. Cette combinaison inédite reflète un grand nombre de fantasmes autour de la technique et de la nature développés au cours du XIXe siècle. Elle vient aussi initier une histoire de la mise en scène spectaculaire de la nature dans ces grandes manifestations internationales.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"18 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75448387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Sustentabilidade e resiliência 可持续性和弹性
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI: 10.20396/rhac.v3i1.16102
Yacy-Ara Froner, P. Funari
{"title":"Sustentabilidade e resiliência","authors":"Yacy-Ara Froner, P. Funari","doi":"10.20396/rhac.v3i1.16102","DOIUrl":"https://doi.org/10.20396/rhac.v3i1.16102","url":null,"abstract":"O artigo discute os desafios da proteção do patrimônio cultura, em tempo de crise. Começa por explorar questões históricas e filosóficas em relação a monumentos e patrimônio cultural, em seguida a Convenção de Haia – 1954; 1999. Conclui-se por propor que o patrimônio é essencial, nestes tempos e circunstâncias de crise, para criticar atitudes e abordagens sem crítica. O patrimônio pode servir para a convivência e para a aceitação de outras maneiras de pensar e se comportar.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"11 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87517534","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
Da censura à consagração 从审查到奉献
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI: 10.20396/rhac.v3i1.16168
Alexandre Pedro de Medeiros
{"title":"Da censura à consagração","authors":"Alexandre Pedro de Medeiros","doi":"10.20396/rhac.v3i1.16168","DOIUrl":"https://doi.org/10.20396/rhac.v3i1.16168","url":null,"abstract":"Este artigo analisa o itinerário de La civilización occidental y cristiana (1965), obra do artista argentino León Ferrari, através de suas exposições. Parte-se de sua primeira aparição no Prêmio Di Tella, em 1965, sua retirada do certame e o questionamento de seu caráter artístico pelo crítico Ernesto Ramallo até sua consagração, em 2007, como trabalho central na trajetória do artista homenageado com o Leão de Ouro na 52ª Bienal de Veneza e, em 2015, como uma das obras apresentadas na mostra International Pop, a qual esteve articulada com o movimento de reescrita do cânone da arte pop. Desse modo, este texto também examina as exposições enquanto instâncias legitimadoras da arte, pois discute o arco entre a censura e a consagração do trabalho de Ferrari, especialmente sua inserção no rol de obras de um autointitulado cânone pop expandido. Assim, pretende-se abordar como esse cânone tem sido formulado e operado a partir de uma “retórica do global” que visa dar cognoscibilidade e inteligibilidade – e mesmo aspecto global – a produções artísticas de regiões não-hegemônicas e, também, como isso tem alterado as análises referentes ao trabalho em questão.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83433387","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Monarchy and Universities in the Hispanic kingdoms (13th-15th centuries): interventionism in their government and funding 西班牙王国的君主制和大学(13 -15世纪):对政府和资金的干预主义
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-28 DOI: 10.14195/1645-2259_22-1_1
Susana Guijarro González
{"title":"Monarchy and Universities in the Hispanic kingdoms (13th-15th centuries): interventionism in their government and funding","authors":"Susana Guijarro González","doi":"10.14195/1645-2259_22-1_1","DOIUrl":"https://doi.org/10.14195/1645-2259_22-1_1","url":null,"abstract":"This paper studies the differences between the Crowns of Castile and Aragon in the relationship between monarchy and universities in the Late Middle Ages. In the case of the first Castilian universities, it nuances the excessive importance that historiography has granted to the monarchs in their foundation and instead stresses that the initiative came from bishops and cathedral chapters before being seconded by royalty. It also describes the changes in the royal intervention in university funding and protection. As regards the Crown of Aragon, it emphasises the role of the urban oligarchy in the municipal corporations in the creation of the universities, together with the king and the bishops. This was the reason for the importance of municipal funding despite the initial opposition in the 13th century to an institution with its own jurisdiction that was outside its control.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46857097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Olive grove landscape: the hydraulic pressing machine and its importance in the cultural heritage of Andalusia (Spain) 橄榄林景观：液压机及其在安达卢西亚文化遗产中的重要性（西班牙）
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-28 DOI: 10.14195/1645-2259_22-1_8
Sheila Palomares
{"title":"Olive grove landscape: the hydraulic pressing machine and its importance in the cultural heritage of Andalusia (Spain)","authors":"Sheila Palomares","doi":"10.14195/1645-2259_22-1_8","DOIUrl":"https://doi.org/10.14195/1645-2259_22-1_8","url":null,"abstract":"The hydraulic press was patented by Bramah in 1795. Initially, it was used for keeping paper flat or pressing maps, but, in 1833, in Montilla (Córdoba, Spain), the machine was properly adapted by Diego de Alvear to produce olive oil. It was an extraordinary technological advance in the olive oil sector, not only in Spain but also in other countries of the Mediterranean Basin, because it made it possible to produce better olive oil in less time. The aim of this article is to analyse: the importance of the invention of the hydraulic press for the olive oil industry; the influence it had on the configuration of the olive grove landscape and its heritage value as an example of the evolution of Andalusian society.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49636772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Alonso de la Vera Cruz’s Manuals and the University of Mexico in 16th Century: Teaching Theology and Arts from a Missionary Perspective 阿隆索·德拉·维拉·克鲁兹的手册与16世纪的墨西哥大学:从传教士的角度教授神学和艺术
IF 0.1 4区 历史学
Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-28 DOI: 10.14195/1645-2259_22-1_3
José Luis Egío García
{"title":"Alonso de la Vera Cruz’s Manuals and the University of Mexico in 16th Century: Teaching Theology and Arts from a Missionary Perspective","authors":"José Luis Egío García","doi":"10.14195/1645-2259_22-1_3","DOIUrl":"https://doi.org/10.14195/1645-2259_22-1_3","url":null,"abstract":"The creation of the University of Mexico (1553) favoured the intensification of the processes of translation of normative knowledge between Europe and America, which had already begun with the arrival of the first Spanish conquistadores and missionaries to the New World. This article offers a synthesis of the recent historiography on the University of colonial Mexico, to be profiled as a missionary Studium, clearly differentiated from the European models with which it has tended to be compared (in particular, Salamanca). Focusing on the printed works of the Augustinian friar Alonso de la Vera Cruz (1507-84), one of the first teachers at the University of Mexico, we find representative examples of the type of propaedeutic teaching of the Arts (Logic, Natural Philosophy) which was common in the particular academic context of 16th-century New Spain. On the other hand, the theological production of Vera Cruz illustrates well the strategies of flexibilization and localization that were put into practice in order to successfully translate the preexisting Christian normativity to unforeseen and challenging contexts.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2022-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48633060","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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