Representation of bathers by Paul-Emile Chabas (1869-1937)

IF 0.2 4区历史学 Q2 HISTORY

Revista de Historia da Sociedade e da Cultura Pub Date : 2022-06-30 DOI:10.20396/rhac.v3i1.16211

Charlotte Collet

引用次数: 0

Abstract

The painting of Paul-Emile Chabas is representative of that of the end of the 19th century which relies on the fantasies of the public by showing female nudity. Nevertheless, the artist stands out for having made these figures a subject in their own right, having his young models pose most often at the edge of the water. For this article, it is a question of analyzing and categorizing the different representations of the female nude by Paul-Emile Chabas with regard to artistic production between the two centuries. This study has also aims to account for the preponderance of the subject of bathers within the artist’s production, a multiplicity that earned him recognition.

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保罗-埃米尔·查巴斯(Paul-Emile Chabas, 1869-1937)的《洗澡者》

保罗·埃米尔·查巴斯的画作是19世纪末依靠大众的幻想，表现女性裸体的代表性作品。尽管如此，这位艺术家还是以自己的权利使这些人物成为主题而脱颖而出，他的年轻模特经常在水边摆姿势。本文将分析和分类两个世纪以来查巴斯在艺术创作中对女性裸体的不同表现。这项研究还旨在解释在艺术家的作品中洗澡的主体占主导地位，这种多样性为他赢得了认可。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Revista de Historia da Sociedade e da Cultura HISTORY-

CiteScore

0.30

自引率

0.00%

发文量

审稿时长

35 weeks

期刊介绍： The Journal of the Center for the History of Society and Culture is an annual scientific journal written in Portuguese. Its articles are subjected to a preliminary assessment carried out by an external arbitration committee. This journal was founded in 2001 with the main goal of publicizing the historical studies developed within the scope of the Center for the History of Society and Culture, an R&D unit registered with the Foundation for Science and Technology. The journal’s contents include unpublished historical texts (from the Middle Ages to the Contemporary Age), a news section on scientific activities and critical reviews of books in the field of History. The journal accepts articles from full researchers and collaborators of the Center for the History of Society and Culture, as well as from any other historians from outside this institution. Special encouragement is made to the participation of all those who, in one way or another, cooperate or develop networking activities with this Research Center.