{"title":"理查德Speare","authors":"R. Wilkes","doi":"10.20396/rhac.v3i1.16170","DOIUrl":null,"url":null,"abstract":"This article is the first to examine a little-known British artist, Richard Speare (1785–1815), who visited Brazil in 1808–9 and exhibited three watercolours of Brazilian subjects at the prestigious Royal Academy of Arts in London. It presents new biographical information about Speare, including his involvement with the mission to relocate the Braganza royal family from Lisbon to Rio de Janeiro. The article also analyses two engravings reproducing Speare’s drawings of Rio de Janeiro, which were published in a British magazine during the artist’s lifetime.","PeriodicalId":40420,"journal":{"name":"Revista de Historia da Sociedade e da Cultura","volume":"19 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2022-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Richard Speare\",\"authors\":\"R. Wilkes\",\"doi\":\"10.20396/rhac.v3i1.16170\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article is the first to examine a little-known British artist, Richard Speare (1785–1815), who visited Brazil in 1808–9 and exhibited three watercolours of Brazilian subjects at the prestigious Royal Academy of Arts in London. It presents new biographical information about Speare, including his involvement with the mission to relocate the Braganza royal family from Lisbon to Rio de Janeiro. The article also analyses two engravings reproducing Speare’s drawings of Rio de Janeiro, which were published in a British magazine during the artist’s lifetime.\",\"PeriodicalId\":40420,\"journal\":{\"name\":\"Revista de Historia da Sociedade e da Cultura\",\"volume\":\"19 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-06-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Revista de Historia da Sociedade e da Cultura\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.20396/rhac.v3i1.16170\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"HISTORY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Revista de Historia da Sociedade e da Cultura","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.20396/rhac.v3i1.16170","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"HISTORY","Score":null,"Total":0}
This article is the first to examine a little-known British artist, Richard Speare (1785–1815), who visited Brazil in 1808–9 and exhibited three watercolours of Brazilian subjects at the prestigious Royal Academy of Arts in London. It presents new biographical information about Speare, including his involvement with the mission to relocate the Braganza royal family from Lisbon to Rio de Janeiro. The article also analyses two engravings reproducing Speare’s drawings of Rio de Janeiro, which were published in a British magazine during the artist’s lifetime.
期刊介绍:
The Journal of the Center for the History of Society and Culture is an annual scientific journal written in Portuguese. Its articles are subjected to a preliminary assessment carried out by an external arbitration committee. This journal was founded in 2001 with the main goal of publicizing the historical studies developed within the scope of the Center for the History of Society and Culture, an R&D unit registered with the Foundation for Science and Technology. The journal’s contents include unpublished historical texts (from the Middle Ages to the Contemporary Age), a news section on scientific activities and critical reviews of books in the field of History. The journal accepts articles from full researchers and collaborators of the Center for the History of Society and Culture, as well as from any other historians from outside this institution. Special encouragement is made to the participation of all those who, in one way or another, cooperate or develop networking activities with this Research Center.