{"title":"Problematyka literacko-kulturalna podejmowana na łamach „Działu Literackiego” tygodnika „Kraj” w 1906 roku","authors":"M. Grabski","doi":"10.31648/apr.3562","DOIUrl":"https://doi.org/10.31648/apr.3562","url":null,"abstract":"The article includes the analysis of the content in the “Literary Section” of the weekly “Kraj” released in Saint Petersburg. The turning point 1906 refers to the revolutionary riots of the Russian Revolution what enables comparing literary content and analyzing it based on the contemporary socio-political events.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130765508","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Аўтабіяграфічная аповесць Развітанне з ілюзіямі: Васіль Быкаў вачыма Аляксея Карпюка","authors":"Anna Sakowicz","doi":"10.31648/apr.3567","DOIUrl":"https://doi.org/10.31648/apr.3567","url":null,"abstract":"This article analyses the memories about Wasyl Bykow (1924–2003), one of the most outstanding Belarusian prose writers Aleksy Karpiuk (1920–1992) included in the book Farewell to Illusions (2007). Particular attention is paid to the writer’s life in Grodno and his friendship with A. Karpiuk, an artist born in Straszewo in the Bialystok region, the author of many works describing the reality of the borderland of north-eastern Poland. A. Karpiuk truly describes twenty-two years shared with his friend in Grodno, in a period unfavorable for rebellious writers. The writer shows the personality of Bykow, focuses on the socio-political aspect of life in the second half of the twentieth century, but tactically ignores the private sphere. A. Karpiuk, on the occasion of describing the problems that the literary milieu struggled with, gives his own assessment of the socio-political situation in Belarus.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"105 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126703124","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"„Piękniej niż w bajce”. Obóz pionierski w Arteku w polskim reportażu lat 30–50. XX wieku","authors":"Bożena Żejmo","doi":"10.31648/apr.3569","DOIUrl":"https://doi.org/10.31648/apr.3569","url":null,"abstract":"The objective of the article is to analyze the image of the pioneer camp Artek in the Polish reportage of the 1930s–50s in the XX century. At the beginning of the 1930s, only one account about Artek, by Michał Suryc, appeared on the Polish publishing market. From the second half of the 1940s, when the communist Polish authorities began intense Stalinization, the press was enthusiastically reporting the next batch of Polish children spending wonderful and unforgettable moments in the Crimea. The most idealized picture of Artek was created by Marian Brandys in his book Journey to Artek (1953), an ideologized communist fairy-tale.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115673166","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Recepcja twórczości filmowej Grigorija Czuchraja w Polsce","authors":"Liliana Kalita","doi":"10.31648/apr.3563","DOIUrl":"https://doi.org/10.31648/apr.3563","url":null,"abstract":"The text aims at presenting the discussion and evaluation of Grigorij Czuchraj’s films, the creator of the new wave in the Soviet cinema, as conducted by Polish film critics. The artist’s films have received numerous reviews and comments both in specialist and popular press, as well as on the Internet. The younger generation have been able to get acquainted with Czuchraj’s films thanks to the DVD collection. The criticism points out the importance of the director in Polish-Russian cultural relationships, and describes the way his works have been perceived by Polish viewers.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134577184","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Yury Fedorushkov. 2018. Kieszonkowy słownik piłki nożnej rosyjsko-polski i polsko-rosyjski (Карманный словарь футбола русско-польский и польско-русский). Warszawa: Wydawnictwo Centrum Polsko-Rosyjskiego Dialogu i Porozumienia","authors":"A. Narloch","doi":"10.31648/apr.3566","DOIUrl":"https://doi.org/10.31648/apr.3566","url":null,"abstract":"Yury Fedorushkov. 2018. Kieszonkowy słownik piłki nożnej rosyjsko-polski i polsko-rosyjski (Карманный словарь футбола русско-польский и польско-русский). Warszawa: Wydawnictwo Centrum Polsko-Rosyjskiego Dialogu i Porozumienia","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"95 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117142322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Духовность и святость в романе Евгения Водолазкина Лавр","authors":"A. Kamalova","doi":"10.31648/apr.3564","DOIUrl":"https://doi.org/10.31648/apr.3564","url":null,"abstract":"The article is devoted to spirituality as an actual category of the scientific and cultural paradigm of the 20th century, spirituality is qualified as an “eternal theme”. The author emphasizes the “fuzziness of the theme,” speaks about the complexity of its definition, as well of ambigious understanding in various socio-historical periods. Spirituality as an eternal topic of fiction is discussed on the example of the novel by Evgenе Vodolazkin Lavr. Lavr – is a hagiographic novel, which describes the life and spiritual path of the doctor in Medieval Russia. The author emphasizes the actuality of the novel Lavr for modern Russia.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121066308","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Прэже съжения всего мира – о некоем типе ошибок в древнерусских списках Евангелия","authors":"Zofia Szwed","doi":"10.31648/apr.3568","DOIUrl":"https://doi.org/10.31648/apr.3568","url":null,"abstract":"This article is devoted to a special kind of errors made by the scribes of the Old Russian Books of the Gospels. These are erroneous wordings which create the impression of being correct, since they constitute existing words, in wording and form, similar to the original ones, but which nevertheless alter the meaning of the text. The article presents mechanisms of occurrence of such errors and also shows that modification of meaning caused by erroneous writing could have different degree. The contribution of the writer’s consciousness to the development of error was taken into account in the research. An attempt was made to use the results of the analysis of errors of a given type to formulate conclusions regarding the way the scribe works and his degree of professionalism.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129242694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Вобраз героя ў аповесцях Андрэя Федарэнкі (на аснове кніг Ланцуг і Ціша)","authors":"Anna Alsztyniuk","doi":"10.31648/apr.3561","DOIUrl":"https://doi.org/10.31648/apr.3561","url":null,"abstract":"Andrey Fiedarenka (born in 1959) – author of the books: History of the disease (1989), Misery (1994), Afghan casket (2002), No one’s (2009), The Chain (2012), Silence (2014) and others, winner of many awards, including Jerzy Giedroyc Literary Award. The writer is considered a classic of Belarusian literature. In his artistic work, three basic types of heroes can be distinguished: inhabitants of villages, city dwellers and writers. The presentation of often difficult family relations, differences in characters and life priorities of the heroes become for A. Fiedarenka a pretext for deliberations on the subject of contemporary man’s life, his attitude towards people and nature. In his stories, the writer presents primarily people disappointed with life, lonely, seeking the sense of existence in contact with nature. Only hero-writers can be distinguished from the gallery of poor wretches.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133832884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Z historii polskich przekładów powieści Doktor Żywago Borysa Pasternaka (na podstawie korespondencji Jerzego Giedroycia i Gustawa Herlinga-Grudzińskiego oraz Jerzego Stempowskiego i Marii Dąbrowskiej)","authors":"Iwona Anna Ndiaye","doi":"10.31648/APR.2533","DOIUrl":"https://doi.org/10.31648/APR.2533","url":null,"abstract":"This article recalls the circumstances of the first edition of the novel by Boris Pasternak, Doctor Zhivago, in Polish translation, which appeared in 1959 in volume XLIV of the Biblioteka ‟Kultury” series, published by the Paris Literary Institute. Reconstruction of the history of this publishing initiative in the context of the political situation is possible thanks to historical sources preserved in the Paris and Warsaw archives, publications in periodicals, memoirs and epistolary culture. The circumstances in which the typescript was imported to Poland and in which the Literary Institute obtained a license for a Polish translation, the choice of translator, and Jerzy Giedroyc and Gustaw Herling-Grudziński’s correspondence are discussed. An important source of information is the lively correspondence between Maria Dąbrowska and Jerzy Stempowski, the son of a publicist and social activist, and Mason Stanisław Stempowski, a longtime life partner of the writer. The fragments of epistolary culture discussed here allow a better understanding of these outstanding individuals of the twentieth century. The content of the correspondence analyzed also allows us to reconstruct many interesting facts from the field of translating Russian literature into Polish, as well as the complex situation of Polish-Russian relations in the post-war period.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"35 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128228833","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Tytuły filmów „oskarowych” w wielojęzycznym przekładzie","authors":"Maria Mocarz-Kleindienst","doi":"10.31648/APR.2532","DOIUrl":"https://doi.org/10.31648/APR.2532","url":null,"abstract":"This article provides a comparative analysis of translation strategies for the English titles of Oscar-winning movies (Academy Award for Best Picture) into Polish, German and Russian. The titles analyzed show two strategies: adaptation and exotisation. However, they did not show a clear connection between the translation strategy and the degree of linguistic similarity since there was no clear dominance of exotisation in the German versions, considered to be the closest to the original. A significant use of explication of the meaning of the title in German versions was observed, which may indicate an attempt to more accurately convey basic information about a foreign movie to a German viewer.","PeriodicalId":403626,"journal":{"name":"Acta Polono-Ruthenica","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123213474","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}