Journal of Visual Art and Design最新文献

Reviewing Co-creation Method in the Context of Visual Arts Co-creation: A Case Study of Usungan Parade Project 在视觉艺术共同创造背景下回顾共同创造方法：乌松干巡游项目案例研究

IF 0.1

Journal of Visual Art and Design Pub Date : 2024-07-09 DOI: 10.5614/j.vad.2024.16.1.6

M. Mat, H. Saidon, Muhammad Jazlan Ahmad Khiri, S. N. A. Leong, Nour Al-Nahari

{"title":"Reviewing Co-creation Method in the Context of Visual Arts Co-creation: A Case Study of Usungan Parade Project","authors":"M. Mat, H. Saidon, Muhammad Jazlan Ahmad Khiri, S. N. A. Leong, Nour Al-Nahari","doi":"10.5614/j.vad.2024.16.1.6","DOIUrl":"https://doi.org/10.5614/j.vad.2024.16.1.6","url":null,"abstract":"In this paper, co-creation through visual art as a form of community engagement is explored and discussed through its definition, origin, method, practice, context, and potential. The Usungan Parade co-creation project at a khatam al-Quran event in Kabong, Sarawak, East Malaysia served as a case study through a qualitative analysis to explore the experiences and interpretations of the community related to the co-creation phenomenon. The study was conducted through participant observation and interviews with a sample drawn from heads of families, usungan craftsmen, and audience members. Six factors were identified in this community engagement project using the co-creation model. Then we elaborated how the participants interpreted the value of co-creation obtained from their activities. The objective was to build a strong argument for an in-depth study of implementing co-creation in a particular community. This research found that co-creation can contribute to reducing the gaps between those who can produce art and society, especially through the participation of ‘non-art affiliated’ communities and artistic excellence.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141664403","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Historical Approach to Understanding Differentiation of RYB vs RGB 从历史角度理解 RYB 与 RGB 的区别

IF 0.1

Journal of Visual Art and Design Pub Date : 2024-07-09 DOI: 10.5614/j.vad.2024.16.1.5

Ernesto Carlos Pujazon Patron, María Alexandra Guerrero Zegarra, José Domingo Elías

{"title":"A Historical Approach to Understanding Differentiation of RYB vs RGB","authors":"Ernesto Carlos Pujazon Patron, María Alexandra Guerrero Zegarra, José Domingo Elías","doi":"10.5614/j.vad.2024.16.1.5","DOIUrl":"https://doi.org/10.5614/j.vad.2024.16.1.5","url":null,"abstract":"This article defines the roles of colors and presents their historical development as a fundamental means of expression within artwork. It also introduces color theorists and practices, including the mixing of pigments, a necessary technique for artists-designers in creating tangible results. Modern artists-designers have used these theorists to express themselves in producing an aesthetic experience in the viewer through their artwork, starting with Sir Isaac Newton’s light-spectrum experiments using a glass prism and a beam of white light, and continuing through Johannes Itten’s color-wheel and creative color-matching exercises. This article objective defines the significance of color, its historical development on the basis of earlier perceptual theorists’ findings that color acquires dimension and meaning in response to cultural-historical context or psychological realities. As a result, this paper also explores how color affects our emotions, our psychic and spiritual manifestations. This psychic-spiritual manifestation is revealed through a process of visual perception and experimenting with color and its symbolic meaning. Artists such as Seurat, Munch, Kandinsky, Paul Klee, Josef Albers, Picasso, Joan Miro, or Mark Rothko demonstrated the expressive power of color-pigment. The authors hope that this paper will bring significant discussion, awareness, will assist general readers and academic researchers and truly advance knowledge.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141665292","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Factual Analysis of Factors Influencing Consumer Cognitive Thinking and Automobile Designing using Fuzzy-AHP 利用模糊-AHP 对影响消费者认知思维和汽车设计的因素进行事实分析

IF 0.1

Journal of Visual Art and Design Pub Date : 2024-07-01 DOI: 10.5614/j.vad.2024.16.1.4

Jitender Singh, Prabir Sarkar

{"title":"Factual Analysis of Factors Influencing Consumer Cognitive Thinking and Automobile Designing using Fuzzy-AHP","authors":"Jitender Singh, Prabir Sarkar","doi":"10.5614/j.vad.2024.16.1.4","DOIUrl":"https://doi.org/10.5614/j.vad.2024.16.1.4","url":null,"abstract":"Consumer cognitive and emotional responses significantly impact consumers’ affinity for both tangible and intangible products. Recent research underscores the heightened influence of consumer emotional and cognitive perceptions in product design, surpassing reliance on designers’ instincts or experiences. This case study delved into the analysis of automobiles, using cars as focal product. While visual elements like curve lines, grill design, and color predominantly shape consumer perspectives, non-visual factors such as reliability, quality, and ergonomics play a pivotal role in purchasing decisions. Our investigation, involving six industrial experts and over 130 participants, explored non-visual factors affecting consumers’ cognitive perceptions during car purchasing. Through a two-phase experimental approach, we developed a framework to understand the disparities in ranking assigned by consumers and designers to these non-visual factors, revealing perception gaps. Utilizing the rank value methodology, the Pareto principle, and Fuzzy-AHP analysis, we identified mileage/fuel efficiency, safety features, and reliability as dominant factors influencing consumer perceptions. Designers, on the other hand, prioritize safety features, reliability, and quality/warranty. Our findings emphasize the strategic significance for automobile companies to enhance their success rates by prioritizing these key factors, ultimately elevating brand value, profile, and overall financial prosperity.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"141706882","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Study of Pan-Sensualism as a Cross-Cultural Form: An Artwork by Jim Supangkat; Ken Dedes (1975) 作为一种跨文化形式的泛感性主义研究：吉姆-苏庞卡特的艺术作品；肯-戴德斯（1975 年）

IF 0.2

Journal of Visual Art and Design Pub Date : 2024-01-28 DOI: 10.5614/j.vad.2023.15.2.7

Aprilia Ariesty Wibowo, Kiki Rizky Soetisna Putri, Irma Damajanti

{"title":"Study of Pan-Sensualism as a Cross-Cultural Form: An Artwork by Jim Supangkat; Ken Dedes (1975)","authors":"Aprilia Ariesty Wibowo, Kiki Rizky Soetisna Putri, Irma Damajanti","doi":"10.5614/j.vad.2023.15.2.7","DOIUrl":"https://doi.org/10.5614/j.vad.2023.15.2.7","url":null,"abstract":"This study examined the use of the term ‘Pan-Sensualism’ in the discourse on contemporary Indonesian new art and how this manifested itself in artworks created at the beginning of the Indonesian New Order era (1966-1998). Jim Supangkat was one of the artists and initiators in forming the artist group Gerakan Seni Rupa Baru Indonesia (Indonesian New Art Movement), which then organized the first Seni Rupa Baru 75 exhibition in 1975. Jim Supangkat presented six installation works with different narratives, but Ken Dedes was the only one that presented the dialectic of traditional and modern culture. The Prajnaparamita, or Ken Dedes statue is presented with a drawing of the body of a woman wearing jeans with the buttons open. In looking at the formal, social-historical, cultural, feministic, and other elements in the work of Ken Dedes (1975-1996), we used the iconographic research method. This method helps to see several aspects of Supangkat’s visual works related to the aesthetic paradigm of Pan-Sensualism and the intersection of two cultural elements, i.e., high and low art, which may be distinguished based on social class appreciation.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-01-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140490513","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Understanding ‘Batik Belanda’ in Dutch Society via Co-Creation Experience of Creative Tourism Practice 通过创意旅游实践的共同创造体验了解荷兰社会中的 "蜡染贝兰达

IF 0.2

Journal of Visual Art and Design Pub Date : 2024-01-26 DOI: 10.5614/j.vad.2023.15.2.6

Arlene Dwiasti Soemardi

{"title":"Understanding ‘Batik Belanda’ in Dutch Society via Co-Creation Experience of Creative Tourism Practice","authors":"Arlene Dwiasti Soemardi","doi":"10.5614/j.vad.2023.15.2.6","DOIUrl":"https://doi.org/10.5614/j.vad.2023.15.2.6","url":null,"abstract":"Batik Belanda is a long-established acculturated cultural heritage from the Dutch East Indies era. Some examples of Batik Belanda can be seen in Batik Buketan (bouquet) and Batik Snow White (folklore). However, the representation and understanding of Batik Belanda remain deceptive. Additionally, this specific batik is still underrepresented in modern society, losing its dialogical purpose as a heritage and its connection to Indonesian and Dutch individuals’ cultural identities. Developing creative tourism is one of the solutions to promote heritage – deemed to provide a better understanding via in-depth learning and personal contact. This qualitative research was conducted in the Netherlands to analyze the potential of Batik Belanda and creative tourism practice. The creative tourism practice was done by creating an immersive batik workshop with the goal of generating interest in both Indonesian and Dutch communities in the Netherlands to connect with their cultural heritage from Indonesia. Participants’ observations and interviews with 10 workshop participants served as the main methodology. This research indicated how participants’ experiences increased their understanding of cultural heritage and fulfilled their emotional needs through the workshop, giving them motivation and shaping their interest in the pre-visit stage of cultural tourism in Indonesia. On the other hand, their interest in culture and tourism in Indonesia was divided, determined by how they perceive post-colonial subjects and their cultural identities as a community in the Netherlands.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-01-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140493420","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Japanese and Western Influences on the Local Animation Character Design Identity in Malaysia 日本和西方对马来西亚本土动画角色设计身份的影响

IF 0.2

Journal of Visual Art and Design Pub Date : 2024-01-23 DOI: 10.5614/j.vad.2023.15.2.5

Faryna Mohd Khalis, Syazliyati Ibrahim, S. Subri, Nurul Atikah Adnan, Abdullah Kula Ismail

{"title":"Japanese and Western Influences on the Local Animation Character Design Identity in Malaysia","authors":"Faryna Mohd Khalis, Syazliyati Ibrahim, S. Subri, Nurul Atikah Adnan, Abdullah Kula Ismail","doi":"10.5614/j.vad.2023.15.2.5","DOIUrl":"https://doi.org/10.5614/j.vad.2023.15.2.5","url":null,"abstract":"Identity is regulated by culture and can be delivered meaningfully in numerous expressions, among which animated designs. In tandem with technological evolution, animation today shows fusions of various cultures. Two main influences in the Malaysian animation industry are Japan and Western countries due to their status as pioneers in animation. Therefore, this study aimed to examine the influence of Malaysian, Japanese and Western animated character designs on the local university students’ production of their character designs. This study was conducted based on semiotic theory, followed by a research method that employed a content analysis approach using the SPSS software. Through the analysis of cross-distribution and Chi-Square, it was found that the criteria of physique, national characteristics, and colors in the students’ work showed similar characteristics to both local and foreign animations. Consequently, further studies should be conducted to comprehend why the students are inspired by Japanese and Western styles. These influences also raise the question of whether these cross-cultural forms lead to a new identity of Malaysian animation or only a trend.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2024-01-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139605057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Representation of Multicultural Identity Through Old Houses and Displays: Case Study of Lasem, Indonesia 通过老房子和陈列品体现多元文化特性：印度尼西亚拉塞姆案例研究

IF 0.2

Journal of Visual Art and Design Pub Date : 2024-01-06 DOI: 10.5614/j.vad.2023.15.2.4

Virliany Rizqia Putri

引用次数: 0

A Discussion on Interdisciplinary Approach of Visual Art Syllabus in Malaysian Higher Education 马来西亚高等教育视觉艺术教学大纲的跨学科方法探讨

IF 0.2

Journal of Visual Art and Design Pub Date : 2023-08-28 DOI: 10.5614/j.vad.2023.15.1.5

M. Mat, S. N. A. Leong, Nour Al-Nahari

{"title":"A Discussion on Interdisciplinary Approach of Visual Art Syllabus in Malaysian Higher Education","authors":"M. Mat, S. N. A. Leong, Nour Al-Nahari","doi":"10.5614/j.vad.2023.15.1.5","DOIUrl":"https://doi.org/10.5614/j.vad.2023.15.1.5","url":null,"abstract":"This article contributes to the discussion on the need to adopt an interdisciplinary approach in the visual art syllabus, specifically in higher education in Malaysia. Over the last two decades, the academic world has faced rapidly advancing technology and the rise of Industrial Revolution 4.0 (IR4.0). Because of the increased level of high-tech software and hardware competency among students, universities are in dire need to improve and innovate their current syllabi. Hence, this study was carried out to discuss the need to adopt an interdisciplinary approach to improve current visual art syllabi in Malaysia. The topics that are explored in this paper include the definition of an interdisciplinary approach in visual art syllabi, the current status of visual art syllabi in Malaysia, factors that are important for the integration of art with other fields, and how an interdisciplinary approach can be implemented. The data used in this research were obtained from a seminar, in-depth interviews, and a literature review, and were analyzed using a qualitative method. The findings indicate that visual art education duly needs a new program or needs to be revamped into a future-ready curriculum. Therefore, an interdisciplinary approach, or the integration of two bodies of knowledge in one program, could be one of the solutions to this issue.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47673975","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Comparative Survey of Female Figures in Persian Miniatures: Studying Form, Color and Content of Miniatures by Moein Mosaver and Hosein Behzad 波斯微缩模型中女性形象的比较研究——莫伊恩·莫萨弗和何西因·贝扎德微缩模型的形式、色彩和内容研究

IF 0.2

Journal of Visual Art and Design Pub Date : 2023-08-28 DOI: 10.5614/j.vad.2023.15.1.6

Elham Khatiri, Behnam Zangi, Fatemeh Fakharan

{"title":"Comparative Survey of Female Figures in Persian Miniatures: Studying Form, Color and Content of Miniatures by Moein Mosaver and Hosein Behzad","authors":"Elham Khatiri, Behnam Zangi, Fatemeh Fakharan","doi":"10.5614/j.vad.2023.15.1.6","DOIUrl":"https://doi.org/10.5614/j.vad.2023.15.1.6","url":null,"abstract":"Moein Mosaver and Hosein Behzad depicted beauty in the form of female figures using their unique ways of applying form, color, and content. The purpose of the present research was to study the way female figures are drawn in works of Mosaver and Behzad, compare them, and find out the relationship between them to finally answer the main research question, which concerns finding the similarities and differences between the works of both artists in form, color, and content. The method of the research was qualitative, the way the data was processed was descriptive-analytic, and the information was gathered through library sources. Regarding the time gap between the lives of saver and Behzad, it seems there should be similarities and differences between their miniatures. The results of the research showed that the composition in the works of both artists is mostly vertical and centralized, and the primary color blue and the secondary colors green, purple, and orange are mostly used. Foreign influences and the impact of the economic conditions are obvious in their works. Some of the differences between their works are the application of more primary and warm colors in Mosaver’s works and less variety of color in Behzad’s, while the latter’s lines are freer. Behzad also used perspective in his miniatures, and he preferred content over form.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-08-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42794901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Globalization and Diversification of Interior Decoration Styles and Their Impact on Pakistani Handicrafts 室内装饰风格的全球化和多样化及其对巴基斯坦手工艺的影响

IF 0.2

Journal of Visual Art and Design Pub Date : 2023-08-27 DOI: 10.5614/j.vad.2023.15.1.4

Romana Khan, Honggu Ren, Moazzam Abbas, Zhang Jinjao, Yuchen Liu, Xinran Yang, Wang Fang, M. Islam

{"title":"Globalization and Diversification of Interior Decoration Styles and Their Impact on Pakistani Handicrafts","authors":"Romana Khan, Honggu Ren, Moazzam Abbas, Zhang Jinjao, Yuchen Liu, Xinran Yang, Wang Fang, M. Islam","doi":"10.5614/j.vad.2023.15.1.4","DOIUrl":"https://doi.org/10.5614/j.vad.2023.15.1.4","url":null,"abstract":"With the gradual advancement of globalization, cultural values and traditional decorative practices as well as people’s lifestyles have changed through digital awareness. This has seriously affected the interior decoration industry and brought challenges to the local handicraft industry. Pakistan’s traditional handicraft is famous in the world, but the flow of imported machine-made products in Pakistan has led to a decline of Pakistan’s handicraft industry. This research investigated which factors are involved in home decoration and to see if these factors are advantageous for the handicraft industry or not. The use of handicraft decoration objects varies among people when they design their houses. Thus, study conducted a survey, which found several factors that Pakistani people emphasize in relation to home decoration. Currently, these factors do not benefit the handicraft industry as people pursue a modern lifestyle and they consider handicraft objects without innovation and design outdated. Interior decoration is seen as a major aspect of traditional Pakistani life and culture, with distinct cultural characteristics. Inspired by the latest way of thinking, an interior design first exists as a concept and is then realized through careful planning. It is meant to evoke a specific mood through the strategic use of color, space, and style. In Pakistan, home accessories are generally and strongly influenced by the current fashion in the end market, with many changes brought about by consumers’ purchasing patterns, designers’ and decorators’ styles, and economic conditions. Keeping up with constantly changing trends is the main challenge faced by the traditional handicraft industry sector. In many cases, craftspeople are disconnected from the end market, which is a challenge for them to be able to profit from their work.","PeriodicalId":40169,"journal":{"name":"Journal of Visual Art and Design","volume":null,"pages":null},"PeriodicalIF":0.2,"publicationDate":"2023-08-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45092189","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0