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Blake in the Marketplace, 2011 《市场中的布莱克》，2011年

Blake - An Illustrated Quarterly Pub Date : 2022-09-04 DOI: 10.47761/biq.93

R. Essick

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引用次数: 1

William Blake and His Circle: A Checklist of Scholarship in 2021 威廉·布莱克和他的圈子:2021年奖学金清单

Blake - An Illustrated Quarterly Pub Date : 2022-07-27 DOI: 10.47761/biq.317

Wayne C. Ripley, Fernando Castanedo, Hikari Sato, Hüseyin Alhas, Vera V. Serdechnaia

引用次数: 0

Blake’s Hebrew Calligraphy 布莱克的希伯来文书法

Blake - An Illustrated Quarterly Pub Date : 2022-05-12 DOI: 10.47761/biq.101

Abraham Samuel Shiff

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Adam Komisaruk, Sexual Privatism in British Romantic Writing: A Public of One 亚当·科米萨鲁克:《英国浪漫主义写作中的性隐私主义:一个人的公众》

Blake - An Illustrated Quarterly Pub Date : 2022-04-27 DOI: 10.47761/biq.310

M. K. Schuchard

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“Seen in my visions”: Klüver Form-Constant Visual Hallucinations in William Blake’s Paintings and Illuminated Books “在我的视觉中看到”:kl<s:1>形式——威廉·布莱克绘画和彩绘书籍中持续的视觉幻觉

Blake - An Illustrated Quarterly Pub Date : 2022-04-27 DOI: 10.47761/biq.314

D. Worrall

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引用次数: 0

Blake in the Marketplace, 2021 《市场中的布莱克》，2021年

Blake - An Illustrated Quarterly Pub Date : 2022-04-27 DOI: 10.47761/biq.309

R. Essick

引用次数: 0

Linda Freedman, William Blake and the Myth of America: From the Abolitionists to the Counterculture 琳达·弗里德曼，威廉·布莱克与美国神话:从废奴主义者到反主流文化

Blake - An Illustrated Quarterly Pub Date : 2022-04-27 DOI: 10.47761/biq.308

Luke Walker

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引用次数: 0

Erasmus Darwin, The Botanic Garden, ed. Adam Komisaruk and Allison Dushane 伊拉斯谟·达尔文，《植物园》，亚当·科米萨鲁克和艾莉森·杜尚恩主编

Blake - An Illustrated Quarterly Pub Date : 2022-04-27 DOI: 10.47761/biq.311

Alexander S. Gourlay

引用次数: 0

“Re-mediatingˮ William Blake in Croatia and Serbia “在克罗地亚和塞尔维亚重新调解我威廉·布莱克

Blake - An Illustrated Quarterly Pub Date : 2022-03-01 DOI: 10.47761/biq.297

Tanja Bakić

{"title":"“Re-mediatingˮ William Blake in Croatia and Serbia","authors":"Tanja Bakić","doi":"10.47761/biq.297","DOIUrl":"https://doi.org/10.47761/biq.297","url":null,"abstract":"In “‘The Most Obscure and Most Angelic of All the English Lyrical Poets,’” my essay for The Reception of William Blake in Europe, I dealt with the works of one contemporary artist from Croatia—Zdenka Pozaić—and two from Serbia—Simonida Rajčević and Aleksandra M. Jovanić—who were influenced by Blake. Pozaić (b. 1940) is a graphic artist who in 2003 created The Crystal Cabinet, an artist’s book based on a Croatian translation of Blake’s poem of the same name. Rajčević (b. 1974) is an artist specializing in drawings who in 2010 used two works by Blake—“The Ancient of Daysˮ and Nebuchadnezzar—as part of an atmospheric installation titled Tamna zvezda (Dark Star), which also included quotations from Blake and other artists. Finally, Jovanić (b. 1976), a digital artist, in 2011 created an internet-based form centered upon a Serbian translation of “A Poison Tree.ˮ Each project, although different, reflected Blake’s practice of combining text and image. While my previous essay describes the works, relates their characteristics, and explains which of Blake’s works these artists were influenced by, this article approaches the subject from another perspective; it tries to answer how the artists first perceived Blake, how each of them understood him, and in what way the figure of Blake guided them.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84062541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Blake was a phenomenon”: Artistic, Domestic, and Blakean Visions in Joseph Paul Hodin’s Writing on Else and Ludwig Meidner “布莱克是一种现象”:约瑟夫·保罗·霍丁关于艾尔斯和路德维希·迈德纳的写作中的艺术、家庭和布莱克的视角

Blake - An Illustrated Quarterly Pub Date : 2022-01-18 DOI: 10.47761/biq.305

S. Erle

{"title":"“Blake was a phenomenon”: Artistic, Domestic, and Blakean Visions in Joseph Paul Hodin’s Writing on Else and Ludwig Meidner","authors":"S. Erle","doi":"10.47761/biq.305","DOIUrl":"https://doi.org/10.47761/biq.305","url":null,"abstract":"When Ludwig Meidner (1884–1966), the German-Jewish expressionist painter, printmaker, and writer, returned to Germany in 1953, he took what he could carry: personal belongings, books, and images, his prints, drawings, paintings, and watercolors. Refugees face difficult choices; they can take only what is absolutely necessary. Meidner never adjusted during the fourteen years of exile and there is a sense that he wanted to eradicate all that reminded him of London—except for Blake. Thomas Grochowiak, who first noted the significance of Meidner’s encounter with “the painter, poet, mystic William Blake” (“Maler-Dichter-Mystikers William Blake”), suggests that he identified with Blake’s adverse living conditions and artistic neglect, and argues that the occult aspects and especially the Visionary Heads interested him: “For him the preoccupation with Old Testament figures and prophets, with mystical philosophers or religious ecstatics, was just as natural as the everyday, familiar dealings with ghosts.” Meidner took not only John Piper’s British Romantic Artists (1942) and Ruthven Todd’s edition of Alexander Gilchrist’s Life of Blake (1942), but also reproductions of William Blake by Thomas Phillips, the large color print God Judging Adam (then known as Elijah About to Ascend in the Chariot of Fire), and James Deville’s life mask. These images were part of a selection that were to adorn his studio in Marxheim (1955–63), where he shared his art with a small number of visitors who came to pay tribute to the old master of German expressionism.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87301680","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0