Blake’s Hebrew Calligraphy

Q3 Arts and Humanities

Blake - An Illustrated Quarterly Pub Date : 2022-05-12 DOI:10.47761/biq.101

Abraham Samuel Shiff

引用次数: 0

Abstract

The exhibition at the Morgan Library and Museum of William Blake’s World: “A New Heaven Is Begun” (Sept. 2009-Jan. 2010) provided an opportunity to examine closely Blake’s Hebrew calligraphy. Three works in the exhibition contain errors in forming Hebrew characters; some are deliberate to create clever visual illusions.

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布莱克的希伯来文书法

摩根图书馆和博物馆威廉·布莱克世界展览:“一个新的天堂开始了”(2009年9月- 1月)2010)提供了一个机会来仔细研究布莱克的希伯来文书法。展览中的三件作品在希伯来文字的形成上存在错误;有些是故意制造巧妙的视觉错觉。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Blake - An Illustrated Quarterly Arts and Humanities-Literature and Literary Theory

CiteScore

0.10

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0.00%

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期刊介绍： Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.