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Lost in Adaptation: The Silencing of the French Female Concierge 迷失在适应中:法国女门房的沉默
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0005
Mariah Devereux Herbeck
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引用次数: 0
Voix intérieure by Safiatou Ba (review)
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0028
Cheryl Toman
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引用次数: 0
Écrire avec et contre les voix des autres dans Philippe de Camille Laurens 在卡米尔·劳伦斯的《菲利普》中,与他人的声音一起写作或反对他人的声音
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0006
Jamie Jia-Bao Huang
{"title":"Écrire avec et contre les voix des autres dans Philippe de Camille Laurens","authors":"Jamie Jia-Bao Huang","doi":"10.1353/wfs.2022.0006","DOIUrl":"https://doi.org/10.1353/wfs.2022.0006","url":null,"abstract":"Abstract:Cet article s'intéresse à la façon dont l'auteure de Philippe écrit sur la naissance et la mort de son fils lorsque le savoir fait défaut. Selon notre hypothèse, chez Camille Laurens, la démarche consistant à « entendre le monde » en travaillant à partir de sources, c'est-à-dire en écrivant avec les « voix » que laissent percevoir différents documents—et, dans certains cas, contre elles—, lui permettrait d'appeler, implicitement ou explicitement, à la participation cognitive et affective du lectorat dans le processus de recherche tel qu'il est raconté en détail dans le récit. Pour vérifier cette hypothèse, nous nous penchons d'abord sur le conflit entre le désir d'oubli chez les autres et le projet de Laurens d'enquêter sur la mort en question. Ensuite, nous étudions comment l'usage des sources contribue à l'écriture de Philippe. Enfin, nous analysons comment ce récit, ressemblant en partie à un texte informatif, permet à Laurens de « s'engage[r] dans une entreprise de vérité […] qui tient du dévoilement » et, ce faisant, d'avoir potentiellement un impact émotionnel sur les lecteurs et lectrices.","PeriodicalId":391338,"journal":{"name":"Women in French Studies","volume":"1986 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131150529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La maison de la tendresse/House of Tenderness. Nouvelles sur des femmes libanaises/Short stories about Lebanese women by Evelyne Accad (review) La maison de La tendresse/温柔之家。关于黎巴嫩妇女的新闻/伊芙琳·阿卡德关于黎巴嫩妇女的短篇小说(评论)
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0027
Héloïse Elisabeth Ducatteau
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引用次数: 0
Teaching Diversity and Inclusion: Examples from a French-Speaking Classroom ed. by E. Nicole Meyer and Eilene Hoft-March (review) 教学多样性和包容性:来自法语课堂的例子,作者:E. Nicole Meyer和Eilene Hoft-March(评论)
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0026
M. Garnett
{"title":"Teaching Diversity and Inclusion: Examples from a French-Speaking Classroom ed. by E. Nicole Meyer and Eilene Hoft-March (review)","authors":"M. Garnett","doi":"10.1353/wfs.2022.0026","DOIUrl":"https://doi.org/10.1353/wfs.2022.0026","url":null,"abstract":"","PeriodicalId":391338,"journal":{"name":"Women in French Studies","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121891583","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Letters from Spain: A Seventeenth-Century French Noblewoman at the Spanish Royal Court by Marie Gigault de Bellefonds, Marquise de Villars (review) 《来自西班牙的信件:一位17世纪的法国贵妇在西班牙皇家宫廷》作者:玛丽·吉高·德·贝勒丰,德维拉尔侯爵夫人
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0022
G. Verdier
{"title":"Letters from Spain: A Seventeenth-Century French Noblewoman at the Spanish Royal Court by Marie Gigault de Bellefonds, Marquise de Villars (review)","authors":"G. Verdier","doi":"10.1353/wfs.2022.0022","DOIUrl":"https://doi.org/10.1353/wfs.2022.0022","url":null,"abstract":"","PeriodicalId":391338,"journal":{"name":"Women in French Studies","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127587757","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le portrait de l'artiste peint par elle-même: Negotiations of the Artist-Muse Binary in George Sand's Elle et lui (1859) Le portrait de l'artiste peint par elle-même:乔治·桑的《Elle et lui》(1859)中艺术家与缪斯二元的谈判
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0004
Amy McTurk-Starkie
{"title":"Le portrait de l'artiste peint par elle-même: Negotiations of the Artist-Muse Binary in George Sand's Elle et lui (1859)","authors":"Amy McTurk-Starkie","doi":"10.1353/wfs.2022.0004","DOIUrl":"https://doi.org/10.1353/wfs.2022.0004","url":null,"abstract":"Abstract:While ideas about the Muse date from antiquity and have evolved over time, the concept of the male artist and his female muse has continually informed how creativity and inspiration are imagined and understood. This prevalent image of artistic creation—which problematizes the position of women as artists—was, however, visibly challenged by the increased number of female painters in nineteenth-century France. The growing presence of women artists on the cultural stage thus poses the question: when the artist is no longer automatically assumed to be male and the muse female, what is the status of the woman artist? In this article, McTurk-Starkie analyzes three key scenes involving mirrors, reflections, and painting in George Sand's Elle et lui (1859) in order to explore how Sand complicates assumed paradigms of the gaze between the painter and the painted figure. The article then examines the impact of the text's final act as one of self-portraiture; the protagonist Thérèse becomes l'artiste peinte par elle-même. By questioning the boundaries between self and other, and subject and object, Sand's Elle et Lui innovatively proposes alternative configurations of the relationship between artist, model, and canvas.","PeriodicalId":391338,"journal":{"name":"Women in French Studies","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117195007","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Afropea : Utopie post-occidentale et post-raciste by Léonora Miano (review)
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0017
Djimeli Raoul Simplice
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引用次数: 0
Pizan, Christine de. "The God of Love's Letter" and "The Tale of the Rose": A Bilingual edition eds. and trans. by Thelma S. Fenster and Christine Reno (review) 皮赞,克里斯汀·德。《爱之神的信》和《玫瑰之神》是一本双语小说。和反式。作者:塞尔玛·S·范斯特和克里斯汀·雷诺(评论)
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0024
Ashley Holt
{"title":"Pizan, Christine de. \"The God of Love's Letter\" and \"The Tale of the Rose\": A Bilingual edition eds. and trans. by Thelma S. Fenster and Christine Reno (review)","authors":"Ashley Holt","doi":"10.1353/wfs.2022.0024","DOIUrl":"https://doi.org/10.1353/wfs.2022.0024","url":null,"abstract":"","PeriodicalId":391338,"journal":{"name":"Women in French Studies","volume":"162 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133119136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Natalie Barney (1876-1972): Writer, salon hostess, and eternal friend. Interview with Jean Chalon 娜塔莉·巴尼(1876-1972):作家、沙龙女主人和永远的朋友。Jean Chalon采访
Women in French Studies Pub Date : 2022-11-03 DOI: 10.1353/wfs.2022.0012
C. Ray
{"title":"Natalie Barney (1876-1972): Writer, salon hostess, and eternal friend. Interview with Jean Chalon","authors":"C. Ray","doi":"10.1353/wfs.2022.0012","DOIUrl":"https://doi.org/10.1353/wfs.2022.0012","url":null,"abstract":"Abstract:This interview with French journalist Jean Chalon gives the reader a personal viewpoint of writer and salon hostess Natalie Clifford Barney (1876-1972). Barney's literary salon was iconic in expatriate Paris, spanning the years from 1909 to 1968. Chalon helps the reader to better understand the literary and social milieu that comprised Barney's world, as well as provides new information on her most intimate relationships. Chalon discusses her strained yet loving relationship with her father, who never accepted that she lived openly as a lesbian in Paris. In addition, Chalon also speaks about her friendship with literary giant Remy de Gourmont, as well as her lifelong relationship with artist Romaine Brooks and Janine Lahovary, Barney's last love. The interview is a testament to Natalie Barney herself, who cultivated friendships until the end and whose literary contributions are only now being reconsidered.","PeriodicalId":391338,"journal":{"name":"Women in French Studies","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129501962","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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