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THE PROMISE OF THE INDEX IN CONTEMPORARY DOCUMENTARY PERFORMANCE 索引在当代纪录片表演中的前景
Nordic Journal of Aesthetics Pub Date : 2018-11-07 DOI: 10.7146/NJA.V27I55-56.110753
Solveig Gade
{"title":"THE PROMISE OF THE INDEX IN CONTEMPORARY DOCUMENTARY PERFORMANCE","authors":"Solveig Gade","doi":"10.7146/NJA.V27I55-56.110753","DOIUrl":"https://doi.org/10.7146/NJA.V27I55-56.110753","url":null,"abstract":"\u0000 \u0000 \u0000This essay investigates the troubled status of the concept of the index and its concomitant notion of evidence within the context of a global, visual culture. Specifically, the essay centres on the notion of the index in an era, where the use of digital images claiming to truthfully represent war and conflict has become an increasingly important part of warfare. Focusing on two documentary works by respectively performance artist Rabih Mroué and visual artist Abu Lawrence Hamdan (Forensic Architecture), the article shows that whilst both artists rely on material documents, which in each their way index back to conflictual events, the crucial point is not so much the status of the evidentiary material per se. Instead, enabled by fictitious strategies, the artists invite us to pay attention to the differing statuses and meanings assigned to documents depending on the particular knowledge systems and spaces of appearance within which they are perceived. In this way, the essay argues, the works of Mroué and Hamdan help us move beyond the discourses within documentary theory, which tend to conform to either a postmodernist relativist position or a realist epistemology. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48355698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
UNCONTROL ON RUBEN ÖSTLUND’S FORCE MAJEURE 鲁本失控Östlund不可抗力
Nordic Journal of Aesthetics Pub Date : 2018-11-07 DOI: 10.7146/NJA.V27I55-56.110754
A. Johansson
{"title":"UNCONTROL ON RUBEN ÖSTLUND’S FORCE MAJEURE","authors":"A. Johansson","doi":"10.7146/NJA.V27I55-56.110754","DOIUrl":"https://doi.org/10.7146/NJA.V27I55-56.110754","url":null,"abstract":"\u0000 \u0000 \u0000Ruben Östlund’s film Force Majeure (2014) was mostly received as a depiction of the crisis of masculinity. And it is, but that particular theme is also placed within a larger context concerning questions of value, understanding, order, and control, questions asked not only on a thematic level but also through cutting, framing, and the use of camera views. Not accepting any simple dichotomy between form and meaning, Force Majeure places itself firmly in an avant- garde and modernist tradition. \u0000Thereby the film is also related to this tradition’s ambition of investigating Western thought, knowledge and art anew, problematising given forms of rational thinking in order for something new to emerge. In the wake of World War II it was, for thinkers like Adorno, Foucault, Stockhausen, and Boulez, seen as unavoidable and urgent to deconstruct the conventions and norms that had made Auschwitz possible. It is still urgent. This article takes its starting point in the connections between avant-garde serialism in music, Foucault’s serialist methods of research and Deleuze’s theories of modernist film, in order to grasp how the aesthetics of Force Majeure continues to deconstruct. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48442035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CONTRIBUTORS 撰稿人
Nordic Journal of Aesthetics Pub Date : 2018-11-07 DOI: 10.7146/nja.v27i55-56.110757
J. Lund
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引用次数: 0
REVIEW: JULIA SCHLEIS ET AL., EDS., CONTEMPORARY RUINS / RUINEN DER GEGENWART 回顾:Julia schleis等人编。当代废墟/废墟
Nordic Journal of Aesthetics Pub Date : 2018-11-06 DOI: 10.7146/nja.v27i55-56.110741
Zoltán Somhegyi
{"title":"REVIEW: JULIA SCHLEIS ET AL., EDS., CONTEMPORARY RUINS / RUINEN DER GEGENWART","authors":"Zoltán Somhegyi","doi":"10.7146/nja.v27i55-56.110741","DOIUrl":"https://doi.org/10.7146/nja.v27i55-56.110741","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48497140","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE HOBBESIAN TURN 霍布斯转向
Nordic Journal of Aesthetics Pub Date : 2018-11-06 DOI: 10.7146/nja.v27i55-56.110743
J. Margolis
{"title":"THE HOBBESIAN TURN","authors":"J. Margolis","doi":"10.7146/nja.v27i55-56.110743","DOIUrl":"https://doi.org/10.7146/nja.v27i55-56.110743","url":null,"abstract":"\u0000 \u0000 \u0000The “Hobbesian turn” is an invention out of whole cloth, a device by which to oppose the usually supposed autonomy of the aesthetic, the moral, the political, and the factual; to recover the collective holism of civilizational (or enlanguaged cultural) life; to feature the existential historicity of the human career, which is incompatible with any strict universalism and all the forms of transcendentalism; hence, also, to feature the adequacy of a contingent Lebensform in collecting the affinities of creative expression and agentive commitment within the terms of human solidarity; to abandon strict universality and necessary synthetic truths; and to favour the fluxive world of pragmatist construction rather than the indemonstrable fixities of rationalism and transcendentalism. The article proceeds largely by examining aspects of Picasso’s career and the history of Western politics spanning the sixteenth century to the present. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43154796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
HOW TO FRAME EDIBLE ART 如何构建可食用艺术
Nordic Journal of Aesthetics Pub Date : 2018-11-06 DOI: 10.7146/NJA.V27I55-56.110724
A. Andrzejewski
{"title":"HOW TO FRAME EDIBLE ART","authors":"A. Andrzejewski","doi":"10.7146/NJA.V27I55-56.110724","DOIUrl":"https://doi.org/10.7146/NJA.V27I55-56.110724","url":null,"abstract":"\u0000 \u0000 \u0000The question of whether food is art depends primarily on the definition of art that we agree to accept. The article proposes a model that helps us to focus our mind on what could be, and how we should understand the art of food, if we accept, having applied a fairly liberal theory of art, that food can actually be art. It is argued that there are no methodological or factual constraints indicating that food could not, under some circumstances, be high art. This hypothetical form of art is called ‘edible art’. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46390679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CARTESIAN SUBJECTS LOST IN THE ALPS REFLECTIONS ON RUBEN ÖSTLUND’S FORCE MAJEURE 阿尔卑斯山上迷失的笛卡尔主题鲁本·奥的不可抗力思考
Nordic Journal of Aesthetics Pub Date : 2018-11-06 DOI: 10.7146/NJA.V27I55-56.110717
Sven Anders Johansson
{"title":"CARTESIAN SUBJECTS LOST IN THE ALPS REFLECTIONS ON RUBEN ÖSTLUND’S FORCE MAJEURE","authors":"Sven Anders Johansson","doi":"10.7146/NJA.V27I55-56.110717","DOIUrl":"https://doi.org/10.7146/NJA.V27I55-56.110717","url":null,"abstract":"\u0000 \u0000 \u0000The article analyses the constitution of subjectivity in Ruben Östlund’s film Force Majeure (2014). At the centre of attention stands the male protagonist who is uncapable of reconciling his inner nature with the external expectations. If the film may be un- derstood as a critique of existing middle-class conventions, it also reproduces a highly conventional ideal of the self-identical subject. The article argues that this confusion or irony is an expression of a Cartesian subject – still prevalent in the film – in crisis. A neglected aspect of Descartes’ theory is that the autonomy of the subjects presupposes the existence of God. The problem for Östlund’s char- acters is that there is no God. Still, they act as if he, or as if any au- thority might, legitimize their subjectivity. Thus, the whole existence becomes a series of performances. The idea of an inner nature cor- responds with the notion of an outer nature. The latter is certainly very present in Force Majeure, but at the same time this nature is constantly problematized. On an allegorical level, the film may thus be read as a comment on the Anthropocene, a state where we no longer know neither what “nature”, nor “culture” is. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48959075","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
INTRODUCTION 介绍
Nordic Journal of Aesthetics Pub Date : 2018-11-06 DOI: 10.7146/nja.v27i55-56.110726
J. Lund, Sven Anders Johansson
{"title":"INTRODUCTION","authors":"J. Lund, Sven Anders Johansson","doi":"10.7146/nja.v27i55-56.110726","DOIUrl":"https://doi.org/10.7146/nja.v27i55-56.110726","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47261772","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
REVIEW: ELSE MARIE BUKDAHL, THE RECURRENT ACTUALITY OF THE BAROQUE 评论：玛丽布克达尔，巴洛克的再现现实
Nordic Journal of Aesthetics Pub Date : 2018-11-06 DOI: 10.7146/NJA.V27I55-56.110736
P. A. Brandt
{"title":"REVIEW: ELSE MARIE BUKDAHL, THE RECURRENT ACTUALITY OF THE BAROQUE","authors":"P. A. Brandt","doi":"10.7146/NJA.V27I55-56.110736","DOIUrl":"https://doi.org/10.7146/NJA.V27I55-56.110736","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46886209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ESSAY: THE KUNSTWOLLEN OF THE SCIENTIFIC ERA AND ALOIS RIEGL’S STIMMUNG 论文:科学时代的艺术与阿洛伊斯·里格尔的刺激
Nordic Journal of Aesthetics Pub Date : 2018-11-06 DOI: 10.7146/NJA.V27I55-56.110746
Konstantinos Vassiliou
{"title":"ESSAY: THE KUNSTWOLLEN OF THE SCIENTIFIC ERA AND ALOIS RIEGL’S STIMMUNG","authors":"Konstantinos Vassiliou","doi":"10.7146/NJA.V27I55-56.110746","DOIUrl":"https://doi.org/10.7146/NJA.V27I55-56.110746","url":null,"abstract":"\u0000 \u0000 \u0000Alois Riegl’s essay “Die Stimmung als Inhalt der modernen Kunst” (1899) has been one of art historiography’s early attempts to bridge art and science. In this text, Riegl not only presents the background of some of his theoretical and methodological premises but he also provides an overarching argument for the way natural sciences af- fect modern spectatorship. In this way, he establishes the basis of a Kunstwollen for the ‘age of the natural sciences’ and describes its appropriate artistic traits. Addressing the intellectual and historical context of the Stimmung Essay, this article shows how Riegl’s ideas work in a subtle and intricate manner, involving the combination of sensual and phenomenological observations to modes of knowl- edge. In this respect, the relation of art and science does not seem to be settled on a fixed contemplative basis but on the combination of the art with cognition and affects. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48123636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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