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Nordic Journal of Aesthetics最新文献

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DIGITAL MUSIC USE AS ECOLOGICAL THINKING: METADATA AND HISTORICISED LISTENING 数字音乐作为生态思维的运用：元数据与历史化聆听
Nordic Journal of Aesthetics Pub Date : 2020-05-20 DOI: 10.7146/nja.v29i59.120472
Andreas Helles Pedersen
{"title":"DIGITAL MUSIC USE AS ECOLOGICAL THINKING: METADATA AND HISTORICISED LISTENING","authors":"Andreas Helles Pedersen","doi":"10.7146/nja.v29i59.120472","DOIUrl":"https://doi.org/10.7146/nja.v29i59.120472","url":null,"abstract":"In claiming that metadata possess the power to put historical awareness into the act of listening, this article examines digital music use as an aesthetic situation driven by potentialities of becoming. Working from a theoretical foundation amalgamating digital music archives and metadata as environments the article discusses Georgina Born’s notion of musical assemblages alongside the concept of virtuality, and by letting these meet the article argues for a musical assemblage built from sensibilities of becoming rather than layers of mediation. The inner workings of digital music use constitute an ecology in which recorded music history moves and reconnects, and this makes the historicity of recorded music be fluid, thus turning listening into a historicised action. In exemplifying this, the article discusses some of the strategic programming of metadata on the digital music platform Diskoteket, and through an analysis of sampled music, the prospects of recorded music’s historicity are shown as affective capacities.","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"29 1","pages":"97-118"},"PeriodicalIF":0.0,"publicationDate":"2020-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45494742","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
WHAT IS ‘DIGITAL DYNAMICS’? 什么是“数字动态”?
Nordic Journal of Aesthetics Pub Date : 2020-05-20 DOI: 10.7146/nja.v29i59.120476
Jan Løhmann Stephensen
{"title":"WHAT IS ‘DIGITAL DYNAMICS’?","authors":"Jan Løhmann Stephensen","doi":"10.7146/nja.v29i59.120476","DOIUrl":"https://doi.org/10.7146/nja.v29i59.120476","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"29 1","pages":"125-128"},"PeriodicalIF":0.0,"publicationDate":"2020-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42680752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
THE VERTICAL CITY: APPROACHES TO THE SKYSCRAPER CITY AS PHENOMENOLOGICAL SPACE AND SEMANTIC FIELD 垂直城市:摩天大楼城市的现象学空间与语义场
Nordic Journal of Aesthetics Pub Date : 2020-05-20 DOI: 10.7146/nja.v29i59.120471
A. Troelsen
{"title":"THE VERTICAL CITY: APPROACHES TO THE SKYSCRAPER CITY AS PHENOMENOLOGICAL SPACE AND SEMANTIC FIELD","authors":"A. Troelsen","doi":"10.7146/nja.v29i59.120471","DOIUrl":"https://doi.org/10.7146/nja.v29i59.120471","url":null,"abstract":"The article is a kind of “project essay” or “brain storm” concerning skyscraper cities. It proposes different approaches for the study of this subject. Starting with the observation that in Danish traditional houses are lying (ligger), whereas skyscrapers are “standing” (star), different phenomenological and discursive perspectives for the study are sketched. The article also suggests that the analysis of contemporary skyscraper cities can shed new light on more traditional cities in the same way as new media illuminate the characterics of old media.","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"29 1","pages":"79-96"},"PeriodicalIF":0.0,"publicationDate":"2020-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48917337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
2008 Island og det kinesiske tegnet for krise
Nordic Journal of Aesthetics Pub Date : 2019-11-25 DOI: 10.6027/e0e3b621-no
Tormod Lien
{"title":"2008 Island og det kinesiske tegnet for krise","authors":"Tormod Lien","doi":"10.6027/e0e3b621-no","DOIUrl":"https://doi.org/10.6027/e0e3b621-no","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-11-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147917828","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE SECOND HALF OF THE READYMADE CENTURY (1964–) 成衣世纪下半叶(1964 -)
Nordic Journal of Aesthetics Pub Date : 2019-06-21 DOI: 10.7146/NJA.V28I57-58.114853
D. Daniels
{"title":"THE SECOND HALF OF THE READYMADE CENTURY (1964–)","authors":"D. Daniels","doi":"10.7146/NJA.V28I57-58.114853","DOIUrl":"https://doi.org/10.7146/NJA.V28I57-58.114853","url":null,"abstract":"\u0000 \u0000 \u0000The readymades conceived and selected by Marcel Duchamp be- tween the years 1914–1917 have, with very few exceptions, not survived until the present day as ‘original.’ A variety of forms, in- cluding documentary photos, objects chosen and approved later by Duchamp as well as remakes of the historical objects comprise the readymades’ legacy. Duchamp’s remakes of his readymades as a limited edition of multiples from 1964, commemorating the 50-year anniversary of his selection of the Bottle Dryer in 1914, mark the beginning of the second half of the “Readymade Century.” In contrast to their widespread visibility, the paradoxical ‘construct- edness’ of these objects is rarely discussed. The representational impact and the conceptual specificity of these multiples goes far beyond the oeuvre of Marcel Duchamp, and can be seen as a pre- monition of artistical appropriation strategies from the 1980s to the present day. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44266936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SHRINK TO EXPAND: THE READYMADES THROUGH THE LARGE GLASS 收缩膨胀：现成的东西穿过大玻璃
Nordic Journal of Aesthetics Pub Date : 2019-06-21 DOI: 10.7146/NJA.V28I57-58.114852
Jacob Wamberg
{"title":"SHRINK TO EXPAND: THE READYMADES THROUGH THE LARGE GLASS","authors":"Jacob Wamberg","doi":"10.7146/NJA.V28I57-58.114852","DOIUrl":"https://doi.org/10.7146/NJA.V28I57-58.114852","url":null,"abstract":"\u0000 \u0000 \u0000Departing from Duchamp’s advice in 1961 of finding the “com- mon factor” between the non-representative and the representa- tive, translated here into modernism and avant-garde, this article seeks to understand the readymades as objects that have passed metaphorically through Duchamp’s magnum opus, the unfinished Large Glass (1915-23). More precisely, the readymades are seen as mass-produced utensils that have been stripped bare of their usual function, i.e. their actualization, in order to regain potentiali- ty. Mapping Giorgio Agamben’s interpretation of Herman Melville’s short story Bartleby, the Scrivener (1856) onto the readymades, this shrink-to-expand strategy is understood as a skeptical suspen- sion of judgment, epoché, comparable to Bartleby’s polite refusal to work. Moreover, it is seen as equivalent to the down-scaling of dimensionality observed in the Large Glass, where transparency in one go eliminates the representation of spatial circumstances and opens up the objects toward the ever-changing physical surround- ings, thereby exposing more of those 4-dimensional projections, which are normally suppressed in our reduced 3-dimensional per- ception of the world. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44331983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
INTRODUCTION 引言
Nordic Journal of Aesthetics Pub Date : 2019-06-21 DOI: 10.7146/nja.v28i57-58.114846
J. Lund, Jacob Wamberg
{"title":"INTRODUCTION","authors":"J. Lund, Jacob Wamberg","doi":"10.7146/nja.v28i57-58.114846","DOIUrl":"https://doi.org/10.7146/nja.v28i57-58.114846","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45866631","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION 喷泉的故事:硬的事实和软的猜测
Nordic Journal of Aesthetics Pub Date : 2019-06-21 DOI: 10.7146/NJA.V28I57-58.114857
Thierry de Duve
{"title":"THE STORY OF FOUNTAIN: HARD FACTS AND SOFT SPECULATION","authors":"Thierry de Duve","doi":"10.7146/NJA.V28I57-58.114857","DOIUrl":"https://doi.org/10.7146/NJA.V28I57-58.114857","url":null,"abstract":"\u0000 \u0000 \u0000Thierry de Duve’s essay is anchored to the one and perhaps only hard fact that we possess regarding the story of Fountain: its photo in The Blind Man No. 2, triply captioned “Fountain by R. Mutt,” “Photograph by Alfred Stieglitz,” and “THE EXHIBIT REFUSED BY THE INDEPENDENTS,” and the editorial on the facing page, titled “The Richard Mutt Case.” He examines what kind of agency is involved in that triple “by,” and revisits Duchamp’s intentions and motivations when he created the fictitious R. Mutt, manipulated Stieglitz, and set a trap to the Independents. De Duve concludes with an invitation to art historians to abandon the “by” questions (attribution, etc.) and to focus on the “from” questions that arise when Fountain is not seen as a work of art so much as the bearer of the news that the art world has radically changed. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44966879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“THERE IS NO PROGRESS, CHANGE IS ALL WE KNOW.” NOTES ON DUCHAMP’S CONCEPT OF PLASTIC DURATION “没有任何进展，我们只知道改变。”关于DUCHAMP塑性持续时间的概念
Nordic Journal of Aesthetics Pub Date : 2019-06-21 DOI: 10.7146/NJA.V28I57-58.114851
S. Kolb
{"title":"“THERE IS NO PROGRESS, CHANGE IS ALL WE KNOW.” NOTES ON DUCHAMP’S CONCEPT OF PLASTIC DURATION","authors":"S. Kolb","doi":"10.7146/NJA.V28I57-58.114851","DOIUrl":"https://doi.org/10.7146/NJA.V28I57-58.114851","url":null,"abstract":"\u0000 \u0000 \u0000Henri Bergson is generally recognized as one of the most influential philosophers in the history of historical avant-gardism. Nevertheless, it has been widely neglected that Bergson’s philosophy also played a crucial role for the radically new concept of art that Marcel Duchamp developed based on his critical attitude towards the avant-gardes. First and foremost, this is apparent in view of Duchamp’s paintings The Passage from Virgin to Bride and Bride of 1912, as they both feature an idea of transition laying the foundation for his Large Glass and associated works. But there is also another cross-connection that one wouldn’t expect at the first glance. As this paper argues, Duchamp paradoxically also draws on Bergson’s ideas with his ready-mades, pointing to that productive interplay of intuition and intellect, which Bergson defined as a vital source for any kind of imagination and agency. Thus, Duchamp’s idea of choosing his ready-mades in terms of a “rendezvous with fate,” which he also reflected in his writing experiments The and Rendezvous, can be closely linked to his declared interest in Bergson’s “primacy of change,” leading him to explore the idea of “plastic duration.” \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45795499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
THE PROPERTY OF KNOWLEDGE 知识的性质
Nordic Journal of Aesthetics Pub Date : 2019-06-21 DOI: 10.7146/NJA.V28I57-58.114854
D. Joselit
{"title":"THE PROPERTY OF KNOWLEDGE","authors":"D. Joselit","doi":"10.7146/NJA.V28I57-58.114854","DOIUrl":"https://doi.org/10.7146/NJA.V28I57-58.114854","url":null,"abstract":"\u0000 \u0000 \u0000We can note three phases in the tradition of the readymade and appropriation since Duchamp’s Bicycle Wheel of 1913. First, they include early enactments in which the readymade posed an onto- logical challenge to artworks through the equation of commodity and art object. Second, practices in which readymades were de- ployed semantically as lexical elements within a sculpture, paint- ing, installation or projection. In a third phase, which most directly encompasses the global, the appropriation of objects, images, and other forms of content challenges sovereignty over the cultural and economic value linked to things that emerge from particular cultural properties ranging from Aboriginal painting in Australia to the ap- propriation of Mao’s cult of personality in 1990s China. This essay considers the most recent phase of the readymade in terms of its century-long history. \u0000 \u0000 \u0000","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45028533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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