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Affordances of the Networked Image 网络化影像的启示
Nordic Journal of Aesthetics Pub Date : 2021-07-02 DOI: 10.7146/nja.v30i61-62.127857
Centre for the Study of the Networked Image, G. Cox, A. Dekker, A. Dewdney, Katrina Sluis
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引用次数: 3
Talisman-Images Talisman-Images
Nordic Journal of Aesthetics Pub Date : 2021-07-02 DOI: 10.7146/nja.v30i61-62.127891
Laura U. Marks
{"title":"Talisman-Images","authors":"Laura U. Marks","doi":"10.7146/nja.v30i61-62.127891","DOIUrl":"https://doi.org/10.7146/nja.v30i61-62.127891","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42910015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Images Do Not Take Sides 图片不偏袒任何一方
Nordic Journal of Aesthetics Pub Date : 2021-07-02 DOI: 10.7146/nja.v30i61-62.127896
Cecilia Sjöholm
{"title":"Images Do Not Take Sides","authors":"Cecilia Sjöholm","doi":"10.7146/nja.v30i61-62.127896","DOIUrl":"https://doi.org/10.7146/nja.v30i61-62.127896","url":null,"abstract":"","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-07-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46333683","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Image-Sections: The Evidentiary Capacity of Images to Sample the Lifeworld and Have an Operative Life 图像部分:图像的证据能力，抽样生活世界和有一个有效的生活
Nordic Journal of Aesthetics Pub Date : 2021-07-02 DOI: 10.7146/nja.v30i61-62.127900
Christina Varvia (Images by Amel Alzakout)
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引用次数: 0
REVOLUTION OR DIVERSITY? AESTHETIC AND POLITICAL MANIFESTATIONS OF CLASS IN THREE SWEDISH RADICAL PICTUREBOOKS FROM THE 2000S AND 2010S 革命还是多样化?2000年代和2010年代三本瑞典激进绘本中阶级的美学和政治表现
Nordic Journal of Aesthetics Pub Date : 2020-11-22 DOI: 10.7146/nja.v29i60.122843
Kristina Hermansson
{"title":"REVOLUTION OR DIVERSITY? AESTHETIC AND POLITICAL MANIFESTATIONS OF CLASS IN THREE SWEDISH RADICAL PICTUREBOOKS FROM THE 2000S AND 2010S","authors":"Kristina Hermansson","doi":"10.7146/nja.v29i60.122843","DOIUrl":"https://doi.org/10.7146/nja.v29i60.122843","url":null,"abstract":"This article explores manifestations of class from a combined aesthetical and political point of view, focusing on a selection of Swedish children’s picture books from 2009 to 2018, in which class differences are made prominent. In this sense, they can be regarded as radical. This study examines how political aspects are intertwined with literary, visual, and multimodal means. The main purpose is to examine how the political and aesthetical merge in the manifestations of class. The publishing of radical picture books during the 2000s and 2010s coincided with a rise of norm-criti-cal discourse, including a strong emphasis on diversity rather than on social transformation. The books, I argue, do not depict radical change on a collective level, but uses various aesthetic means in their manifestations of class and inequality. Theoretically, the anal-ysis mainly draws on Pierre Bourdieu’s theory of capital (1984), and Beverley Skeggs’s (1997) reasoning on class by adding the con-cept of respectability, as well as picturebook theory, and scholarly writing on radical picturebooks.","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44964062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MARX ET CO REVISITED. REPRESENTATIONS OF THE ECONOMY IN RALF ANDTBACKA’S WUNDERKAMMER (2008) 马克思等人重新审视。经济在ralf和backa的奇迹中的表现(2008)
Nordic Journal of Aesthetics Pub Date : 2020-11-22 DOI: 10.7146/nja.v29i60.122842
K. Malmio
{"title":"MARX ET CO REVISITED. REPRESENTATIONS OF THE ECONOMY IN RALF ANDTBACKA’S WUNDERKAMMER (2008)","authors":"K. Malmio","doi":"10.7146/nja.v29i60.122842","DOIUrl":"https://doi.org/10.7146/nja.v29i60.122842","url":null,"abstract":"The present article studies the representation of economy in Wunderkammer (2008), a collection of poetry by Finland-Swedish author Ralf Andtbacka. Going back to the historical form of cabinets of curiosities, Wunderkammer depicts acts of buying, selling, and collecting. By showing the connectivity of objects and their impact on human subjects, Andtbacka actualizes and deconstructs topics originally initiated by Karl Marx, such as value, fetish, commodifica-tion, and alienation. The portrayal of capitalism, both past and pres-ent, in the book is highly ambivalent. On the one hand, collecting functions as a critical, anticapitalistic act. On the other hand, eco-nomic discourse has invaded the text and turned the author into a writing machine powered by the energy of neoliberal labor. Besides an excess of objects, the poems display an overflow of information, a characteristic feature of a postcapitalist economy. As an exam-ple of cognitive mapping, Wunderkammer allegorically portrays humans, objects, and information in the middle of a paradoxical economic transformation.","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44742284","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
ANYBODY LIVING A PRIVATE LIFE IS A BELIEVER IN MONEY. GERTRUDE STEIN, THE GREAT DEPRESSION, AND THE ABSTRACTION OF MONEY 任何过着私人生活的人都相信金钱。格特鲁德·斯坦，大萧条，以及金钱的抽象化
Nordic Journal of Aesthetics Pub Date : 2020-11-22 DOI: 10.7146/nja.v29i60.122838
S. Daugaard
{"title":"ANYBODY LIVING A PRIVATE LIFE IS A BELIEVER IN MONEY. GERTRUDE STEIN, THE GREAT DEPRESSION, AND THE ABSTRACTION OF MONEY","authors":"S. Daugaard","doi":"10.7146/nja.v29i60.122838","DOIUrl":"https://doi.org/10.7146/nja.v29i60.122838","url":null,"abstract":"The article considers Gertrude Stein’s reflections about the increasing abstraction of economics in response to the Great Depression and Roosevelt’s New Deal in a number of explicitly political pieces from the mid-1930s, including “A Political Series” (1935), and her five brief newspaper commentaries on “money”: ”Money”, “More About Money”, “Still More About Money”, “All About Money”, and “My Last About Money” (1936). The article then relates them to Walter Benjamin’s and Giorgio Agamben’s ideas about the religious implications of the money system that resonate with Stein’s salute to the “believer in money” as security against contemporary authoritarian tendencies. Stein’s opinion pieces argue against taxation, unionism, and public spending, yet also demonstrate the slippery passage between her explicit conservatism, her economic liberalism and her still present radicalism and critique of patriarchal authority as they recycle crucial elements from contemporaneous works such The Geographical History of America (1935) and Everybody’s Autobiography (1937).","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"29 1","pages":"26-47"},"PeriodicalIF":0.0,"publicationDate":"2020-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45985676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE FINANCIAL REGIME 金融体制
Nordic Journal of Aesthetics Pub Date : 2020-11-22 DOI: 10.7146/nja.v29i60.122847
Joseph Vogl
{"title":"THE FINANCIAL REGIME","authors":"Joseph Vogl","doi":"10.7146/nja.v29i60.122847","DOIUrl":"https://doi.org/10.7146/nja.v29i60.122847","url":null,"abstract":"Starting from the premise that the financial regime has become a power in and of itself—a fourth, ‘monetative’ power as it were—this essay gives an account of the ascendancy of finance and the shift from geopolitical to geo-economical order, within which there is no democratic legitimacy and no legal accountability and within which a new class conflict also emerges. It goes on to advance five theses on this new financial sovereignty, concluding that sovereign is he, who can transform his risks into other’s dangers and position him-self as the creditor of last resort.","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43275228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
MONEY AS FRAME 货币作为框架
Nordic Journal of Aesthetics Pub Date : 2020-11-22 DOI: 10.7146/nja.v29i60.122846
Nicholas Huber
{"title":"MONEY AS FRAME","authors":"Nicholas Huber","doi":"10.7146/nja.v29i60.122846","DOIUrl":"https://doi.org/10.7146/nja.v29i60.122846","url":null,"abstract":"This essay responds to “Money as Art: The Form, the Material, and Capital” by the Marxist economist Costas Lapavitsas with reference to the triple manifestation of crisis in the United States during the spring months of 2020 By triangulating the role of money in the COVID-19 pandemic, the ensuing mass unemployment, and the historical nationwide revolt in response to the police murder of George Floyd predicated on a counterfeit twenty-dollar bill, Nicholas Huber makes a three-part claim First, that acceptance of the Marxist theory of fetishism forecloses the possibility of conceiving of capitalist money as art in the sense developed by Lapavitsas, insofar as the latter tends toward transhistorical concepts of both art and money Following from this, any aesthetic function of money in the capitalist mode of production is inseparable from its total social function;that is, capitalist money is at once an economic, political, cultural, and aesthetic mediation unlike any other Finally, Huber draws on Louis Marin's typology of the frame in correspondence with Erik Olin Wright's integrated class analytic framework to argue that the question of whether money is art or not leads us to a dead end Huber suggests that a crisis such as the one unfolding in 2020 raises instead the more challenging question of what social system must come into being, such that a theory of capitalist money as art becomes intelligible © 2020 Institute of Aesthetic Studies All rights reserved","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"29 1","pages":"158-174"},"PeriodicalIF":0.0,"publicationDate":"2020-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46539897","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FULL AUTOMATION IN ITS INFANCY: THE SITUATIONIST AVANT-GARDE BOOK FIN DE COPENHAGUE 处于婴儿期的完全自动化:情景主义先锋著作《哥本哈根之夜》
Nordic Journal of Aesthetics Pub Date : 2020-11-22 DOI: 10.7146/NJA.V29I60.122841
Dominique Routhier
{"title":"FULL AUTOMATION IN ITS INFANCY: THE SITUATIONIST AVANT-GARDE BOOK FIN DE COPENHAGUE","authors":"Dominique Routhier","doi":"10.7146/NJA.V29I60.122841","DOIUrl":"https://doi.org/10.7146/NJA.V29I60.122841","url":null,"abstract":"This article discusses Fin de Copenhague, a Situationist book experiment from 1957 by Asger Jorn and Guy Debord. By way of a contextualizing archival study with special attention to Jorn’s contemporaneous book project Pour la forme, the article demonstrates that the Russian avant-garde book was a key influence if also a point of critical departure. On this reading, Fin de Copenhague marks a turn away from the unbridled technological optimism of the historical avant-garde. In its material implications and aesthetic choices, Fin de Copenhague draws attention to crucial changes in the capitalist mode of production and challenges the then nascent discourse about “full automation.”","PeriodicalId":38858,"journal":{"name":"Nordic Journal of Aesthetics","volume":"29 1","pages":"48-71"},"PeriodicalIF":0.0,"publicationDate":"2020-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45781746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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