马克思等人重新审视。经济在ralf和backa的奇迹中的表现(2008)

Q3 Arts and Humanities
K. Malmio
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引用次数: 0

摘要

本文研究芬兰-瑞典作家拉尔夫·安德巴克的诗集《Wunderkammer》(2008)中的经济表现。追溯到古玩橱柜的历史形式,Wunderkammer描绘了购买、出售和收藏的行为。Andtbacka通过展示物体的连通性及其对人类主体的影响,实现和解构了马克思最初提出的主题,如价值、恋物癖、商品化和异化。书中对资本主义的描述,无论是过去还是现在,都是高度矛盾的。一方面,收集是一种重要的反资本主义行为。另一方面,经济话语侵入了文本,并将作者变成了一台由新自由主义劳动能量驱动的写作机器。除了过多的实物之外,诗歌还表现出信息的泛滥,这是后资本主义经济的一个特征。作为认知映射的一个例子,Wunderkammer寓言式地描绘了处于矛盾的经济转型中的人类、物体和信息。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MARX ET CO REVISITED. REPRESENTATIONS OF THE ECONOMY IN RALF ANDTBACKA’S WUNDERKAMMER (2008)
The present article studies the representation of economy in Wunderkammer (2008), a collection of poetry by Finland-Swedish author Ralf Andtbacka. Going back to the historical form of cabinets of curiosities, Wunderkammer depicts acts of buying, selling, and collecting. By showing the connectivity of objects and their impact on human subjects, Andtbacka actualizes and deconstructs topics originally initiated by Karl Marx, such as value, fetish, commodifica-tion, and alienation. The portrayal of capitalism, both past and pres-ent, in the book is highly ambivalent. On the one hand, collecting functions as a critical, anticapitalistic act. On the other hand, eco-nomic discourse has invaded the text and turned the author into a writing machine powered by the energy of neoliberal labor. Besides an excess of objects, the poems display an overflow of information, a characteristic feature of a postcapitalist economy. As an exam-ple of cognitive mapping, Wunderkammer allegorically portrays humans, objects, and information in the middle of a paradoxical economic transformation.
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来源期刊
Nordic Journal of Aesthetics
Nordic Journal of Aesthetics Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
21
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