处于婴儿期的完全自动化:情景主义先锋著作《哥本哈根之夜》

Q3 Arts and Humanities
Dominique Routhier
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引用次数: 0

摘要

本文讨论了阿斯格·约恩和盖伊·德波1957年出版的情景主义著作《哥本哈根的结局》。通过对档案的语境化研究,特别关注Jorn的当代书籍项目Pour la forme,本文证明了俄罗斯前卫书籍是一个关键的影响,同时也是一个关键的出发点。在这种解读下,《哥本哈根之角》标志着对历史先锋派肆无忌惮的技术乐观主义的背离。在它的物质含义和美学选择中,《哥本哈根之光》引起了人们对资本主义生产方式的关键变化的关注,并挑战了当时新生的关于“完全自动化”的话语。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
FULL AUTOMATION IN ITS INFANCY: THE SITUATIONIST AVANT-GARDE BOOK FIN DE COPENHAGUE
This article discusses Fin de Copenhague, a Situationist book experiment from 1957 by Asger Jorn and Guy Debord. By way of a contextualizing archival study with special attention to Jorn’s contemporaneous book project Pour la forme, the article demonstrates that the Russian avant-garde book was a key influence if also a point of critical departure. On this reading, Fin de Copenhague marks a turn away from the unbridled technological optimism of the historical avant-garde. In its material implications and aesthetic choices, Fin de Copenhague draws attention to crucial changes in the capitalist mode of production and challenges the then nascent discourse about “full automation.”
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来源期刊
Nordic Journal of Aesthetics
Nordic Journal of Aesthetics Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
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0.00%
发文量
21
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