{"title":"Zoomorfna obeležja duša pokojnika u verovanjima slovenskih naroda","authors":"Dragana Đurić","doi":"10.15176/vol60no208","DOIUrl":"https://doi.org/10.15176/vol60no208","url":null,"abstract":"Prema slovenskim narodnim verovanjima, duša u trenutku smrti izlazi iz tela u obliku muve, leptira, ptice ili miša. Ona se kasnije može javiti živim ljudima i u obliku nekih drugih životinja, pri čemu se uočavaju razlike među dušama tzv. čistih pokojnika ili predaka (onih koji su umrli “svojom”, prirodnom smrću) i tzv. nečistih pokojnika (onih koji su umrli prerano ili nasilnom smrću, koji su bili veliki grešnici, nekršteni, bavili se magijom i sl.). U radu će se pažnja pokloniti predstavama o zoomorfnim obeležjima duša pomenutih grupa pokojnika. Istraživaće se razlozi vezivanja nekih životinja za određenu grupu pokojnika, zatim narodna shvatanja o tome da li duša ima ili preuzima formu životinje ili se prosto seli u njeno telo. Istraživanje se zasniva na objavljenoj etnografskoj i folklorističkoj građi u časopisima i zbornicima slovenskih naroda, te naučnim studijama o predstavama o duši i životinjama u narodnoj kulturi Slovena, kao i na sopstvenim terenskim zapisima iz Banata (Srbija).","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138962024","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Južnoslavenska mačka u folklorističkim i etnološkim interpretacijama","authors":"Suzana Marjanić","doi":"10.15176/vol60no210","DOIUrl":"https://doi.org/10.15176/vol60no210","url":null,"abstract":"Interpretativna vremenska lenta izlaže imaginarij o mačkama u južnoslavenskim običajima i vjerovanjima od Natka Nodila preko Tihomira R. Đorđevića i Ljubinka Radenkovića sve do suvremenih kulturnoanimalističkih istraživanja, i to kontekstualno vezano uz ostale Slavene i indoeuropsku komparativnu mitologiju. I dok se Nodilo oslanja na interpretaciju mitologije prirode Angela de Gubernatisa, Tihomir R. Đorđević prati etnografski materijal Južnih Slavena (što se tiče Hrvatske pomno je, među ostalim, istražio mačkogradivo u Zborniku za narodni život i običaje Južnih Slavena), a Ljubinko Radenković semiotički promatra mačku u simbolici svijeta Južnih Slavena, gdje zamjećuje da su čovjeku od domaćih životinja najbliži konj, ovca, krava i vol, a zatim slijede bik, koza, magarac, kokoš, svinja, pas i mačka. Završno se razmatra simbolika mačke u suvremenoj hrvatskoj vizualnoj kulturi s obzirom na to da je mačka iznimno jak zoosimbol postkonceptualne i transmedijalne prakse, odnosno “antropološke strukture imaginarnog”, da uporabimo Durandovu sintagmu.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" 13","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138962625","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"O radu na Animalističkom leksikonu u okviru projekta Kulturna animalistika","authors":"Antonija Zaradija Kiš, Marinka Šimić","doi":"10.15176/vol60no206","DOIUrl":"https://doi.org/10.15176/vol60no206","url":null,"abstract":"U okviru projekta Kulturna animalistika: interdisciplinarna polazišta i tradicijske prakse (IP-2019-04-5621) Hrvatske zaklade za znanost poseban istraživački segment odnosi se na prikupljanje, razvrstavanje i obrađivanje leksičke animalističke građe iz hrvatskoglagoljskoga korpusa. Riječ je o odabranim hrvatskoglagoljskim kodeksima od 11./12. do 16. stoljeća među kojima se posebna pozornost usmjeruje na zbornike, nedovoljno istraživanu skupinu hrvatskoglagoljskih rukopisa. Kao temeljni fond odabrana je građa iz Rječnika crkvenoslavenskoga jezika hrvatske redakcije te građa prikupljana tijekom četverogodišnjega rada iz Prvoga beramskog (ljubljanskog) brevijara (14. st.), Drugoga beramskog (ljubljanskog) brevijara (15. st.), Akademijina brevijara (kraj 14. st.), Pariškoga zbornika (1375. g.), Vinodolskoga zbornika (početak 15. st.), Petrisova zbornika (1468. g.), Ivančićeva zbornika (14./15. st.), Ljubljanskoga zbornika (15. st.), Tkonskoga zbornika (16. st.), te ćirilskoga Libra od mnozijeh razloga (1520. g.). To vrijedno animalističko leksičko blago namjeravamo oblikovati kao cjelinu u obliku stručnoga povijesno-animalističkog rječnika. Cilj ovoga rada je predočiti način oblikovanja natuknica, zamisli, probleme, potrebu izrade ovoga rječnika, koji bi bio jedinstven u hrvatskoj leksikografskoj djelatnosti. Na temelju ovoga stručnog leksikona u budućnosti će se moći proučavati zoonimski hrvatski leksik, tj. zaključiti koji su stari nazivi za životinje očuvani samo u pojedinim govorima, a koji su uvršteni u standardni hrvatski leksik.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" 30","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138961278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Smrt i osjećaji","authors":"Thorsten Fögen","doi":"10.15176/vol60no205","DOIUrl":"https://doi.org/10.15176/vol60no205","url":null,"abstract":"This article examines death narratives about dogs, an animal species which had a special significance for the Greeks and Romans. The analysis starts with one particularly famous animal: Odysseus’ dog Argus in Homer’s Odyssey, a case that may be seen as the archetype of ancient descriptions of an animal’s death. This constitutes the basis for the discussion of several other texts: (1) a short passage from Theophrastus’ Characters on the death of a Maltese dog (Char. 21.9), (2) the epitaph for the Maltese dog Taurus (Anth. Pal. 7.211), (3) the tombstone for the dog Aeolis (AE 1994.0348), (4) the epitaph for the Gallic dog Margarita (CIL 6.29896), and (5) the tombstone for the Gallic dog Myia (CIL 13.488). The various different death narratives investigated here not only reveal the animals’ characteristics and the meaning that they had for their owners, but also shed some interesting light on the owners themselves, in particular on their social status.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138963144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Posljedice neizrečenoga i zašto se skriveno mora saznati","authors":"Kathrin Pabst","doi":"10.15176/vol60no105","DOIUrl":"https://doi.org/10.15176/vol60no105","url":null,"abstract":"The article takes its starting point in more than 160 personal narratives from former migrants, their children, and grandchildren. The testimonies have been collected by cultural-history museums in seven European countries – Norway, Denmark, Sweden, Poland, Lithuania, Slovenia and Croatia – and provide a haunting impression of the long-term consequences of war and forced migration for at least three generations. The research aimed at understanding how exactly the Untold and the silence of the first generation – the not-sharing of what they, as time witnesses, experienced – can be sensed by their children and grandchildren and influence their lives, family relations and the surrounding society in a negative way. The findings show that the need for personal and public information by the second and third generations cannot be overestimated and that sharing and getting to know could be a key to more healthy relations between family members and within communities.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45720048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Englesko-eskimski i eskimsko-engleski rječnici","authors":"Renata Šamo","doi":"10.15176/vol60no107","DOIUrl":"https://doi.org/10.15176/vol60no107","url":null,"abstract":"This paper focuses on the English-Eskimo and Eskimo-English Vocabularies, published by the Government Printing Office in Washington, D.C. in 1890, which appeared with the general aim to motivate a wider range of people to learn about the Arctic Eskimos and make communication with them easier, but it was initially designed as a handbook for Alaskan school teachers. Although the publication can be approached from different perspectives, allowing many interpretations, the current author emphasizes the crucial circumstances under which it was produced, simultaneously drawing special attention to the existence of Eskaleut languages.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44515738","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Good Stories…","authors":"Britta Acksel","doi":"10.15176/vol60no104","DOIUrl":"https://doi.org/10.15176/vol60no104","url":null,"abstract":"“Sustainability” is used strategically in urban governance; it is a means as well as an end. Some argue that the focus often lies on the former. The point of this paper is not to show that “sustainability” is used to achieve a diverse set of goals, but rather how this is done. The article starts with three stories about the transformations of three post-industrial cities (Malmö, Essen, Almada) and lays out how the transformations have been enacted (or not), thus demonstrating the dynamic and context-specific way “sustainability” is put to work in urban governance. Further, the argument is that stories, due to their ontological entanglements, may well be more than “good stories”. In and through stories, “sustainability” as an urban governance issue is un/made along with certain kinds of post-industrial cities. The article points out how stories make sustainability marketable while unmaking it as something that requires fundamental change. Moreover, the claim is that these two stories make competitive post-industrial cities and unmake connections between industrial pasts and global environmental challenges. Nevertheless, they also cause critique and dispute and might pave the way for different dis/connections.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46862291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Humanitarka i distro","authors":"Bojan Mucko","doi":"10.15176/vol60no109","DOIUrl":"https://doi.org/10.15176/vol60no109","url":null,"abstract":"Tekst je refleksija o istraživačkom pristupu europskom režimu iregulariziranih migracija baziranom na participaciji u humanitarno-aktivističkim aktivnostima u kontekstu obilježenom normalizacijom nasilja na periferiji Europske unije. Vernakularnim humanitarnim praksama odozdo prilazim etnografski, povezivanjem (umjetničkog, izvaninstitucionalnog) rada u getoiziranom zagrebačkom romskom naselju s promigrantskim volonterskim angažmanom u Unsko-sanskom kantonu Bosne i Hercegovine (u znanstvenom, institucionalnom okviru). Humanitarizmu pristupam kritički, istovremeno i kao momentu desubjektivizacije i bitnom koraku širih, društveno inkluzivnih procesa. Istraživačka praksa u kontekstu kriminalizacije solidarnosti podrazumijevala je navigaciju kroz metodološki nepredvidive situacije, fluidno, sklisko, uslojeno pozicioniranje, identitetske sive zone, disciplinarne i normativne liminalnosti. Posljedične ambivalentnosti percipiram kao dio otvorenog istraživačkog procesa nerazlučivog od vlastite svakodnevice perforirane režimom migracija.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41675528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Rethinking the City in the Industrial Aftermath","authors":"S. Potkonjak, Nevena Škrbić Alempijević","doi":"10.15176/vol60no101","DOIUrl":"https://doi.org/10.15176/vol60no101","url":null,"abstract":"Drawing on ethnographic studies of two postindustrial cities in Croatia, Sisak and Bakar, the authors analyse how the communities narrate their industrial pasts, address industry-related environmental fallouts and define the potentials of postindustrial urban life. They focus on diverse narrations and practices through which the formerly industrial communities make sense of industrialisation and deindustrialisation. Local understandings of (post)industrial urban life are grasped through the concept of socio-industrial memory. The concept highlights the fact that communities can have different ideas about similar socio-economic processes depending on the ways in which they conceptualise the present and futures of their postindustrial cities, but it also underlines that the process of industrialisation was orchestrated politically as an act of socialist modernisation. The article outlines shared features and investigates disparities of postindustrial city-making and, in doing so, underlines the significance of context-based interpretations of such transformations. In both cities, the shutting down of factories left the inhabitants without major providers of livelihood. In Sisak, deindustrialisation meant long-term unemployment, which triggered postindustrial nostalgia. For citizens of Bakar, socialist industrialisation is an environmental threat and a turn away from tourism-development prospects. The authors conclude that images of the industrial past change their meanings in relation to the present needs and fears of postindustrial communities, as well as their visions of alternative, hopefully brighter futures.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41857817","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Voices Heard (Again)","authors":"Lidija Nikočević","doi":"10.15176/vol60no106","DOIUrl":"https://doi.org/10.15176/vol60no106","url":null,"abstract":"The emigration of Istrian Italians after the Second World War, most often called the “Exodus”, has been a frequent topic of many historical and anthropological studies. This paper reports on new findings based on the EU project Identity on the Line, which studied and interpreted a series of involuntary migrations and unwanted consequences for peoples, communities and individuals in Europe in the middle of the 20th century. In the research of the Istrian “Exodus”, an effort was made to find new testimonies and stories and reach voices that had not been “heard” thus far. In this process, it became obvious that the status and fate of the Istrian Italians who did not emigrate, the so-called “Rimasti” (less studied so far) is very complex due to the ambivalent relationship with the emigrated Istrian Italians (the “Esuli”) as well as with the newly created social environment. Photographs and statements from both communities were collected and meant to be used for two exhibitions, films and publications, thus bringing to light their intimate accounts (some of which were told for the first time), presenting them in a public space. This transformation necessarily implied very careful and sensitive cooperation with the informants, with the aim of making their traumas more visible, as well as establishing museums as institutions where increased efforts are made to communicate “difficult heritage”.","PeriodicalId":38816,"journal":{"name":"Narodna Umjetnost","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44899383","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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