Journal of Writing in Creative Practice最新文献

筛选
英文 中文
Exploring the ‘penumbra of the non-verbal’: The relationship between writing and making in a practice-based Ph.D. 探索“非语言的半影”:一位实习博士的写作和写作之间的关系。
Journal of Writing in Creative Practice Pub Date : 2020-02-01 DOI: 10.1386/jwcp_00003_1
S. Horton
{"title":"Exploring the ‘penumbra of the non-verbal’: The relationship between writing and making in a practice-based Ph.D.","authors":"S. Horton","doi":"10.1386/jwcp_00003_1","DOIUrl":"https://doi.org/10.1386/jwcp_00003_1","url":null,"abstract":"The penumbra (or shadow) of the non-verbal is a phrase taken from Sarat Maharaj’s article ‘Know-how and no-how’ in which Maharaj describes a kind of making that does not solely rely on the verbal but on what he calls the ‘sticky’, somatic and material qualities of the artwork. He argues that these qualities exist independently of the discursive side of the process. This article explores the complicated dynamic between the material, ‘sticky’ aspects of making and the various texts that were written alongside the making in my own Ph.D. How can the practical and written components work to support rather than usurp each other? I will argue that the relationship between theory (as written) and theory (as practice) forms concertina-like push-and-pull tensions that each inform the other. Using Pierre Bourdieu’s concept of ‘habitus’ the material, or ‘sticky’, qualities of artworks may be seen to link to our bodily and haptic understanding of the world. This discussion has implications for anyone undertaking practice-based research who wishes to gain a deeper understanding of the theory-practice dynamic within it.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48788919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pears, pistachios, pencils and punctuation: Performative encounter and the art of conversation 梨、开心果、铅笔和标点符号:表演邂逅与对话艺术
Journal of Writing in Creative Practice Pub Date : 2020-02-01 DOI: 10.1386/jwcp_00002_1
Karlie Foster, Kimberley Foster, V. Mitchell
{"title":"Pears, pistachios, pencils and punctuation: Performative encounter and the art of conversation","authors":"Karlie Foster, Kimberley Foster, V. Mitchell","doi":"10.1386/jwcp_00002_1","DOIUrl":"https://doi.org/10.1386/jwcp_00002_1","url":null,"abstract":"Words, utterance, gesture, mark-making, ink, nut shells, a peach or a stray button prompt material-discursive engagement. Nothing is taken for granted in terms of knowledge or experience other than a belief that such engagement is a practice, revealing of itself. This article proposes and exemplifies an ‘apparatus’ of such practice, in which the materially embedded and/or physically embodied production of speech, writing, objects and images are intermingled. This practice has evolved through collaboration, within and across successive performative encounters. Through the intra-acting agencies of performative encounter, the material and the verbal are in conversation, questioning the production of knowledge, critically and metaphorically determined as a ‘digestive tract of knowing’. A material engagement emerges that is continuously enmeshed, unravelled and revealed as an embodied tract that surfaces as diagram, apparatus or a conjunction of vertices.\u0000In this context, words, whether written, spoken, uttered or as yet unsaid, are interior to the practice. Together and continuously, their shared and formative meanings are mobile, never settling, always productive. Whether critically informed or invented on the spur of the moment, words (including the writing of this article) act as material-discursive fabric. This research-in-action is evident both in the operative engagement and in the subsequent opening of the practice to others, whether as display, text, performance or dialogic example.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48299186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
emoji summaries
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.147_3
G. de la Puente, Zarina Muhammad
{"title":"emoji summaries","authors":"G. de la Puente, Zarina Muhammad","doi":"10.1386/jwcp.13.1.147_3","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.147_3","url":null,"abstract":"The White Pube present the emoji summaries that accompany their exhibition reviews on thewhitepube.com. The emoji summaries are there to replace the quantitative 1–5 star rating that normally heads typical art and film reviews. Rather than claim the same authoritative objectivity,\u0000 The White Pube writers will respond to the exhibition with three selective emojis to offer a description of their personal experience.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41573746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Hardeep’s Egg 哈迪普的蛋
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.9_7
Hardeep Pandhal, D. Steans
{"title":"Hardeep’s Egg","authors":"Hardeep Pandhal, D. Steans","doi":"10.1386/jwcp.13.1.9_7","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.9_7","url":null,"abstract":"Hardeep’s Egg is a collaborative work by Pandhal and Steans that proposes a definition for a new noun, based on a real-life experience of Pandhal’s. The definition is illustrated in different ways each time it is presented.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66736063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The (serious) game of classification: (I think I’m happy, she thought, but am I real?) (严肃的)分类游戏:(我觉得我很快乐,她想,但我是真实的吗?)
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.117_1
Carol Sommer
{"title":"The (serious) game of classification: (I think I’m happy, she thought, but am I real?)","authors":"Carol Sommer","doi":"10.1386/jwcp.13.1.117_1","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.117_1","url":null,"abstract":"The principle that classification may always be provisional and illusory continues to be of relevance and concern to art and curation that seeks to expose the fallacies of systematic order and taxonomy. Taking the museum as a starting point, this article explores the curation of information and objects by writers and artists who offer alternative spaces of representation and interpretation. Language is fundamental to these curatorial undertakings, for example: the keywords chosen as starting points by Daniel Spoerri and Marie-Louise Plessen for their 1981 Musée Sentimental de Prusse; Tate Liverpool’s choice of artwork for their 2014 interpretation of Raymond Williams’ 1988 book Keywords; and Rose English’s choice of words to explore during her 1983 performance Plato’s Chair, included in the Keywords exhibition. Developing into a consideration of social networking as a space of curated representation, the article examines my own use of the hashtag and its relation to classification and keywords in a recent Instagram project @cartography_for_girls. I set up the account to share the thoughts of philosopher and novelist Iris Murdoch’s fictional women characters on a platform synonymous with personal articulation and connection seeking. The hashtag offered a taxonomy with which to engage with Iris Murdoch’s advocacy of the acceptance of contingency and to her assertion that ‘the task of classifying […] can perhaps never be more than a (serious) game’.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66735515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Untitled (chicken nugget Facebook post) 无题(鸡块脸书帖子)
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.155_7
Simon L. Morris
{"title":"Untitled (chicken nugget Facebook post)","authors":"Simon L. Morris","doi":"10.1386/jwcp.13.1.155_7","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.155_7","url":null,"abstract":"I sent Zara Worth this Facebook post because I thought the chicken nugget would make a good full stop at the end of her guest-edited issue of the Journal of Writing in Creative Practice on the subject of Social Media Speak (SMS).","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66735582","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Anti-sonnets 反十四行诗
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.47_3
M. Staniforth
{"title":"Anti-sonnets","authors":"M. Staniforth","doi":"10.1386/jwcp.13.1.47_3","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.47_3","url":null,"abstract":"The following article selects twelve works from Mark Staniforth’s year-long ‘Anti-sonnets’ series, for which Staniforth created an experimental sonnet for each day of the year. The project forms part of a broader investigation into the potential exploitation of subjectivity\u0000 in modern, multi-media-inspired praxis. The sonnets recognize the inevitable failure of the pursuit of absolute objectivity: that authorial influence can never entirely be purged. Therefore it was appropriate that the sonnets were created for and shared on a blog – one of the earliest\u0000 examples of Web 2.0 user-generated content-driven web design (https://antisonnets.wordpress.com/).","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49665816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
New models of the inner self: Identity in the digital age 内在自我的新模式:数字时代的身份
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.131_1
Gabriella Warren-Smith
{"title":"New models of the inner self: Identity in the digital age","authors":"Gabriella Warren-Smith","doi":"10.1386/jwcp.13.1.131_1","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.131_1","url":null,"abstract":"The following article addresses the changing nature of human identity in the digital age, with a focus on the emergence of the ‘inner self’ via digital communication. Three models of ‘self’ are presented in this text, which have emerged as a result of our rising use of digital technology, entitled ‘The Constructed Self’, ‘The Programmed Self’ and ‘The Absent Self’. The first model, ‘The Constructed Self’, focuses on our ability online to manipulate the public portrayal of the ‘inner self’ via carefully constructed social media profiles and virtual identities. This model compares the instances in which the ‘online self’ and the ‘actual self’ develop as extensions of one another, with examples that highlight how they can also act in opposition. ‘The Programmed Self’ is concerned with the amalgamation of humans and technology. As machines become increasingly intelligent and humanized, new possibilities are arising for our relationship with technology to become ever more personal. Finally, ‘The Absent Self’ brings to light what we miss through our immersion in the screen; how do online environments capture our attention so effectively and what does this do to our ability to self-reflect?","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66735570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 3
SMS (Social-Media-Speak) as/for/in creative practice SMS (Social-Media-Speak)作为/用于/用于创造性实践
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.3_2
Zara Worth
{"title":"SMS (Social-Media-Speak) as/for/in creative practice","authors":"Zara Worth","doi":"10.1386/jwcp.13.1.3_2","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.3_2","url":null,"abstract":"","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66735633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
obj///subj—ectivity obj / / / subj-ectivity
Journal of Writing in Creative Practice Pub Date : 2020-01-01 DOI: 10.1386/jwcp.13.1.55_3
Zarina Muhammad
{"title":"obj///subj—ectivity","authors":"Zarina Muhammad","doi":"10.1386/jwcp.13.1.55_3","DOIUrl":"https://doi.org/10.1386/jwcp.13.1.55_3","url":null,"abstract":"This text is from ‘Art Thoughts’; a collection of texts shared on The White Pube’s website that discuss art more broadly than the Reviews section. The piece investigates how the critic positions themselves in terms of objectivity and subjectivity when their identity does not afford them the supposed authority and neutrality of the cis-het white male writer.","PeriodicalId":38498,"journal":{"name":"Journal of Writing in Creative Practice","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66735641","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信