New models of the inner self: Identity in the digital age

Q2 Arts and Humanities
Gabriella Warren-Smith
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引用次数: 3

Abstract

The following article addresses the changing nature of human identity in the digital age, with a focus on the emergence of the ‘inner self’ via digital communication. Three models of ‘self’ are presented in this text, which have emerged as a result of our rising use of digital technology, entitled ‘The Constructed Self’, ‘The Programmed Self’ and ‘The Absent Self’. The first model, ‘The Constructed Self’, focuses on our ability online to manipulate the public portrayal of the ‘inner self’ via carefully constructed social media profiles and virtual identities. This model compares the instances in which the ‘online self’ and the ‘actual self’ develop as extensions of one another, with examples that highlight how they can also act in opposition. ‘The Programmed Self’ is concerned with the amalgamation of humans and technology. As machines become increasingly intelligent and humanized, new possibilities are arising for our relationship with technology to become ever more personal. Finally, ‘The Absent Self’ brings to light what we miss through our immersion in the screen; how do online environments capture our attention so effectively and what does this do to our ability to self-reflect?
内在自我的新模式:数字时代的身份
下面的文章探讨了数字时代人类身份的本质变化,重点关注通过数字通信出现的“内在自我”。本文提出了“自我”的三种模式,它们是随着我们越来越多地使用数字技术而出现的,分别是“构建的自我”、“程序化的自我”和“缺席的自我”。第一个模型,“构建的自我”,关注的是我们通过精心构建的社交媒体资料和虚拟身份,在网上操纵公众对“内在自我”的描绘的能力。这个模型比较了“在线自我”和“真实自我”作为彼此的延伸而发展的实例,并强调了它们如何也可以相反地行动。《程序化的自我》关注的是人类与技术的融合。随着机器变得越来越智能和人性化,我们与技术的关系变得更加个人化的可能性正在出现。最后,“缺席的自我”揭示了我们沉浸在屏幕中所错过的东西;网络环境是如何如此有效地吸引我们的注意力的?这对我们的自我反省能力有什么影响?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Journal of Writing in Creative Practice
Journal of Writing in Creative Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
8
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