{"title":"Pascal Dusapin’s New Lyrical Style in Faustus, the Last Night","authors":"J. Amblard","doi":"10.1093/oxfordhb/9780199935185.013.14","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780199935185.013.14","url":null,"abstract":"Pascal Dusapin, an acclaimed French composer, created the opera Faustus, the Last Night in 2005–6. In this dark work, the myth of Faust from the perspective of Marlowe’s tragedy, Doctor Faustus, is revisited through the prism of different contemporary topics and a general atmosphere of tragicomedy, perhaps typical of postmodern times. The composer called on his well-known prosodic style (a translation in music of the intonation of speech). But he also experimented with a new style, more typical of the early 2000s and their relative aesthetic return (or stagnation), which is more “Romantic,” dedicated to the strings. This new Romanticism seems well adapted to the archaic Faust theme and its association with pain, fate, and damnation.","PeriodicalId":383294,"journal":{"name":"The Oxford Handbook of Faust in Music","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132526422","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Faustian and Mephistophelean Worlds in Stravinsky’s The Rake’s Progress","authors":"Maureen A. Carr","doi":"10.1093/oxfordhb/9780199935185.013.8","DOIUrl":"https://doi.org/10.1093/oxfordhb/9780199935185.013.8","url":null,"abstract":"Created by Igor Stravinsky, in collaboration with W. H. Auden and Chester Kallman, the Faustian opera The Rake’s Progress (1947–51) was inspired by a series of engravings by William Hogarth. The collaboration between Stravinsky and Auden is a fascinating study, not only because of the way in which these luminaries interacted to produce this masterwork, but also because it provides insights into Stravinsky’s compositional process for his first dramatic work that involved the setting of a text in English. This chapter provides a glimpse into the process for specific musical passages in The Rake’s Progress and considers certain parallels between the storyline of Auden’s text and that of Goethe’s Faust.\u0000","PeriodicalId":383294,"journal":{"name":"The Oxford Handbook of Faust in Music","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128673227","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mefistofele Triumphant—From the Ideal to the Real","authors":"Michele Girardi","doi":"10.1093/OXFORDHB/9780199935185.013.34","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780199935185.013.34","url":null,"abstract":"Arrigo Boito sought to escape the limiting conventions of contemporary melodrama in order to revolutionize Italian opera. However, the most radical expression of that effort, his adaptation of Goethe’s Faust, Mefistofele (Mephistopheles), which premiered at La Scala in 1868, did not attain the desired result. In reworking the score, the composer took practical concerns into account, making the opera more pleasing to the mainstream audiences who demanded melodious vocal lines and a tighter dramatic pace. The revised version staged in Bologna in 1875 and the subsequent revivals marked an important turning point: what had been an avant-garde work now entered into the repertoire of all the major theaters. This chapter retraces Boito’s journey from the setback of the premiere to the success for which he strove so diligently, highlighting the creative process that forged a new relationship between poetry and music, which Giuseppe Verdi later exploited in his collaboration with the poet.","PeriodicalId":383294,"journal":{"name":"The Oxford Handbook of Faust in Music","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-08-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123244325","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Heinrich Heine’s Faust Ballet Scenario, 1846–1948","authors":"D. Conway","doi":"10.1093/OXFORDHB/9780199935185.013.35","DOIUrl":"https://doi.org/10.1093/OXFORDHB/9780199935185.013.35","url":null,"abstract":"Heinrich Heine’s 1846–47 scenario for a Faust ballet, Der Doktor Faust: ein Tanzpoem (Doctor Faust: A Ballet Poem), languished for eighty years before finding a musical setting by František Škvor and a production in Prague in 1926 that was true to its spirit. Another setting was made by a Viennese emigré, Henry Krips, in Australia during World War II. But it was only with the production of Abraxas, the version by Werner Egk, in postwar Germany, that the scenario fulfilled Heine’s prediction that it would “excite a furore beyond all our expectation, and even take a place in the annals of the drama.”","PeriodicalId":383294,"journal":{"name":"The Oxford Handbook of Faust in Music","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122995592","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}