Proceedings of the 3rd International Symposium on Movement and Computing最新文献_第5页

Deaf Poetry: saying everything without speaking 聋人诗:说什么都不用说话

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2955108

Dimitrios Batras, Jean-François Jégo, Chu-Yin Chen

引用次数: 0

Gestures: Emotions Interaction: e-Viographima application for visual artistic synthesis 手势:情感互动:电子影像技术在视觉艺术合成中的应用

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948953

I. Mavridou

引用次数: 1

INGREDIBLE: A platform for full body interaction between human and virtual agent that improves co-presence 配料:人类和虚拟代理之间的全身交互平台，改善共同存在

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948943

Elisabetta Bevacqua, R. Richard, J. Soler, P. D. Loor

引用次数: 10

3D Annotation in Contemporary Dance: Enhancing the Creation-Tool Video Annotator 当代舞蹈中的三维注释:增强创作工具视频注释器

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948961

C. Ribeiro, R. K. D. Anjos, Carla Fernandes, J. Pereira

引用次数: 13

What is Movement Interaction in Virtual Reality for? 什么是虚拟现实中的运动交互?

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948951

M. Gillies

引用次数: 16

WhoLoDancE: Towards a methodology for selecting Motion Capture Data across different Dance Learning Practice whoolodance:在不同的舞蹈学习实践中选择动作捕捉数据的方法

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948912

A. Camurri, K. E. Raheb, O. Even-Zohar, Y. Ioannidis, Amalia Markatzi, Jean-Marc Matos, E. Morley-Fletcher, Pablo Palacio, M. Romero, A. Sarti, S. Pietro, Vladimir Viro, Sarah Whatley

{"title":"WhoLoDancE: Towards a methodology for selecting Motion Capture Data across different Dance Learning Practice","authors":"A. Camurri, K. E. Raheb, O. Even-Zohar, Y. Ioannidis, Amalia Markatzi, Jean-Marc Matos, E. Morley-Fletcher, Pablo Palacio, M. Romero, A. Sarti, S. Pietro, Vladimir Viro, Sarah Whatley","doi":"10.1145/2948910.2948912","DOIUrl":"https://doi.org/10.1145/2948910.2948912","url":null,"abstract":"In this paper we present the objectives and preliminary work of WhoLoDancE a Research and Innovation Action funded under the European Union's Horizon 2020 programme, aiming at using new technologies for capturing and analyzing dance movement to facilitate whole-body interaction learning experiences for a variety of dance genres. Dance is a diverse and heterogeneous practice and WhoLoDancE will develop a protocol for the creation and/or selection of dance sequences drawn from different dance styles for different teaching and learning modalities. As dance learning practice lacks standardization beyond dance genres and specific schools and techniques, one of the first project challenges is to bring together a variety of dance genres and teaching practices and work towards a methodology for selecting the appropriate shots for motion capturing, to acquire kinetic material which will provide a satisfying proof of concept for Learning scenarios of particular genres. The four use cases we are investigating are 1) classical ballet, 2) contemporary dance, 3) flamenco and 4) Greek folk dance.","PeriodicalId":381334,"journal":{"name":"Proceedings of the 3rd International Symposium on Movement and Computing","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125933064","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 28

Movement Notation and Digital Media Art in the Contemporary Dance Practice: Aspects of the Making of a Multimedia Dance Performance 当代舞蹈实践中的动作符号与数字媒体艺术:多媒体舞蹈表演的制作

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948929

Foteini Papadopoulou, Martin Schulte

引用次数: 1

InterACTE: Improvising with a Virtual Actor 互动:与虚拟演员一起即兴表演

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2955109

Dimitrios Batras, Judith Guez, Jean-François Jégo

引用次数: 0

Pottery gestures style comparison by exploiting Myo sensor and forearm anatomy 利用Myo传感器和前臂解剖对比陶器手势风格

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948924

D. Ververidis, Sotirios Karavarsamis, S. Nikolopoulos, Y. Kompatsiaris

{"title":"Pottery gestures style comparison by exploiting Myo sensor and forearm anatomy","authors":"D. Ververidis, Sotirios Karavarsamis, S. Nikolopoulos, Y. Kompatsiaris","doi":"10.1145/2948910.2948924","DOIUrl":"https://doi.org/10.1145/2948910.2948924","url":null,"abstract":"In this paper we propose a set of Electromyogram (EMG) based features such as muscles total pressure, flexors pressure, tensors pressure, and gesture stiffness, for the purpose of identifying differences in performing the same gesture across three pottery constructions namely bowl, cylindrical vase, and spherical vase. In identifying these EMG-based features we have developed a tool for visualizing in real-time the signals generated from a Myo sensor along with the muscle activation level in 3D space. In order to do this, we have introduced an algorithm for estimating the activation level of each muscle based on the weighted sum of the 8 EMG signals captured by Myo. In particular, the weights are calculated as the distance of the muscle cross-sectional volumes at Myo plane level from each of the 8 Myo pods, multiplied by the muscle cross-section volume. Statistics estimated on an experimental dataset for the proposed features such as mean, variance, and percentiles, indicate that gestures such as \"Raise clay\" and \"Form down cyclic clay\" exhibit differences across the three vase types (i.e. bowl, cylinder, and sphere), although perceived as identical.","PeriodicalId":381334,"journal":{"name":"Proceedings of the 3rd International Symposium on Movement and Computing","volume":"46 23","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133782979","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 7

3D-scene modelling of professional gestures when interacting with moving, deformable and revolving objects 当与移动，变形和旋转对象交互时，专业手势的3d场景建模

Proceedings of the 3rd International Symposium on Movement and Computing Pub Date : 2016-07-05 DOI: 10.1145/2948910.2948949

Odysseas Bouzos, Yannick Jacob, S. Manitsaris, A. Glushkova

{"title":"3D-scene modelling of professional gestures when interacting with moving, deformable and revolving objects","authors":"Odysseas Bouzos, Yannick Jacob, S. Manitsaris, A. Glushkova","doi":"10.1145/2948910.2948949","DOIUrl":"https://doi.org/10.1145/2948910.2948949","url":null,"abstract":"In this paper, we present good practices of applying and extending Random Decision Forests (RDFs) for the 3D modelling of scenes where humans interact with moving, deformable and revolving objects in a professional context. We apply our method to two use-cases; the first is in the industrial context of the luxury leather good production while the second is in an atelier specialised in the wheel-throwing art of pottery. In the first use-case we use a single RDF, while for the second one of pottery, we extend the typical application of RDFs, by introducing the Hierarchical Random Decision Forests (HRDFs). More precisely, we use three RDFs in a tree structure architecture. The parent RDF is used to create a rough initial segmentation of the scene, while the two children RDFs are used to further classify the regions of the left and right arm, hand and fingers respectively. Results demonstrate that the proposed algorithm is sufficient for the accurate classification of scenes where humans interact with objects by using hand gestures in both simple and complex scenarios.","PeriodicalId":381334,"journal":{"name":"Proceedings of the 3rd International Symposium on Movement and Computing","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114152300","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0