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Travelling origins: Migrant belonging in times of post-migration mobilities 旅行起源:移民后流动时期的移民归属
Crossings Pub Date : 2019-10-01 DOI: 10.1386/cjmc_00008_1
Anna Xymena Tissot
{"title":"Travelling origins: Migrant belonging in times of post-migration mobilities","authors":"Anna Xymena Tissot","doi":"10.1386/cjmc_00008_1","DOIUrl":"https://doi.org/10.1386/cjmc_00008_1","url":null,"abstract":"This article builds on the recent discussion about migrants’ post-migration mobilities. Although existing studies show the types and patterns of movement that migrants undertake, less attention has been paid to the question of how these movements influence their sense of belonging, their self-understanding and their perception of their origins. On the basis of 47 autobiographical interviews with young adults of Polish heritage in Germany and Canada, this article argues that belonging in times of post-migration mobilities can be grasped through the concepts ofcontextual self-understanding, accumulatingandtravelling origins. It thus extends conceptual frameworks by endeavouring to understand the effects of mobility on migrants’ lives.","PeriodicalId":38038,"journal":{"name":"Crossings","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44453235","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Poetry
Crossings Pub Date : 2019-04-01 DOI: 10.1386/cjmc.10.1.149_7
J. Sheard
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引用次数: 0
Understanding the ‘bigger picture’: Lessons learned from participatory visual arts-based research with individuals seeking asylum in the United Kingdom 理解“更大的图景”:从参与视觉艺术为基础的研究与个人寻求庇护在英国的经验教训
Crossings Pub Date : 2019-04-01 DOI: 10.1386/CJMC.10.1.95_1
Nelli Stavropoulou
{"title":"Understanding the ‘bigger picture’: Lessons learned from participatory visual arts-based research with individuals seeking asylum in the United Kingdom","authors":"Nelli Stavropoulou","doi":"10.1386/CJMC.10.1.95_1","DOIUrl":"https://doi.org/10.1386/CJMC.10.1.95_1","url":null,"abstract":"This article presents reflections from a participatory visual arts-based research study with individuals seeking asylum in the north-east of England. This study invited participants to represent their lived experiences through biographical and visual methods. In doing so, they engaged in a process of ethno-mimesis, accomplished through the production of images that function as sites for meaning making, self-representation and social critique. This article demonstrates how an arts-based approach can stimulate change and transformation in individuals’ lives by supporting meaningful participation in the knowledge production process and providing a safe space where participants are empowered by sharing stories that challenge, subvert and reimagine what it feels like to be an asylum seeker. Furthermore it suggests that in contrast to interview settings, through the process of ethno-mimesis participants were offered the time and space to consciously engage with their experiences and invest in their creativity and storytelling capacities in order to render their worldviews visible. Although the findings from this study reinforce an existing rich body of ethnographic work on lived experiences of asylum seekers, this study recognizes that the identified themes highlight the enduring impact of immigration policies on individuals asylum-seeking trajectories and focuses instead on how such experiences are creatively negotiated by participants.","PeriodicalId":38038,"journal":{"name":"Crossings","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66691702","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
Giving contours to invisible figures: Post-reflections on Migrations. Narratives. Movements. exhibition at Villa des Arts, Rabat 为看不见的人物画轮廓:对移民的反思。叙述。动作。拉巴特艺术别墅展览
Crossings Pub Date : 2019-04-01 DOI: 10.1386/CJMC.10.1.43_1
Yvon Langué
{"title":"Giving contours to invisible figures: Post-reflections on Migrations. Narratives. Movements. exhibition at Villa des Arts, Rabat","authors":"Yvon Langué","doi":"10.1386/CJMC.10.1.43_1","DOIUrl":"https://doi.org/10.1386/CJMC.10.1.43_1","url":null,"abstract":"Noticing the growing precariousness of migrants in Morocco, ‘Giving contours to invisible figures’ is a commentary on the lessons learned from my collaboration with ‘Arts for Advocacy’ on Migrations. Narratives. Movements., an exhibition held at Villa des Arts, Rabat. The article engages with migration in the broad sense, and how it is addressed by curatorial practice. It discusses the display’s theoretical apparatus in the light of bold uncertainties due to the invisibility of the figure of the migrant, and the apparent disjuncture of my expectations with regard to the Moroccan context. I argue that the subject of migration calls for a widening of the borders of curatorial practice, at least in Morocco, precisely because of the geographies of mobility, heterogeneous ideas of globalization and common sense overlap.","PeriodicalId":38038,"journal":{"name":"Crossings","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47973253","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Collective poetry 集体的诗歌
Crossings Pub Date : 2019-04-01 DOI: 10.1386/cjmc.10.1.89_7
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引用次数: 0
Creative engagement with migration 创造性地参与移民
Crossings Pub Date : 2019-04-01 DOI: 10.1386/CJMC.10.1.3_1
L. Jeffery, M. Palladino, Rebecca Rotter, Agnes Woolley
{"title":"Creative engagement with migration","authors":"L. Jeffery, M. Palladino, Rebecca Rotter, Agnes Woolley","doi":"10.1386/CJMC.10.1.3_1","DOIUrl":"https://doi.org/10.1386/CJMC.10.1.3_1","url":null,"abstract":"This article introduces a special issue on arts-based engagement with migration, comprising articles, reflections, poems and images. The introductory article starts by exploring the ethical, political and empirical reasons for the increased use of arts-based methods in humanities and social sciences research in general, and in migration studies in particular. Next, it evaluates participatory methods, co-production and co-authorship as increasingly well-established practices across academia, the arts, activism and community work. It then considers how the outputs of such processes can be deployed to challenge dominant representations of migration and migrants. The authors reflect critically upon arts-based methodological practices and on the (limits to the) transformative potentials of using arts-based methods to engage creatively with migration. Sounding a cautionary note, they concede that even collaborative artistic expressions have limits in overcoming unequal power dynamics, conveying experiences of migration and effecting long-term change in a context in which discourse on migration is dominated by short-term political decision-making, and punitive policies force migrants into precarious forms of existence. While the prospect of influencing the political sphere might seem remote, they advocate for the role and power of the arts in instigating, shaping and leading change by inspiring people’s conscience and civic responsibility.","PeriodicalId":38038,"journal":{"name":"Crossings","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/CJMC.10.1.3_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43182861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 19
Border-crossing: These deaths are not inevitable 过境:这些死亡并非不可避免
Crossings Pub Date : 2019-04-01 DOI: 10.1386/CJMC.10.1.119_1
R. Hampson
{"title":"Border-crossing: These deaths are not inevitable","authors":"R. Hampson","doi":"10.1386/CJMC.10.1.119_1","DOIUrl":"https://doi.org/10.1386/CJMC.10.1.119_1","url":null,"abstract":"This article is situated in my own work in poetry. It falls into two parts: the first takes off from my own work to explore different practices of bordering; the second part continues that exploration by reference to recent work by Caroline Bergvall and Jeff Hilson. The first section explores my sequence, ‘the war against tourism’. These poems were written between December 2003 and July 2006 in the environment created by the US Patriot Act 2001 and the Homeland Security Act 2002. The Homeland Security Act both foregrounded the protection of borders and introduced ‘homeland’ into US political discourse. The first section will focus on my sequence of site-specific poems (written on flights), which explore ‘homeland security’, refugees, terrorism, profiling, border interrogations and identity. It will consider border-crossings and how identity figures in these poems in the context of mobility. The second section, ‘these deaths are not inevitable’, focuses on Caroline Bergvall’s volume Drift and its engagement with the ‘left-to-die’ boat within a longer history of migration by sea, going back to the Anglo-Saxons bringing their culture to Britain in the fifth century. The article concludes with a brief examination of Jeff Hilson’s conceptual poem, ‘A Final Poem with Full Stops’, and how deaths in the Mediterranean relate to recent treatment of borders, refugees and migrants.","PeriodicalId":38038,"journal":{"name":"Crossings","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48947754","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Placeless People: Writing, Rights, and Refugees, Lyndsey Stonebridge (2018) 《无家可归的人:写作、权利和难民》,林赛·斯通布里奇著(2018)
Crossings Pub Date : 2019-04-01 DOI: 10.1386/CJMC.10.1.151_5
Natalie Ilsley
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引用次数: 1
Borders, risk and belonging: Challenges for arts-based research in understanding the lives of women asylum seekers and migrants ‘at the borders of humanity’ 边界、风险和归属:以艺术为基础的研究在理解女性寻求庇护者和移民“在人类边界”的生活方面所面临的挑战
Crossings Pub Date : 2019-04-01 DOI: 10.1386/CJMC.10.1.129_1
M. O’Neill, Umut Erel, Erene Kaptani, T. Reynolds
{"title":"Borders, risk and belonging: Challenges for arts-based research in understanding the lives of women asylum seekers and migrants ‘at the borders of humanity’","authors":"M. O’Neill, Umut Erel, Erene Kaptani, T. Reynolds","doi":"10.1386/CJMC.10.1.129_1","DOIUrl":"https://doi.org/10.1386/CJMC.10.1.129_1","url":null,"abstract":"This article critically discusses the experiences of women who are seeking asylum in the North East of England and women who are mothers with no recourse to public funds living in London to address the questions posed by the special issue. It argues both epistemologically and methodologically for the benefits of undertaking participatory arts-based, ethno-mimetic, performative methods with women and communities to better understand women’s lives, build local capacity in seeking policy change, as well as contribute to theorizing necropolitics through praxis. Drawing upon artistic outcomes of research funded by the Leverhulme Trust on borders, risk and belonging, and collaborative research funded by the ESRC/NCRM using participatory theatre and walking methods, the article addresses the questions posed by the special issue: how is statelessness experienced by women seeking asylum and mothers with no recourse to public funds? To what extent are their lived experiences marked by precarity, social and civil death? What does it mean to be a woman and a mother in these precarious times, ‘at the borders of humanity’? Where are the spaces for resistance and how might we as artists and researchers – across the arts, humanities and social sciences – contribute and activate?","PeriodicalId":38038,"journal":{"name":"Crossings","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1386/CJMC.10.1.129_1","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41334972","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 32
Pre-Occupied Spaces: Remapping Italy’s Transnational Migrations and Colonial Legacies, Teresa Fiore (2017) 《被占领前的空间:重塑意大利的跨国移民和殖民遗产》,Teresa Fiore(2017)
Crossings Pub Date : 2019-04-01 DOI: 10.1386/CJMC.10.1.153_5
Loredana Polezzi
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引用次数: 0
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