{"title":"过境:这些死亡并非不可避免","authors":"R. Hampson","doi":"10.1386/CJMC.10.1.119_1","DOIUrl":null,"url":null,"abstract":"This article is situated in my own work in poetry. It falls into two parts: the first takes off from my own work to explore different practices of bordering; the second part continues that exploration by reference to recent work by Caroline Bergvall and Jeff Hilson. The first section explores my sequence, ‘the war against tourism’. These poems were written between December 2003 and July 2006 in the environment created by the US Patriot Act 2001 and the Homeland Security Act 2002. The Homeland Security Act both foregrounded the protection of borders and introduced ‘homeland’ into US political discourse. The first section will focus on my sequence of site-specific poems (written on flights), which explore ‘homeland security’, refugees, terrorism, profiling, border interrogations and identity. It will consider border-crossings and how identity figures in these poems in the context of mobility. The second section, ‘these deaths are not inevitable’, focuses on Caroline Bergvall’s volume Drift and its engagement with the ‘left-to-die’ boat within a longer history of migration by sea, going back to the Anglo-Saxons bringing their culture to Britain in the fifth century. The article concludes with a brief examination of Jeff Hilson’s conceptual poem, ‘A Final Poem with Full Stops’, and how deaths in the Mediterranean relate to recent treatment of borders, refugees and migrants.","PeriodicalId":38038,"journal":{"name":"Crossings","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Border-crossing: These deaths are not inevitable\",\"authors\":\"R. Hampson\",\"doi\":\"10.1386/CJMC.10.1.119_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article is situated in my own work in poetry. It falls into two parts: the first takes off from my own work to explore different practices of bordering; the second part continues that exploration by reference to recent work by Caroline Bergvall and Jeff Hilson. The first section explores my sequence, ‘the war against tourism’. These poems were written between December 2003 and July 2006 in the environment created by the US Patriot Act 2001 and the Homeland Security Act 2002. The Homeland Security Act both foregrounded the protection of borders and introduced ‘homeland’ into US political discourse. The first section will focus on my sequence of site-specific poems (written on flights), which explore ‘homeland security’, refugees, terrorism, profiling, border interrogations and identity. It will consider border-crossings and how identity figures in these poems in the context of mobility. The second section, ‘these deaths are not inevitable’, focuses on Caroline Bergvall’s volume Drift and its engagement with the ‘left-to-die’ boat within a longer history of migration by sea, going back to the Anglo-Saxons bringing their culture to Britain in the fifth century. The article concludes with a brief examination of Jeff Hilson’s conceptual poem, ‘A Final Poem with Full Stops’, and how deaths in the Mediterranean relate to recent treatment of borders, refugees and migrants.\",\"PeriodicalId\":38038,\"journal\":{\"name\":\"Crossings\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2019-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Crossings\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/CJMC.10.1.119_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Crossings","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/CJMC.10.1.119_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
This article is situated in my own work in poetry. It falls into two parts: the first takes off from my own work to explore different practices of bordering; the second part continues that exploration by reference to recent work by Caroline Bergvall and Jeff Hilson. The first section explores my sequence, ‘the war against tourism’. These poems were written between December 2003 and July 2006 in the environment created by the US Patriot Act 2001 and the Homeland Security Act 2002. The Homeland Security Act both foregrounded the protection of borders and introduced ‘homeland’ into US political discourse. The first section will focus on my sequence of site-specific poems (written on flights), which explore ‘homeland security’, refugees, terrorism, profiling, border interrogations and identity. It will consider border-crossings and how identity figures in these poems in the context of mobility. The second section, ‘these deaths are not inevitable’, focuses on Caroline Bergvall’s volume Drift and its engagement with the ‘left-to-die’ boat within a longer history of migration by sea, going back to the Anglo-Saxons bringing their culture to Britain in the fifth century. The article concludes with a brief examination of Jeff Hilson’s conceptual poem, ‘A Final Poem with Full Stops’, and how deaths in the Mediterranean relate to recent treatment of borders, refugees and migrants.
期刊介绍:
Crossings: Journal of Migration & Culture situates itself at the interface of Migration Studies and Cultural Studies. The terminology and key concepts in use in discourses on migration have yet to be sufficiently theorized or understood from theoretical perspectives linked to cultural studies, although migration is intrinsically linked to questions of culture. The course of cultures at both local and global levels is crucially affected by migratory movements. In turn, culture itself is turned migrant. This journal''s scope will be global, with a predominant focus on migration and culture from the latter half of the twentieth century to the present-day. Apart from the inclusion of refereed articles, Crossings: Journal of Migration and Culture will include a section of reviews of films, music, photography, exhibitions or books on migration-related topics, interviews with cultural practitioners who focus on migration-related topics, and oral histories of migrant cultural experiences.