Bulletin of Spanish Visual Studies最新文献_第8页

De la denuncia a la decepción: el tratamiento fílmico de las leyes de prescripción de causas militares en el documental argentino del retorno* 从谴责到失望:阿根廷回归纪录片中军事诉讼时效的电影处理*

Bulletin of Spanish Visual Studies Pub Date : 2020-01-02 DOI: 10.1080/24741604.2019.1691355

P. Margulis

引用次数: 0

Relaciones entre las fiestas teatrales en el Coliseo del Buen Retiro y las entradas públicas de las reinas durante el reinado de Carlos II 在查理二世统治时期，布恩雷蒂罗斗兽场的戏剧盛宴与女王的公共入口之间的关系

Bulletin of Spanish Visual Studies Pub Date : 2019-07-17 DOI: 10.1080/24741604.2019.1623567

Teresa Zapata Fernández de la Hoz

引用次数: 0

Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid* 想象过去？里斯本、马德里和巴利亚多利德近代早期的建筑和公共仪式*

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1621091

Laura Fernández‐González

{"title":"Imagining the Past? Architecture and Public Rituals in Early Modern Lisbon, Madrid and Valladolid*","authors":"Laura Fernández‐González","doi":"10.1080/24741604.2019.1621091","DOIUrl":"https://doi.org/10.1080/24741604.2019.1621091","url":null,"abstract":"Abstract This article discusses the application of architectural drawing and 3D modelling as suitable digital heritage methods for the study of ephemeral and residential architecture in sixteenth-century Iberia. Public rituals transformed spaces of social encounter in early modern cities. Learning how these urban spaces were decorated for such rituals is often challenging, for our knowledge of ephemeral displays and the residential architecture that composed the streetscapes of cities can be slim. Visual sources of ephemera, surviving early modern buildings and depictions of streetscapes can be scant. However, urban theories on early modern urbanism, theatre and space have demonstrated that ephemeral and permanent residential architecture are crucial for our understanding of festival culture. This paper examines the digital re-creation of the ephemera of the Lisbon ceremonial entry of 1581 through the lens of notions of authenticity in conservation theory and practice. It also explores early modern reforms in residential architecture in Madrid and Valladolid as a vehicle to examine the relationship between ritual and urbanism. This latter case study shows how digital re-creations aided the identification of primary visual sources and problematizes the use of digital heritage visualization as a tool for the analysis of urban historic environments.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"3 1","pages":"323 - 338"},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/24741604.2019.1621091","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49359736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Del teatro barroco a la escenografía digital: ensayo y recreación virtual de las exequias de Carlos III en Roma (1789)* 从巴洛克剧院到数字舞台：罗马查理三世葬礼的排练和虚拟再现（1789年）*

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1621592

Victoria Soto Caba, Isabel Solís Alcudia

引用次数: 0

La moderna invención de la máquina pirotécnica, o cómo exhibir la nueva cultura técnica a través del espectáculo mecánico* 烟火机器的现代发明，或如何通过机械表演展示新的技术文化*

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1629075

Consuelo Gómez

引用次数: 1

Fuentes gráficas y animación virtual de una fiesta austro-hispánica: el ballet ecuestre La contesa dell’Aria e dell’Acqua (Viena, 1667)* Fuentes gráficas y animación虚拟de一个据austro-hispá):el芭蕾舞团ecuestre空气和水的争议(支架,1667)*

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1622061

Andrea Sommer-Mathis, Rudi Risatti

{"title":"Fuentes gráficas y animación virtual de una fiesta austro-hispánica: el ballet ecuestre La contesa dell’Aria e dell’Acqua (Viena, 1667)*","authors":"Andrea Sommer-Mathis, Rudi Risatti","doi":"10.1080/24741604.2019.1622061","DOIUrl":"https://doi.org/10.1080/24741604.2019.1622061","url":null,"abstract":"Abstract El ballet ecuestre La contesa dell’Aria e dell’Acqua fue una de las fiestas más espectaculares de la corte imperial de Viena durante todo el siglo XVII. Se celebró el 24 de enero de 1667 con motivo de la boda del emperador Leopoldo I con su sobrina, la infanta Margarita, hija del monarca español Felipe IV con la hermana de Leopoldo, Mariana de Austria. El espectáculo está muy bien documentado por la relación oficial de la fiesta y por varios informes impresos. La descripción de Francesco Sbarra, editada en italiano y en alemán, incluye gran cantidad de estampas y contiene la partitura impresa de la música de Johann Heinrich Schmelzer. La perspectiva digital aporta una nueva dimensión de esta fiesta a partir de la animación de las estampas contenidas en la relación de Francesco Sbarra. La intención ha sido introducir, con ayuda de la narrativa gráfica, una realidad virtual en movimiento, reconstruyendo la compleja coreografía puesta en escena tanto a caballo como a pie, además mostrar el recorrido de las grandiosas máquinas escenográficas en el patio del palacio imperial.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"3 1","pages":"303 - 321"},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/24741604.2019.1622061","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46455796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Compositio loci, mirabile composto y mise en scène: Giacomo Serpotta y los ‘teatrini prospettici’ en los espacios sacros del barroco palermitano* Compositio Loci，Mirabile Composto和Mirase en Scene:Giacomo Serpotta和Palermitano巴洛克神圣空间中的“Teattrini prospettic”*

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1629723

Juan Antonio Sánchez López

{"title":"Compositio loci, mirabile composto y mise en scène: Giacomo Serpotta y los ‘teatrini prospettici’ en los espacios sacros del barroco palermitano*","authors":"Juan Antonio Sánchez López","doi":"10.1080/24741604.2019.1629723","DOIUrl":"https://doi.org/10.1080/24741604.2019.1629723","url":null,"abstract":"Abstract La obsesión del Barroco por conferir capacidades parlantes a las creaciones artísticas se hace realidad en los espacios sacros del territorio siciliano, virreinato del mundo hispánico entre 1416–1714. Giacomo Serpotta (1656–1732) destacó al conjugar la manifestación del misterio ad oculos con un sofisticado ejercicio de correspondencia, integración e hibridación, haciendo gala de una efectista e impecable puesta en escena, en la que el dominio de la perspectiva y los recursos teatrales aplicados desempeñan un rol determinante en el resultado. La denominada maniera apparente permitió al escultor extraer el máximo rendimiento a las posibilidades plásticas de la decoración en estuco de las iglesias y oratorios del Palermo dieciochesco. Los ‘teatrini prospettici’ (Giulio Carlo Argan) constituyeron el vehículo retórico-persuasivo para conseguirlo. Pese a ser integrantes de un todo, los teatrini se comportan a modo de escaparates contenedores de escenarios y ‘composiciones de lugar’ en miniatura, provistos de entidad espacial, dimensión dramática y valores literarios propios, donde cada asunto capitaliza para el escultor un reto artístico de profundidad creativa, depurada definición plástica y elevada complejidad en lo compositivo y lo iconográfico.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"3 1","pages":"205 - 221"},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/24741604.2019.1629723","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48875990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Court Culture and Pageantry of the ‘Spanish Nation’ in Florence* 佛罗伦萨“西班牙民族”的宫廷文化和盛况*

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1629071

Sara Mamone, A. Testaverde

{"title":"Court Culture and Pageantry of the ‘Spanish Nation’ in Florence*","authors":"Sara Mamone, A. Testaverde","doi":"10.1080/24741604.2019.1629071","DOIUrl":"https://doi.org/10.1080/24741604.2019.1629071","url":null,"abstract":"Abstract The organization of Florentine life in the sixteenth and seventeenth centuries, following the marriage of Alexander and Margaret, daughter of Emperor Charles V, and the subsequent union of Cosme and Eleanor of Toledo in 1539, was characterized by a high level of exchange between the Spanish Habsburgs, the imperial line, and the Medici dynasty. This article highlights some emblematic aspects of these relationships, such as the spectacles staged for the weddings of Eleanor, Joanna of Austria and Maria Magdalene respectively, the numerous Spanish comedy actors in Florence and their theatre in the old market, and the participation of the Spanish nobility (the ‘Spanish nation’) in the spectacles at the Medici court. We offer a case study of the family of Don Antonio Ramírez de Montalvo, largely uninvestigated till now, who with his sons was involved in staging public court spectacles. The discovery of an unknown dramatic repertoire of scenes from the Commedia dell’Arte, preserved in an administrative register of the Montalvo estate, not only reinforces the evidence on the presence of Spanish comedy actors in Florence but also opens the hypothesis that the Palazzo Montalvo also housed a theatre and an academic association of high-level performance.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"3 1","pages":"255 - 266"},"PeriodicalIF":0.0,"publicationDate":"2019-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/24741604.2019.1629071","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43562087","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Las entradas reales, escenarios performativos en el Madrid de los siglos XVI–XVII* 皇家入口，16 - 17世纪马德里的表演场景*

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1626565

Concepción Lopezosa Aparicio

引用次数: 0

Prólogo

Bulletin of Spanish Visual Studies Pub Date : 2019-07-03 DOI: 10.1080/24741604.2019.1630205

Carmen González-Román, Hilary Macartney

引用次数: 348