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Bulletin of Spanish Visual Studies最新文献

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Desde la propia orilla: la producción audiovisual guineoecuatoriana bajo el foco. Una conversación con Pedro Mba Ndong, director de Orígenes y descendientes (2016) 从海岸本身：重点是几内亚-厄瓜多尔视听制作。与起源和后代主任佩德罗·姆巴·恩东的谈话（2016年）
Bulletin of Spanish Visual Studies Pub Date : 2022-07-03 DOI: 10.1080/24741604.2022.2088954
Danae Gallo González, D. Arbaiza
{"title":"Desde la propia orilla: la producción audiovisual guineoecuatoriana bajo el foco. Una conversación con Pedro Mba Ndong, director de Orígenes y descendientes (2016)","authors":"Danae Gallo González, D. Arbaiza","doi":"10.1080/24741604.2022.2088954","DOIUrl":"https://doi.org/10.1080/24741604.2022.2088954","url":null,"abstract":"Esta sección ofrece una breve panorámica de la historia de la industria audiovisual guineoecuatoriana hasta el estado actual de la industria visual del país, concluyendo con una entrevista a Pedro Mba Ndong, antiguo presidente de la ACIGE (Asociación Cinematográfica de Guinea Ecuatorial) y director del documental Orígenes y descendientes (2016). Tras haber examinado el archivo visual colonial, el objetivo de esta conclusión es reflexionar también sobre cómo los directores locales han gestionado y gestionan su propia imagen desde la independencia y qué impacto ha tenido el archivo colonial sobre su producción.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"325 - 340"},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49592851","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Framing Emotions: White Romance and Colonial Melodramas During Francoism 建构情感:弗朗哥统治时期的白人浪漫主义和殖民情节剧
Bulletin of Spanish Visual Studies Pub Date : 2022-07-03 DOI: 10.1080/24741604.2022.2088922
Diana Arbaiza
{"title":"Framing Emotions: White Romance and Colonial Melodramas During Francoism","authors":"Diana Arbaiza","doi":"10.1080/24741604.2022.2088922","DOIUrl":"https://doi.org/10.1080/24741604.2022.2088922","url":null,"abstract":"Abstract This article examines two lesser-known colonial melodramas released during the Francoist period, Obsesión (1947) by Arturo Ruiz Castillo and Piedra de toque (1964) by Julio Buchs. Melodrama is not a genre prominently associated with colonial cinema, but it was the most popular style within the Spanish cinematographic production on Equatorial Guinea. In this article I explore why directors privileged this genre in representing the Spanish colony, and I examine how the white love triangle served disparate purposes in these films, from conveying subversive meanings to reinforcing normative ideologies.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"281 - 301"},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42264485","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Science Images and Colonialism in Equatorial Guinea 赤道几内亚的科学图像和殖民主义
Bulletin of Spanish Visual Studies Pub Date : 2022-07-03 DOI: 10.1080/24741604.2022.2090804
C. Stehrenberger
{"title":"Science Images and Colonialism in Equatorial Guinea","authors":"C. Stehrenberger","doi":"10.1080/24741604.2022.2090804","DOIUrl":"https://doi.org/10.1080/24741604.2022.2090804","url":null,"abstract":"Abstract This article examines the role of science images in Spanish colonialism in Equatorial Guinea, focusing on the period of the Franco dictatorship, and in particular, on drawings, photographs and films produced and disseminated by the Instituto de Estudios Africanos, the film production company Hermic Films, and NO-DO news reels. It analyses the visual representation around colonial scientists and their work. Science images were used to legitimize colonialism. Images of white superiority were deployed to portray Spain as a a benevolent colonial power.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"239 - 258"},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48609967","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
El archivo colonial bajo el foco: representaciones audiovisuales de Guinea Ecuatorial 关注的殖民档案:赤道几内亚的视听表现
Bulletin of Spanish Visual Studies Pub Date : 2022-07-03 DOI: 10.1080/24741604.2022.2088923
Danae Gallo González, D. Arbaiza
{"title":"El archivo colonial bajo el foco: representaciones audiovisuales de Guinea Ecuatorial","authors":"Danae Gallo González, D. Arbaiza","doi":"10.1080/24741604.2022.2088923","DOIUrl":"https://doi.org/10.1080/24741604.2022.2088923","url":null,"abstract":"Este volumen examina de manera crítica un archivo colonial hasta ahora desenfocado: la producción visual española sobre la Guinea Ecuatorial colonial. ‘El archivo colonial bajo el foco: representaciones audiovisuales de Guinea Ecuatorial’ reúne estudios que desde una multiplicidad de enfoques abordan una gran diversidad de medios y géneros, repertorios visuales de diferentes tipos y obras de varios periodos. La imagen constituye un medio privilegiado para vehicular epistemologías coloniales aún presentes en nuestra sociedad, pero, también para ‘revelar’ dinámicas latentes pero frecuentemente invisibilizadas. Este archivo es crucial para comprender cómo España se proyectó como nación imperial y exponer su legado colonial.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"159 - 174"},"PeriodicalIF":0.0,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48153634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Las chicas del cable: de la reconversión audiovisual de la Generación social del 27 a las libertades de género 有线电视女孩:从27岁社会一代的视听转换到性别自由
Bulletin of Spanish Visual Studies Pub Date : 2022-01-02 DOI: 10.1080/24741604.2021.2022873
Cristián H. Ricci
{"title":"Las chicas del cable: de la reconversión audiovisual de la Generación social del 27 a las libertades de género","authors":"Cristián H. Ricci","doi":"10.1080/24741604.2021.2022873","DOIUrl":"https://doi.org/10.1080/24741604.2021.2022873","url":null,"abstract":"La primera serie televisiva española completamente financiada por la gigante productora estadounidense Netflix en colaboración con Bambú Producciones ha redituado pingües dividendos en materia de espectadores y regalías alrededor del mundo. La historia, que versa sobre las aventuras y enredos amorosos de cinco personajes femeninos, tiene también como protagonista a la convulsa ciudad de Madrid desde los últimos años de la dictadura de Primo de Rivera hasta la Guerra Civil. En concreto, gran parte de las escenas giran en torno a la icónica Compañía Telefónica y distintos cronotopos de la Gran Vía. Ya acabadas las seis temporadas (28 de abril de 2017–3 de julio de 2020), lo que a grandes rasgos podría ser estudiado como otro fenómeno audiovisual de masas, presenta interesantes ribetes socioculturales que nos invitan a indagar en la producción cultural de la época (1928–1939) para dilucidar hasta qué punto la exitosa serie tiene un anclaje fundacional y verificable en la literatura, historia, política, legislación laboral e igualdad de género con las que convivieron las y los protagonistas originales de la Generación del 27. Puntualmente, y a instancias de una lúcida e informada reseña de Eleanor Hepburn en The Historian, propongo analizar específicos fragmentos de los cuarenta y dos","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"1 - 24"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42684846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
De la muerte y la disolución: el arte del sida en la España postransicional (1981–1996) 死亡与解散：转型后西班牙艾滋病的艺术（1981-1996）
Bulletin of Spanish Visual Studies Pub Date : 2022-01-02 DOI: 10.1080/24741604.2021.2018858
José Pablo Barragán
{"title":"De la muerte y la disolución: el arte del sida en la España postransicional (1981–1996)","authors":"José Pablo Barragán","doi":"10.1080/24741604.2021.2018858","DOIUrl":"https://doi.org/10.1080/24741604.2021.2018858","url":null,"abstract":"El día 1 de diciembre de 1992, Día Mundial de la Lucha contra el Sida, el cordobés Pepe Espaliú puso en escena una performance que lo catapultó a las portadas de los periódicos españoles, convirtiéndose en el primer artista que acaparó la atención nacional con una obra sobre la epidemia. Su peculiar acción, titulada Carrying consistió en una especie de procesión laica en la que su cuerpo, enfermo del síndrome y descalzo, fue llevado en andas por docenas de voluntarios que formaron una cadena humana por el centro de Madrid, desde el Museo del Prado hasta el Museo Nacional Centro de Arte Reina Sofía. Aunque no fue la única, esta performance es la más conocida de las reacciones artísticas al sida que se llevaron a cabo en España a finales de la década de 1980 y principios de 1990 para llamar la atención sobre el enorme impacto de la epidemia en el país. Este artículo analiza algunas respuestas al sida en el arte plástico de la España postransicional. En la primera parte, se examina el corpus artístico español dedicado al síndrome desde el momento de su aparición hasta mediados de la década de 1990. A continuación, se estudian sus características más idiosincráticas, que ponen de manifiesto la existencia de cierta continuidad temática y simbólica dentro del corpus artístico del sida y también en relación con otras disciplinas y, más específicamente, la literatura. Como se verá, esta continuidad tiene que ver con la tradición cultural hispana del neobarroco, que venía desarrollándose desde finales de","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"105 - 124"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49356139","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jorge Sáenz’s Rompan filas (1996): On the Matter of Militarized Masculinity in Paraguay Jorge Sáenz的《Rompan filas》(1996):巴拉圭的军事化男子气概问题
Bulletin of Spanish Visual Studies Pub Date : 2022-01-02 DOI: 10.1080/24741604.2022.2044121
D. Foster
{"title":"Jorge Sáenz’s Rompan filas (1996): On the Matter of Militarized Masculinity in Paraguay","authors":"D. Foster","doi":"10.1080/24741604.2022.2044121","DOIUrl":"https://doi.org/10.1080/24741604.2022.2044121","url":null,"abstract":"Abstract Jorge Sáenz’s (b.1958) photographic study of Paraguayan military schools for conscripts (1990–1996) was subsequently used by the Servicio de Paz y Justicia-Paraguay (SERPAJ-PY) in their political campaign to revise persistent practices of military conscription employed during the Alfredo Stroessner dictatorship (1954–1989). This article examines the nature and strategies of those photographs, first published sporadically in the ABC daily and later gathered in the photobook Rompan filas (1996) as part of a more sustained engagement with military reform and the human rights record of (re)democratization in Paraguay.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"125 - 139"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42514816","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Velázquez, ingenioso: Intertextuality and Biographical Artifice in Early Modern Spanish Artistic Writing Velázquez, ingenioso:早期现代西班牙艺术写作中的互文性和传记技巧
Bulletin of Spanish Visual Studies Pub Date : 2022-01-02 DOI: 10.1080/24741604.2022.2047552
José Ramón Marcaida
{"title":"Velázquez, ingenioso: Intertextuality and Biographical Artifice in Early Modern Spanish Artistic Writing","authors":"José Ramón Marcaida","doi":"10.1080/24741604.2022.2047552","DOIUrl":"https://doi.org/10.1080/24741604.2022.2047552","url":null,"abstract":"Abstract Focusing on the figure of Diego Velázquez, this article examines the significance of the notion of ingenio in early modern Spanish writings about painting. First, it considers its relevance to discussions about natural talent, including the links with treatises like Examen de ingenios. Second, it shows how the adoption of ingenio as a motif in two biographies of the young Velázquez contributed to the crafting of a contrived narrative on the artist, privileging his giftedness and independence. Third, it considers other articulations of this rhetoric of ingenio in relation to Velázquez’s art, particularly regarding matters of practice and skill.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"73 - 103"},"PeriodicalIF":0.0,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48733874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El cine etnográfico explorativo de Eloy Enciso: el caso de Arraianos 埃洛伊·恩西索的民族志探索电影:阿莱亚诺斯的案例
Bulletin of Spanish Visual Studies Pub Date : 2021-11-18 DOI: 10.1080/24741604.2021.1996057
Marta Del Pozo
{"title":"El cine etnográfico explorativo de Eloy Enciso: el caso de Arraianos","authors":"Marta Del Pozo","doi":"10.1080/24741604.2021.1996057","DOIUrl":"https://doi.org/10.1080/24741604.2021.1996057","url":null,"abstract":"Abstract Arraianos (2012) es una docuficción del director gallego Eloy Enciso basada en O Bosque, la obra existencialista del escrito gallego Jenaro Marinhas. Mediante la yuxtaposición de los parlamentos de dicha obra de mano de actores no profesionales con escenas de la vida diaria en A Raia, el límite geográfico entre Galicia y Portugal, la obra consigue situarse en todos los límites posibles: geográficos, temporales y mentales, además de presentación/ representación, realidad/ficción y mito/realidad. El resultado es la articulación de la identidad gallega arraiana en un no-lugar en toda su acepción.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"7 1","pages":"69 - 87"},"PeriodicalIF":0.0,"publicationDate":"2021-11-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43186844","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A People’s Masquerade: The 15-M’s Cinematic Negotiations Around the Place and Time of ‘Real’ Democracy 人民的假面舞会:15-M围绕“真正的”民主的地点和时间的电影谈判
Bulletin of Spanish Visual Studies Pub Date : 2021-10-07 DOI: 10.1080/24741604.2021.1967582
Rubén Pérez-Hidalgo
{"title":"A People’s Masquerade: The 15-M’s Cinematic Negotiations Around the Place and Time of ‘Real’ Democracy","authors":"Rubén Pérez-Hidalgo","doi":"10.1080/24741604.2021.1967582","DOIUrl":"https://doi.org/10.1080/24741604.2021.1967582","url":null,"abstract":"Abstract The 15-M movement was inextricably linked to the iconic occupation of the Puerta del Sol, where a ‘real’ democracy was demanded. Yet the demand was not so much in response to years of democratic pretence as it was a negotiation around how a new democratic identity would be performed. It was the performance of a demos that negotiated its popular substance (the ‘we’ in ‘we the people’) in situ and, more critically, through filmic representation. Thus, films on the movement provide an opportunity to examine how popular authenticity was negotiated between the movement’s claims to realness and its ersatz other.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"6 1","pages":"45 - 71"},"PeriodicalIF":0.0,"publicationDate":"2021-10-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45459570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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