建构情感:弗朗哥统治时期的白人浪漫主义和殖民情节剧

Q4 Arts and Humanities

Bulletin of Spanish Visual Studies Pub Date : 2022-07-03 DOI:10.1080/24741604.2022.2088922

Diana Arbaiza

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引用次数: 1

摘要

本文考察了佛朗哥统治时期发行的两部不太知名的殖民情节剧《Obsesión》(1947年)和胡里奥·布赫斯的《彼德拉·德·托克》(1964年)。情节剧并不是一种与殖民电影显著相关的类型，但它是赤道几内亚西班牙电影制作中最受欢迎的风格。在这篇文章中，我探讨了为什么导演们在表现西班牙殖民地时赋予了这种类型的特权，我还研究了白人三角恋在这些电影中是如何达到不同的目的的，从传达颠覆性的意义到强化规范的意识形态。

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Framing Emotions: White Romance and Colonial Melodramas During Francoism

Abstract This article examines two lesser-known colonial melodramas released during the Francoist period, Obsesión (1947) by Arturo Ruiz Castillo and Piedra de toque (1964) by Julio Buchs. Melodrama is not a genre prominently associated with colonial cinema, but it was the most popular style within the Spanish cinematographic production on Equatorial Guinea. In this article I explore why directors privileged this genre in representing the Spanish colony, and I examine how the white love triangle served disparate purposes in these films, from conveying subversive meanings to reinforcing normative ideologies.

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来源期刊

Bulletin of Spanish Visual Studies Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.20

自引率

0.00%

发文量