Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu最新文献

{"title":"POVRATAK FOLKLORISTIČKIM TEMELJIMA","authors":"Davor Nikolić","doi":"10.22210/UR.2019.063.1_2.07","DOIUrl":"https://doi.org/10.22210/UR.2019.063.1_2.07","url":null,"abstract":"Book review: Ljiljana Marks i Evelina Rudan (ur.), Predaja: temelji žanra. Zagreb: Institut za etnologiju i folkloristiku. 2018. 478 str.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126918569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GERARD MANLEY HOPKINS AND THE ECOLOGICAL BALANCE OF WILDNESS","authors":"M. Starcević","doi":"10.22210/UR.2019.063.3_4.03","DOIUrl":"https://doi.org/10.22210/UR.2019.063.3_4.03","url":null,"abstract":"GERARD MANLEY HOPKINS AND THE ECOLOGICAL BALANCE OF WILDNESS\u0000\u0000In the nineteenth century, the swing of anthropocentric forces wrought profoundly deleterious changes upon the face of the natural environment. Witnessing these metamorphic processes at work was Gerard Manley Hopkins, whose unique sensibility found the despoilment of nature by human hand no less than extremely dispiriting. Against a backdrop of the vanishing beauty, Hopkins fervidly engaged with the transforming world in his ecopoetical ruminations. He was not the first poet of ecological dissent, for during the Romantic period John Clare had poignantly expressed the anguish at what had then been the incipient stages of nature being disrobed of its inherent singularity. Being quite familiar with Clare’s ecopoetical meditations, the Jesuit poet was able to further elaborate upon Clare’s vision, while proving successful in presciently observing the discrepancies between wilderness as a cultural construct and a wildness whose emphasis upon the appreciation of the global through the local corresponds closely to the present-day awareness concerning the fragility of ecosystems. Most vividly and extensively, Hopkins explores the dyad of wildness and wilderness in poems like “Inversnaid,” “Duns Scotus’ Oxford,” and “Binsey Poplars,” wherein he truly establishes himself as one of the essential forerunners of modern ecological science.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132513615","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"NASMIJANO BEZUMLJE U IZVANBRODSKOM DNEVNIKU SLOBODANA NOVAKA","authors":"Dragan Gligora","doi":"10.22210/UR.2019.063.1_2.04","DOIUrl":"https://doi.org/10.22210/UR.2019.063.1_2.04","url":null,"abstract":"SMILING INSANITY IN OUTBOARD LOG BOOK BY SLOBODAN NOVAK\u0000\u0000The paper argues that the starting point of Novak’s novel Outboard Log Book is a\u0000“twisted” world based on a paradox, which influences the main elements and strategies of narration. Due to this “twisted” feature of the novel, which is determined\u0000mostly politically and ideologically, the “disturbed perspective” prevails in the text.\u0000Since the basic strategy in the novel is the pun, i.e. world play, whose symbolism\u0000and meanings interconnect the plot, composition, narration, and the signifiers. The\u0000character of Magistar, transformed into a fool and an outcast in this upside-down\u0000world, can oppose the ideology and language as its main stronghold, only with\u0000“silence ideology” (known from previous Novak’s novels We Should Think Further,\u0000Southern Thoughts, and It Should Die Logically.), or he can try “to undermine it with\u0000the language itself”. When the world cannot be interpreted by language, almost all\u0000its functions are lost. What remains is the poetic function that becomes embedded\u0000in irony. The paradigmatic syntagm a shell that makes a noise embodies the individuality and further justifies literariness. However, it becomes obvious that even\u0000that “pledge” of art can be both disruptive and contradictory. The protagonist’s\u0000return to the island signals a circular structure of the key narrative strand, as well\u0000as his journey. Puns, playing with paradoxes, twists and replacements, as well as\u0000“the aspiration for logical dying” “are reconciled” at the end of the third part of\u0000the novel entitled Necropolis, which is visible in the “equalization of the opposing\u0000worlds”, and in finding a solution to the problem of temporality.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126600299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE STATUS OF ILLUSTRATIONS IN CROATIAN TRANSLATIONS OF CHILDREN’S CLASSICS","authors":"Smiljana Narančić Kovač","doi":"10.22210/UR.2019.063.3_4.05","DOIUrl":"https://doi.org/10.22210/UR.2019.063.3_4.05","url":null,"abstract":"THE STATUS OF ILLUSTRATIONS IN CROATIAN TRANSLATIONS OF CHILDREN’S CLASSICS\u0000\u0000The paper presents a study of the visual discourses of Croatian editions of children’s classics translated from English into Croatian. It focuses on trends in using the original illustrations from the source texts or providing new illustrations in individual publications of target texts and on finding and interpreting semantic shifts in images provided by Croatian artists, in comparison with the illustrations in the first editions of the source texts. Interlingual translators adopt various strategies to cope with cultural and stylistic aspects of the source texts, and semantic shifts are almost inevitable. They are even more often perceived in translations of children’s literature. Children’s books regularly include intersemiotic translations of the verbal text in the form of images, which carry important narrative and cultural meanings. These may become fragile in translation. The analysis of images in Croatian publications with new sets of illustrations has detected modifications of original narrative meanings, leading to semantic shifts. Further, the analysis of the publishing practices has revealed a tendency in the recent period towards introducing new sets of illustrations more often than prior to the 1990s. Finally, the paper considers the reasons for and implications of these findings.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"33 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128094829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTERDISCIPLINARNOST U HUMANISTIČKIM ZNANOSTIMA","authors":"","doi":"10.22210/ur.2019.063.1_2.05","DOIUrl":"https://doi.org/10.22210/ur.2019.063.1_2.05","url":null,"abstract":"Okrugli stol u organizaciji časopisa Umjetnost riječi, 12. ožujka 2019., Vijećnica Filozofskog fakulteta u Zagrebu.\u0000\u0000Roundtable organized by the journal, March 12th 2019. Faculty of Humanities and Social Sciiences, University of Zagreb.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126326616","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"THE SYMBOLIC FUNCTION OF IMPERIAL SIGNS AND IMAGES IN THE LITERARY WORK OF ISMAIL KADARE","authors":"Margilena Meminaj, Roland Zisi","doi":"10.22210/UR.2019.063.3_4.06","DOIUrl":"https://doi.org/10.22210/UR.2019.063.3_4.06","url":null,"abstract":"THE SYMBOLIC FUNCTION OF IMPERIAL SIGNS AND IMAGES IN THE LITERARY WORK OF ISMAIL KADARE\u0000\u0000The literary work of Ismail Kadare is overloaded with signs, images and what this essay terms “imperial figures.” Imperial figures in our usage of the signs of empires marked upon the past, often continue to resonate in the present. Kadare’s poetry, and even more his prose, overwhelms the reader with structures, symbols, details and imperial subjects. In their entirety, these signs of historical, ideological and cultural character originate from various Roman, Ottoman, fascist and communist sources, and deliberately intrigue reading from the socio-political aspect, which is oriented through allusive, confrontational and propositional mechanisms. Our study analyses the literary functions of imperial signs and images in some of the author’s novels. By assuming that the implication of imperial images and signs in Kadare’s books is a characteristic of his style, we also aim to explore, through the investigation of specific examples, the essence of literary intent and perceptual projection which stems from their frequent use. The paper shows that Kadare draws deeply from cultureembedded values, invoking the reader’s desire to make meaning or interpret signs and images in order to associate his fictionalized imperial signs with his depiction of Albania’s history.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129729535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"O UŽASU SPOZNAJE: SPEKULATIVNI REALIZAM I H. P. LOVECRAFT","authors":"Matija Jelača","doi":"10.22210/UR.2019.063.1_2.01","DOIUrl":"https://doi.org/10.22210/UR.2019.063.1_2.01","url":null,"abstract":"ON THE HORROR OF KNOWLEDGE: SPECULATIVE REALISM AND H.\u0000P. LOVECRAFT\u0000\u0000This paper provides an account of the relation between the philosophy of speculative\u0000realism and H. P. Lovecraft’s poetics of “cosmic horror”. Q. Meillassoux and R.\u0000Brassier are taken as representatives of speculative realism. These two philosophers\u0000share two fundamental presumptions: first, any philosophy that aspires to the name \u0000of “realism” has to provide an answer to the question as to how thought can think a\u0000world without thought; and second, insofar as it reveals that this is indeed possible\u0000– to think a world without thought – science constitutes the greatest challenge\u0000to correlationism. The first two parts of the text provide an account of these two\u0000aspects of Meillassoux’s and Brassier’s projects respectively. The third part reconstructs the basic tenets of Lovecraft’s poetics of “cosmic horror”, first through an\u0000engagement with his numerous (auto)poetic writings on this genre, and then by a\u0000reading of his famous short story “The Call of Cthulhu”. Finally, the conclusion\u0000brings these various threads together in order to show that an explication of the\u0000relation between these three authors facilitates a better understanding of the specifics\u0000of their individual projects.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"308 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122983289","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IVAN KUKULJEVIĆ SAKCINSKI U SLOVENSKOJ PRIJEVODNOJ KNJIŽEVNOJ KULTURI SREDINOM 19. STOLJEĆA: JURAN I SOFIJA ILI TURCI KOD SISKA I OBLIKOVANJE SLOVENSKOGA NACIONALNOG IDENTITETA","authors":"Urška Perenič","doi":"10.22210/UR.2019.063.1_2.02","DOIUrl":"https://doi.org/10.22210/UR.2019.063.1_2.02","url":null,"abstract":"IVAN KUKULJEVIĆ SAKCINSKI IN THE CULTURE OF MIDNINETEENTH-CENTURY SLOVENE LITERARY TRANSLATION: JURAN AND SOFIA, OR THE TURKS AT SISAK AND THE FORMATION OF THE SLOVENE NATIONAL IDENTITY\u0000\u0000In 1850, Ivan Kukuljević Sakcinski’s Illyrian-Croatian plays Juran i Sofija ili Turci\u0000kod Siska (Juran and Sofija, or the Turks at Sisak, 1839) and Stjepko Šubić ili Bela IV. u\u0000Horvatskoj (Štepan Šubic, or Bela IV in Croatia, 1841) were published in Slovene translation in the book Dve igri za slovensko glediše (Two Plays for the Slovene Theatre). First,\u0000the paper considers the plays in a wider context of contemporary Slovene-language\u0000drama of the same period, and then in a somewhat narrower context of dramatic\u0000works in the Slovene language in (South) Slavic literature, wherein the discussion\u0000takes into account the position of these two plays in the developing system of genres\u0000of translated drama, since these two works occupy a distinctive place because they\u0000representing model heroic plays. Special emphasis is placed on the first play, which\u0000is not only Kukuljević’s most well-known work, but was, generally speaking, better\u0000received in the Slovene context. This can be explained in a number of ways: 1) due\u0000to to specific socio-political conditions (the translation into Slovene is from the\u0000period of Bach’s s absolutism marked by increased German pressure on the Slovene and Croatian territory); 2) due to obvious social relevance of the Turkish topic (in\u0000the Battle at Sisak the Slovenes and Croatians behave heroically, independently and\u0000cooperatively); and 3) due to the play’s specific features, in particular its dramatic\u0000personae, setting, and Slavic character (in the play, Toma Erdödy, Juran and Andrej Turjaški act in accordance with Slavic reciprocity, and the setting of the play\u0000is Slavic). These features, in turn, enabled identification with the characters and\u0000promoted national emancipation. The genre of the heroic play filled the gap in\u0000the Slovene literature, which Fran Levstik anticipated in his 1858 Slovene literary\u0000programme, which is also the first Slovene programme of this type.\u0000Keywords: translation, adaptation, Slovene-Croatian relations, Turk","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133413674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PARADIGMA SVJETSKE KNJIŽEVNOSTI IZ SLAVISTIČKE VIZURE","authors":"Milka Car","doi":"10.22210/UR.2019.063.1_2.06","DOIUrl":"https://doi.org/10.22210/UR.2019.063.1_2.06","url":null,"abstract":"Book review: Diana Hitzke, Miriam Finkelstein (ur.), Slavische Literaturen der Gegenwart als Weltliteratur – Hybride Konstellationen. Innsbruck: Innsbruck University Press. 2018. 251 str.","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115263458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INTRODUCTION: WORDS AND IMAGES","authors":"","doi":"10.22210/ur.2019.063.3_4.01","DOIUrl":"https://doi.org/10.22210/ur.2019.063.3_4.01","url":null,"abstract":"","PeriodicalId":371506,"journal":{"name":"Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129210055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}