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Ivo Andrić. La vita di Isidor Katanić
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/021
Marija Bradaš
{"title":"Ivo Andrić. La vita di Isidor Katanić","authors":"Marija Bradaš","doi":"10.30687/annoc/2499-1562/2020/54/021","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/021","url":null,"abstract":"Review of Andrić, I. (2020). La vita di Isidor Katanić. Italian transl. by A. Parmeggiani. Udine: Bottega Errante Edizioni, 184 pp.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"158 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116081802","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transformations of Gender Identities and Roles in Novels of Flight and Exile by Olga Grjasnowa and Shida Bazyar 奥尔加·格雅斯诺娃和施达·巴兹亚尔的逃亡与流亡小说中性别身份与角色的转变
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/010
Martina Kofer
{"title":"Transformations of Gender Identities and Roles in Novels of Flight and Exile by Olga Grjasnowa and Shida Bazyar","authors":"Martina Kofer","doi":"10.30687/annoc/2499-1562/2020/54/010","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/010","url":null,"abstract":"Over the last several years, cultural studies scholars in Germany have closely examined the subject of refugees in recent German literature, focusing largely on aspects of spatial theory, the causes of migration and the figure of the refugee. However, while the migrant as cultural Other has received extensive attention, gender issues remain largely underrepresented. This contribution explores the ways in which forced migration, due mostly to war and violence, affects the gender identities and roles of characters in the novels of Olga Grjasnowa (Gott ist nicht schüchtern) and Shida Bazyar (Nachts ist es leise in Teheran).","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"47 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126440391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Giovanni Bottiroli. La prova non-ontologica 约翰·Bottiroli。非本体论的证据
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/017
M. Stella
{"title":"Giovanni Bottiroli. La prova non-ontologica","authors":"M. Stella","doi":"10.30687/annoc/2499-1562/2020/54/017","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/017","url":null,"abstract":"Review of Bottiroli, V. (2020). La prova non-ontologica. Per una teoria del nulla e del «non». Milano: Mimesis, 311 pp.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124311919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A Planetary Via Crucis Migration and Translation in the Work of Emily Jacir and Valeria Luiselli 艾米丽·贾希尔和瓦莱里娅·路易塞利作品中的行星十字架迁移和翻译
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/003
S. Bertacco
{"title":"A Planetary Via Crucis\u0000 Migration and Translation in the Work of Emily Jacir and Valeria Luiselli","authors":"S. Bertacco","doi":"10.30687/annoc/2499-1562/2020/54/003","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/003","url":null,"abstract":"This essay explores the nexus between translation and migration via two works of art that deal explicitly with the “migration crisis” in Europe and North America. Via Crucis is an art installation by Emily Jacir (2016) in the Chiesa di San Raffaele in Milan, while Tell Me How It Ends: An Essay in Forty Questions by Valeria Luiselli (2017) records the author’s reflections on the screening sessions of child asylum seekers after they have crossed the US-Mexico border. In both texts, translation is central to how the stories of migration are told and, this essay argues, it should be central also to the way in which they are read and received.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"275 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120977667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Franco Perrelli (2020). Kaj Munk e i suoi doppi Franco Perrelli（2020 年）。卡伊-蒙克和他的双打
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/019
Massimo Ciaravolo
{"title":"Franco Perrelli (2020). Kaj Munk e i suoi doppi","authors":"Massimo Ciaravolo","doi":"10.30687/annoc/2499-1562/2020/54/019","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/019","url":null,"abstract":"Review of Perrelli, F. (2020). Kaj Munk e i suoi doppi. Bari: Edizioni di Pagina, 330 pp.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"68 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134181136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
«Más allá está la luz»: comentario del poema «Un milagro de Buda» de Luis Alberto de Cuenca 《超越光明》:对路易斯·阿尔贝托·德昆卡诗歌《佛陀的奇迹》的评论
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/013
A. Sáez
{"title":"«Más allá está la luz»: comentario del poema «Un milagro de Buda» de Luis Alberto de Cuenca","authors":"A. Sáez","doi":"10.30687/annoc/2499-1562/2020/54/013","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/013","url":null,"abstract":"Luis Alberto de Cuenca’s poetry seems to be like an open book, because of its powerful intertextuality, which has everything. In this sense, this work aims to look over a small ensemble of oriental poems, that adds another piece to the puzzle, and especially examines the poem “A Buda’s miracle”, which is interesting because of its curious textual history, as well as for its condition of buddhist poem that comes from a book about Buddha.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115984674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
„Bildung“ (Herder) und „Cultur“ (Adelung) im Vergleich 而学问相对于学问
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/011
Gérard Laudin
{"title":"„Bildung“ (Herder) und „Cultur“ (Adelung) im Vergleich","authors":"Gérard Laudin","doi":"10.30687/annoc/2499-1562/2020/54/011","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/011","url":null,"abstract":"“Bildung” and “Kultur” are among the key terms of the German Enlightenment, and appear in various hierarchical forms in the late 18th century. In Adelung’s Versuch einer Geschichte der Cultur des menschlichen Geschlechts (1782), which partly draws on Herder’s Auch eine Philosophie der Geschichte zur Bildung der Menschheit (1774), the term Cultur refers to a social phenomenon that subsumes “refinement” (Verfeinerung), “Enlightenment” (Aufklärung) and “abilities” (Fähigkeiten). Adelung’s concept of culture is tightly linked to his interpretation of human history, which differs both from that of the largely politically oriented universal histories of his time, and from that of the anthropologically based “philosophies of history” (Iselin, Herder, Kant). For Adelung, culture is produced by “crowds in confined spaces” and thus appears as a quantitative phenomenon, as opposed to the qualitative elements such as power (Kraft) and fermentation (Gärung) that determine the course of history in Herder’s philosophy of history of 1774. Cultur emerges from a balance that comes about when the material and non-material components of a given culture are “in the most exact proportion” to each other. The idea of the “Maximum” formulated in Herder’s Ideen zur Philosophie der Geschichte der Menschheit (1784), which is described as “a climax” that every nation reaches in its own way, appears to be developed critically as a counterpart to Adelung’s concept of balance.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"35 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127488440","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Migrant and Minority Nostalgia in Karen Tei Yamashita’s Circle K Cycles 流民与少数民族乡愁——论山下泰文的《K圈》
54 | 2020 Pub Date : 2020-12-22 DOI: 10.30687/annoc/2499-1562/2020/54/009
G. Micheli
{"title":"Migrant and Minority Nostalgia in Karen Tei Yamashita’s Circle K Cycles","authors":"G. Micheli","doi":"10.30687/annoc/2499-1562/2020/54/009","DOIUrl":"https://doi.org/10.30687/annoc/2499-1562/2020/54/009","url":null,"abstract":"This essay explores the concept of nostalgia through an analysis of Circle K Cycles (2001), a creative (auto)ethnographic text in which the Japanese American writer Karen Tei Yamashita portrays Japanese Brazilians’ ethnic return migration to Japan in the 1980s and 1990s. In the face of social marginalisation and the hegemonic pressures of Japanese culture to conform to a standard of ‘pure Japaneseness’, Japanese Brazilians reinforce their attachment to Brazil, which they express in the form of nostalgia, or saudade. Yet Yamashita criticises any idea of cultural separateness and ‘purity’, both by experimenting with form and by describing phenomena of cultural hybridisation.","PeriodicalId":371375,"journal":{"name":"54 | 2020","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125291102","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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