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The Edinburgh Companion to Irish Modernism最新文献

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‘Purity, Piety, and Simplicity’: Heretical Images of the Female, Catholic Reader in Irish Modernism “纯洁、虔诚与单纯”:爱尔兰现代主义中天主教女性读者的异端形象
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0018
T. Boynton
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引用次数: 0
‘Stolen fruit is best of all’: The Pleasures of Subversive Consumption in the Late Novels of Molly Keane “偷来的水果是最好的”:莫莉·基恩晚期小说中颠覆性消费的乐趣
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0019
Lauren M. Rich
{"title":"‘Stolen fruit is best of all’: The Pleasures of Subversive Consumption in the Late Novels of Molly Keane","authors":"Lauren M. Rich","doi":"10.3366/edinburgh/9781474456692.003.0019","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474456692.003.0019","url":null,"abstract":"This chapter argues that Molly Keane’s heretical late novels violate every possible standard of good behaviour, especially in their scandalous emphasis on the unsavoury aspects of eating and excreting. Mesmerised by these nauseating details, critics have tended to overlook Keane’s affirmation of the pleasures of food and its redemptive value for her Anglo-Irish heroines, trapped as they are in the crumbling Big Houses of the moribund Protestant Ascendancy. Keane insists on the uncomfortably close relationship between the grotesque and the delicious in a context where denial of physical pleasure and suppression of appetite are important markers of class and gender, as elements of good behaviour. In Keane’s Big Houses, women seek out forbidden food as private consolation for their confinement and alienation.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121496470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Rage’s Brother: The Bomb at the Centre of Wilde’s Trivial Comedy 愤怒的兄弟:王尔德琐碎喜剧中心的炸弹
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0011
K. Conrad
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引用次数: 0
‘Put “Molotoff bread-basket” into Irish, please’: Cruiskeen Lawn, Dada and the Blitz “请把‘莫洛托夫面包篮’译成爱尔兰语”:克鲁斯肯·劳恩、达达和闪电战
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0015
Catherine F. Flynn
{"title":"‘Put “Molotoff bread-basket” into Irish, please’: Cruiskeen Lawn, Dada and the Blitz","authors":"Catherine F. Flynn","doi":"10.3366/edinburgh/9781474456692.003.0015","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474456692.003.0015","url":null,"abstract":"This chapter investigates Myles na gCopaleen’s long-running satirical column in the Irish Times, Cruiskeen Lawn, which began in 1940 during ‘The Emergency’. Written in both Irish and English and often juxtaposing these languages in a single instalment or transliterating one into the orthography of the other, Cruiskeen Lawn makes fun of nationalist piety about the Irish language, debunking the idea of a purely Irish voice. The column’s polyglot, polyvocal play mocks the idea of national or linguistic isolation, thereby challenging Eamon de Valera’s isolationist policy of neutrality in World War II. Heretical to nativism in its use of modernist polyglossia and fragmentation, Cruiskeen Lawn is also heretical to modernism insofar as it ‘moves outside of literary genres, and outside of the available genres of the newspaper, excerpting the discourse of its day and amplifying, distorting, and subverting it through linguistic play’.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130000232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Theorising Irish-Language Modernism: Voicing Precarity 爱尔兰语现代主义理论化:表达不稳定性
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0024
Sarah E. McKibben
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引用次数: 0
‘A Fairy Boy of Eleven, a Changeling, Kidnapped, Dressed in an Eton Suit’: Precarious, Lost and Recovered Children in Anglophone Irish Modernism “一个十一岁的精灵男孩，一个换灵人，被绑架，穿着伊顿公学的套装”:英语爱尔兰现代主义中不稳定的，迷失的和被找回的孩子
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0007
M. Backus
{"title":"‘A Fairy Boy of Eleven, a Changeling, Kidnapped, Dressed in an Eton Suit’: Precarious, Lost and Recovered Children in Anglophone Irish Modernism","authors":"M. Backus","doi":"10.3366/edinburgh/9781474456692.003.0007","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474456692.003.0007","url":null,"abstract":"This chapter explores the evolution of the literary faery changeling, reading this figure as a response to British white supremacy. Backus argues that both Joyce and Yeats transformed folkloric accounts of changelings into heretical representations of figures caught between different Irish orthodoxies.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128451514","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Modernist Heresies: Irish Visual Culture and the Arts and Crafts Movement 现代主义异端:爱尔兰视觉文化和工艺美术运动
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0013
Kelly E. Sullivan
{"title":"Modernist Heresies: Irish Visual Culture and the Arts and Crafts Movement","authors":"Kelly E. Sullivan","doi":"10.3366/edinburgh/9781474456692.003.0013","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474456692.003.0013","url":null,"abstract":"This chapter shows how the Irish Arts and Crafts movement introduced a bold new aesthetic in the visual arts that scandalised orthodox opinion. The early years of the twentieth century saw a renewed focus on the applied arts – including metalwork, stained glass, tapestries, and printed materials – designed and made for Catholic churches, state buildings, even domestic patrons. Such art reflected existing tensions between conservatism and innovation, by turns echoing and challenging competing cultural nationalist views. The work of Harry Clarke, Evie Hone, the Cuala Press, and others combined traditional materials, skills, and Irish symbolism with innovative aesthetics and sometimes shocking or offensive scenes of modern Irish life. Though church and state institutions that had briefly supported such cultural nationalist work ultimately came to view it as heretical, the chapter demonstrates the profound influence of such work on Irish visual arts modernism.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120872487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Legacies of Land and Soil: Irish Drama, European Integration and the Unfinished Business of Modernism 土地与土壤的遗产:爱尔兰戏剧、欧洲一体化与现代主义未完成的事业
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0008
Sarah L. Townsend
{"title":"Legacies of Land and Soil: Irish Drama, European Integration and the Unfinished Business of Modernism","authors":"Sarah L. Townsend","doi":"10.3366/edinburgh/9781474456692.003.0008","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474456692.003.0008","url":null,"abstract":"This chapter examines how Irish rural drama negotiates the tension between land as soil and land as property. Townsend argues that rural dramas such as Rutherford Mayne’s play Red Turf (1911), Padraic Colum’s The Land (1905), and T.C. Murray’s Birthright (1910) commit heresy against the pieties of cultural nationalism by positing material security rather than spiritual inheritance as the foundation for a prosperous Irish future. Largely neglected by literary criticism, these plays also challenge the orthodox story of modernism whereby old-fashioned realism is superseded by avant-garde experiment, much as the rural is superseded the urban. Often performed in the same venues as contemporary avant-garde plays, Irish rural dramas demonstrate that modernism did not progress in a straight line but along multiple intersecting paths.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115122162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Irish Christian Comedy: Heresy or Reform? 爱尔兰基督教喜剧:异端还是改革?
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0016
Vicki Mahaffey
{"title":"Irish Christian Comedy: Heresy or Reform?","authors":"Vicki Mahaffey","doi":"10.3366/edinburgh/9781474456692.003.0016","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474456692.003.0016","url":null,"abstract":"This essay argues that Ireland developed a new form, Irish Christian Comedy, that does not make fun of religious values but instead lampoons the woodenness with which those values are understood and (mis)applied to daily life. It suggests that fiction is true to the meaning of events, and that it facilitates greater awareness of the mystery that lies behind spirituality. The hero of Irish Christian comedy is the daring, innovative reader.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130607093","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ireland’s Philatelic Modernism 爱尔兰的现代主义集邮
The Edinburgh Companion to Irish Modernism Pub Date : 2020-08-31 DOI: 10.3366/edinburgh/9781474456692.003.0009
J. Ulin
{"title":"Ireland’s Philatelic Modernism","authors":"J. Ulin","doi":"10.3366/edinburgh/9781474456692.003.0009","DOIUrl":"https://doi.org/10.3366/edinburgh/9781474456692.003.0009","url":null,"abstract":"This chapter traces the evolution of the humble postage stamp in Ireland – especially from the 1920s to the 1950s – from nationalist heresy to nationalist orthodoxy. Stamps played a significant heretical role in asserting an Irish national identity – for both symbolic and fundraising purposes – and harnessing revolutionary energies pre-independence. Later, however, they promoted a nationalist orthodoxy intended to shape ideology domestically and perception of Ireland internationally, after the foundation of the Free State. Ulin examines the complex political constraints that stifled innovations in philatelic design and prevented postage stamps from emulating modernist experiments in print culture and modern design. (98)","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122531861","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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