{"title":"“偷来的水果是最好的”:莫莉·基恩晚期小说中颠覆性消费的乐趣","authors":"Lauren M. Rich","doi":"10.3366/edinburgh/9781474456692.003.0019","DOIUrl":null,"url":null,"abstract":"This chapter argues that Molly Keane’s heretical late novels violate every possible standard of good behaviour, especially in their scandalous emphasis on the unsavoury aspects of eating and excreting. Mesmerised by these nauseating details, critics have tended to overlook Keane’s affirmation of the pleasures of food and its redemptive value for her Anglo-Irish heroines, trapped as they are in the crumbling Big Houses of the moribund Protestant Ascendancy. Keane insists on the uncomfortably close relationship between the grotesque and the delicious in a context where denial of physical pleasure and suppression of appetite are important markers of class and gender, as elements of good behaviour. In Keane’s Big Houses, women seek out forbidden food as private consolation for their confinement and alienation.","PeriodicalId":371259,"journal":{"name":"The Edinburgh Companion to Irish Modernism","volume":"117 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"‘Stolen fruit is best of all’: The Pleasures of Subversive Consumption in the Late Novels of Molly Keane\",\"authors\":\"Lauren M. Rich\",\"doi\":\"10.3366/edinburgh/9781474456692.003.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter argues that Molly Keane’s heretical late novels violate every possible standard of good behaviour, especially in their scandalous emphasis on the unsavoury aspects of eating and excreting. Mesmerised by these nauseating details, critics have tended to overlook Keane’s affirmation of the pleasures of food and its redemptive value for her Anglo-Irish heroines, trapped as they are in the crumbling Big Houses of the moribund Protestant Ascendancy. Keane insists on the uncomfortably close relationship between the grotesque and the delicious in a context where denial of physical pleasure and suppression of appetite are important markers of class and gender, as elements of good behaviour. In Keane’s Big Houses, women seek out forbidden food as private consolation for their confinement and alienation.\",\"PeriodicalId\":371259,\"journal\":{\"name\":\"The Edinburgh Companion to Irish Modernism\",\"volume\":\"117 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-08-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Edinburgh Companion to Irish Modernism\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/edinburgh/9781474456692.003.0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Edinburgh Companion to Irish Modernism","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/edinburgh/9781474456692.003.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
‘Stolen fruit is best of all’: The Pleasures of Subversive Consumption in the Late Novels of Molly Keane
This chapter argues that Molly Keane’s heretical late novels violate every possible standard of good behaviour, especially in their scandalous emphasis on the unsavoury aspects of eating and excreting. Mesmerised by these nauseating details, critics have tended to overlook Keane’s affirmation of the pleasures of food and its redemptive value for her Anglo-Irish heroines, trapped as they are in the crumbling Big Houses of the moribund Protestant Ascendancy. Keane insists on the uncomfortably close relationship between the grotesque and the delicious in a context where denial of physical pleasure and suppression of appetite are important markers of class and gender, as elements of good behaviour. In Keane’s Big Houses, women seek out forbidden food as private consolation for their confinement and alienation.