{"title":"Ce qui commence à Calais : l’Europe, terrain de jeu de Ruskin","authors":"A. Hélard","doi":"10.30687/978-88-6969-487-5/010","DOIUrl":"https://doi.org/10.30687/978-88-6969-487-5/010","url":null,"abstract":"The account, in verse, of the Ruskin family’s first tour on the Continent, in 1833, opens with an evocation of Calais. This is only the first of a rather long series of passages expressing Ruskin’s singular interest in Calais. What is intriguing is that Calais, in Ruskin’s imaginary geography, is the place where one turns one’s back on familiar England to enter continental Europe, where everything is to be discovered, the place where, in a true art of travelling, a shift of the gaze begins. At the same time, it is the starting point of what Ruskin will call, at the other end of his work, The Old Road.","PeriodicalId":370948,"journal":{"name":"Sources, Literatures, Arts & Landscapes of Europe","volume":"597 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133731495","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"John Ruskin, un œil européen\u0000 La photographie, la peinture, l’écriture et l’énigme de la visibilité","authors":"Pierre-Henry Frangne","doi":"10.30687/978-88-6969-487-5/004","DOIUrl":"https://doi.org/10.30687/978-88-6969-487-5/004","url":null,"abstract":"My analysis of the question of sight, vision, gaze and the visible in John Ruskin’s work will consist of three moments: 1) the delimitation of the problem I propose to address, 2) the photographic temptation that was Ruskin’s, 3) the question of the innocence of the eye and the pure visibility that makes Ruskin a central maillon in the European aesthetics of the 19th and 20th centuries. The aim is to show how the English writer plays an important role in contemporary thinking about visibility in its artistic, scientific, aesthetic and philosophical implications. Since for Ruskin, «seeing involves the whole man».","PeriodicalId":370948,"journal":{"name":"Sources, Literatures, Arts & Landscapes of Europe","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124890658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}