编辑罗斯金:弗朗西斯卡亚历山大的托斯卡纳路边歌曲

Emma Sdegno
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摘要

1907年,库克和韦德伯恩出版了图书馆版的第三十二卷,将一系列“由约翰·罗斯金编辑和整理”的文本组合在一起:农民生活研究:艾达的故事,托斯卡纳的路边歌曲,亚平宁的基督民间,农场仆人乌尔里克。由于大部分作品都是由弗朗西斯卡·亚历山大创作的,这本书实际上是对这位美国艺术家的致敬。在本文中,我概述了弗朗西斯卡·亚历山大的托斯卡纳路边歌曲的编辑历史,从手稿“弗朗西斯卡的书”到1884年至1885年间部分出版的版本。我认为,拉斯金对这个项目的兴趣与19世纪中期法语和英语版本的《圣弗朗西斯科的装饰》的出版,以及产生这些出版物的意识形态背景有着特殊的关系。罗斯金宣称,他的目标是向英国人传达“对天主教意大利甜美灵魂的现实的一些同情概念”,这就是在这种背景下产生的。他将弗朗西斯卡的手稿以一种经过大量编辑的全新形式出版的想法,与19世纪最后几十年欧洲大陆对中世纪文学的研究相比,是合理的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Edited by Ruskin: Francesca Alexander’s Roadside Songs of Tuscany
In 1907 Cook and Wedderburn published the volume XXXII of the Library Edition, grouping together a series of texts “Edited and Arranged by John Ruskin”: Studies of Peasant Life: The Story of Ida, Roadside Songs of Tuscany, Christ’s Folk in the Apennine, Ulric the Farm Servant. Since most of the works were authored by Francesca Alexander the volume is in effect a tribute to this American artist. In this paper I outline the history of the editing of Francesca Alexander’s Roadside Songs of Tuscany, from the manuscript “Francesca’s Book” to the published edition issued in parts between 1884 and 1885. I argue that Ruskin’s interest in the project bears a special relationship to the publication of the Fioretti di San Francesco in mid-nineteenth-century French and English versions, and to the ideological context that generated those publications. Ruskin’s declared aim of conveying to the English mind “some sympathetic conception of the reality of the sweet soul of Catholic Italy” was generated within this context, and his idea of publishing Francesca’s manuscript in a heavily edited and thoroughly new form justifies comparison with continental research into Medieval literature in the last decades of the Nineteenth century.
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