Punk and Post-Punk最新文献

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Electric Wizards: A Tapestry of Heavy Music, 1968 to the Present, J. R. Moores (2021) 《电子奇才:重音乐的挂毯,1968年至今》,j·r·摩尔斯著(2021)
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00153_5
Yorgos Paschos
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引用次数: 0
Directions to the Outskirts of Town: Punk Rock Tour Diaries from Nineties North America, Welly Artcore (2021) 《城郊方向:90年代北美朋克摇滚之旅日记》,Welly Artcore (2021)
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00125_5
Russell Bestley
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引用次数: 0
‘There goes my hero’: Taylor Hawkins (17 February 1972‐25 March 2022) “我的英雄去了”:泰勒·霍金斯(1972年2月17日—2022年3月25日)
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00151_7
Matt Grimes
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引用次数: 0
Faster! Louder! How a Punk Rocker from Yorkshire Became British Champion Fell Runner, Boff Whalley (2021) 快!大声点!来自约克郡的朋克摇滚歌手如何成为英国田径冠军,Boff Whalley (2021)
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00156_5
Russell Bestley
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引用次数: 0
Fractured and elliptical sensibilities: An interview with Steve Taylor 断裂和椭圆的情感:对史蒂夫·泰勒的采访
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00150_7
Rupert Loydell
{"title":"Fractured and elliptical sensibilities: An interview with Steve Taylor","authors":"Rupert Loydell","doi":"10.1386/punk_00150_7","DOIUrl":"https://doi.org/10.1386/punk_00150_7","url":null,"abstract":"This interview contextualizes the work of Steve Taylor, within and without the Christian music industry, as solo musician, band member, producer, video artist and filmmaker. The discussion touches upon faith, satire, performance, controversy, the music business, influences and the craft\u0000 of songwriting.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"3 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78976263","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Decolonize the Disenfranchised: Gregg Deal, Tutse Nakoekwu (Minor Threat) and the Disruption of Indigenous Stereotypes, Emmanuel Gallery, Denver, USA, 28 January‐1 March, 2022 “去殖民化被剥夺公民权:格雷格·迪尔、Tutse Nakoekwu(轻微威胁)和土著刻板印象的破坏”,伊曼努尔画廊,丹佛,美国,2022年1月28日至3月1日
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00157_5
Emily Owens
{"title":"Decolonize the Disenfranchised: Gregg Deal, Tutse Nakoekwu (Minor Threat) and the Disruption of Indigenous Stereotypes, Emmanuel Gallery, Denver, USA, 28 January‐1 March, 2022","authors":"Emily Owens","doi":"10.1386/punk_00157_5","DOIUrl":"https://doi.org/10.1386/punk_00157_5","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"25 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81048836","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PUNK! Las Américas Edition, Olga Rodríguez-Ulloa, Rodrigo Quijano and Shane Greene (eds) (2021) 朋克!《美洲版》,Olga rodriguez - ulloa, Rodrigo Quijano和Shane Greene编(2021)
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00155_5
Daniel Makagon
{"title":"PUNK! Las Américas Edition, Olga Rodríguez-Ulloa, Rodrigo Quijano and Shane Greene (eds) (2021)","authors":"Daniel Makagon","doi":"10.1386/punk_00155_5","DOIUrl":"https://doi.org/10.1386/punk_00155_5","url":null,"abstract":"Review of: PUNK! Las Américas Edition, Olga Rodríguez-Ulloa, Rodrigo Quijano and Shane Greene (eds) (2021)Bristol: Intellect, 394 pp.,ISBN 978-1-78938-415-4, h/bk, GBP £80.00","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"112 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78013370","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Women’s experience in Estonian punk scenes during the transition from Soviet to post-Soviet society 从苏联到后苏联社会过渡时期爱沙尼亚朋克场景中的女性体验
Punk and Post-Punk Pub Date : 2022-05-07 DOI: 10.1386/punk_00145_1
Brigitta Davidjants
{"title":"Women’s experience in Estonian punk scenes during the transition from Soviet to post-Soviet society","authors":"Brigitta Davidjants","doi":"10.1386/punk_00145_1","DOIUrl":"https://doi.org/10.1386/punk_00145_1","url":null,"abstract":"The article examines women’s experiences in the punk scenes of Tallinn (Estonia) during the late Soviet (1970s–80s) and the initial post-Soviet period (1990s–2000s). The author is interested in how women perceived their identity inside those scenes and in relation to mainstream culture, as well as in the role of Tallinn’s urban space in scene creation. The article places a particular emphasis on examining the consistency in women’s experience of those scenes in the context of a society that witnessed the crumbling of Soviet rule. Theoretical background for the article is provided by subculture and gender studies. The material for analysis is drawn primarily from in-depth interviews with members of the subcultures concerned but also includes data from participatory observation and personal experience. In interpreting the data, the author has combined qualitative content analysis and discourse analysis (including context analysis).","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81147433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contesting class, gender and national identity: The visual art practice of Test Dept 竞赛阶级、性别与民族认同:测试部视觉艺术实践
Punk and Post-Punk Pub Date : 2022-04-01 DOI: 10.1386/punk_00130_1
T. Forster
{"title":"Contesting class, gender and national identity: The visual art practice of Test Dept","authors":"T. Forster","doi":"10.1386/punk_00130_1","DOIUrl":"https://doi.org/10.1386/punk_00130_1","url":null,"abstract":"The 1980s was a time of discontinuity in the United Kingdom as the country was restructured through an extensive reconfiguration of economic, social and political relations. This shift towards what would subsequently be termed neo-liberalism included the deliberate dismantling of organized labour as a political force, privatization, deregulation, cuts to the welfare state and a belief in the pre-eminence of the market as the most effective processor of information. Test Dept formed in 1981 and evolved politically in the socio-economic context of the early imposition of neo-liberalism. Test Dept’s visual art practice contested neo-liberal representation and discourse, opening up space and providing resources for alternative identities and the perpetuation of models of identity based around collectivism and solidarity. This article explores Test Dept’s practice, focusing on three aspects of identity that neo-liberalism attempted to restructure: class, gender and national identity.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88317589","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Tears of a Nation: Mick Crudge 国家之泪:米克·克鲁奇
Punk and Post-Punk Pub Date : 2022-02-01 DOI: 10.1386/punk_00132_7
Gary Watts (Gaz Suspect)
{"title":"Tears of a Nation: Mick Crudge","authors":"Gary Watts (Gaz Suspect)","doi":"10.1386/punk_00132_7","DOIUrl":"https://doi.org/10.1386/punk_00132_7","url":null,"abstract":"","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"34 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83096650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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