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Mark Hollis: A Perfect Silence, Ben Wardle (2022) 马克·霍利斯:《完美的沉默》，本·沃德尔(2022)
Punk and Post-Punk Pub Date : 2022-10-01 DOI: 10.1386/punk_00170_5
Rupert Loydell
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引用次数: 0
Cathal Coughlan: An appreciation Cathal Coughlan:感谢
Punk and Post-Punk Pub Date : 2022-10-01 DOI: 10.1386/punk_00162_7
Michael Mary Murphy
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引用次数: 0
PUNK! The Revolution of Everyday Life, curated by Kounosuke Kawakami 朋克!日常生活的革命，由kawawakami Kounosuke策划
Punk and Post-Punk Pub Date : 2022-10-01 DOI: 10.1386/punk_00175_5
Robert Dahlberg-Sears
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引用次数: 0
No Machos or Pop Stars: When the Leeds Art Experiment Went Punk, Gavin Butt (2022) 没有大男子主义和流行明星:当利兹艺术实验走向朋克，加文·巴特(Gavin Butt, 2022)
Punk and Post-Punk Pub Date : 2022-10-01 DOI: 10.1386/punk_00165_5
Russell Bestley
{"title":"No Machos or Pop Stars: When the Leeds Art Experiment Went Punk, Gavin Butt (2022)","authors":"Russell Bestley","doi":"10.1386/punk_00165_5","DOIUrl":"https://doi.org/10.1386/punk_00165_5","url":null,"abstract":"Review of: No Machos or Pop Stars: When the Leeds Art Experiment Went Punk, Gavin Butt (2022)\u0000 Durham, NC: Duke University Press, 282 pp.,\u0000 ISBN 978-1-47801-863-6, p/bk, £20.99","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"58 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81553497","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Arthaus to Bauhaus, 1972–1979, Andrew J. Brooksbank (2021) 《从阿尔绍斯到包豪斯，1972-1979》，安德鲁·j·布鲁克斯班克(2021)
Punk and Post-Punk Pub Date : 2022-10-01 DOI: 10.1386/punk_00166_5
Russell Bestley
{"title":"From Arthaus to Bauhaus, 1972–1979, Andrew J. Brooksbank (2021)","authors":"Russell Bestley","doi":"10.1386/punk_00166_5","DOIUrl":"https://doi.org/10.1386/punk_00166_5","url":null,"abstract":"Review of: From Arthaus to Bauhaus, 1972–1979, Andrew J. Brooksbank (2021)\u0000 Stratford-upon-Avon: Tome & Metre, 284 pp.,\u0000 ISBN 978-1-83801-161-1, p/bk, £15.00","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"23 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72743603","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The afterlife of punk: Evental sites of punk 77 朋克的来世:77年朋克的活动场所
Punk and Post-Punk Pub Date : 2022-09-02 DOI: 10.1386/punk_00158_1
K. Cashell
{"title":"The afterlife of punk: Evental sites of punk 77","authors":"K. Cashell","doi":"10.1386/punk_00158_1","DOIUrl":"https://doi.org/10.1386/punk_00158_1","url":null,"abstract":"Building on the argument of my previous article ‘Autonomy and agency: The event of punk 77’, this article defends the continuing political relevance of punk. Rejecting the dominant story that punk was a utopian, short-lived revolution, over before it had a chance to effect any social change, I argue that punk survives through people who, radicalized by its vision of cultural agency, motivate revolutionary ‘ways of being’ committed to realizing and transmitting that vision to others. The subjects of 77 are heir to a revolutionary tradition, choosing to ‘keep’ punk ‘alive’ through fidelity to its inaugural event; a fidelity that involves renewed acknowledgement of the ‘subversive’ dimension of the event’s original ‘epochal rupture’. Two case studies are offered in support of this argument. An account of the eruption of a punk scene in the provincial town of Drogheda in Ireland in the early 1980s, followed by discussion of the specific way punk engaged young women, a case study based on interviews with Gina Birch, founding member of first-generation all-female punk band the Raincoats. I conclude by recasting the legacy of punk as a tradition of revolutionary inheritance.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"44 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78130148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Autonomy and agency: The event of punk 自主与代理:朋克的事件
Punk and Post-Punk Pub Date : 2022-08-19 DOI: 10.1386/punk_00159_1
K. Cashell
{"title":"Autonomy and agency: The event of punk","authors":"K. Cashell","doi":"10.1386/punk_00159_1","DOIUrl":"https://doi.org/10.1386/punk_00159_1","url":null,"abstract":"This article interrogates the contested politics of punk. Against the reactionary trend to accept the ephemerality of punk as evidence of its obvious failure, its political naivete and subsequent recuperation, I defend the continuing relevance of punk precisely as a political project. Identified as an event in Badiou’s sense, punk erupts spontaneously in parallel with complementary European resistance movements and, for a brief incandescent moment, convulses history, placing all criteria of meaning and value in question. So, even if it ‘disappeared just as quickly’, punk survives its transience through people who, haunted by its emancipatory promise and radicalized by its ‘aesthetics of resistance’, are motivated to ‘a new way of being’ in its memory. Channelling the late Mark Fisher (aka k-punk), this article recovers the lost politics of punk, invoking its fidelity to social transformation through autonomous cultural practice to fulfil its revolutionary promise. The argument concludes that, far from an exhausted ‘musical genre’, the event of punk remains efficacious precisely because it is not reducible to any of its actual historical iterations.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82974871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
‘What the heck: Eskorbuto for PM!’: Eskorbuto’s punk music and anarchist ideology “管他呢:Eskorbuto是总理!”:埃斯科尔布托的朋克音乐和无政府主义思想
Punk and Post-Punk Pub Date : 2022-06-02 DOI: 10.1386/punk_00147_1
Jorge David Fernández Gómez, Antonio Pineda
{"title":"‘What the heck: Eskorbuto for PM!’: Eskorbuto’s punk music and anarchist ideology","authors":"Jorge David Fernández Gómez, Antonio Pineda","doi":"10.1386/punk_00147_1","DOIUrl":"https://doi.org/10.1386/punk_00147_1","url":null,"abstract":"Eskorbuto was one of the most important Spanish-speaking punk bands and the most extreme among those belonging to the ‘Basque Radical Rock’ movement in the 1980s. This article aims to analyse the ideological components of Eskorbuto’s discourse in relation to the political philosophy of anarchism. More specifically, the objective is to ascertain whether Eskorbuto’s music represents key anarchist values, and whether their discourse may be characterized as anarcho-punk. The study focuses on a context-sensitive discourse analysis of Eskorbuto’s lyrics. Results indicate that, through punk music, Eskorbuto’s discourse was linked to anarchism, to the extent that the Basque band was energized by punk’s anti-establishment attitude. However, results also reveal that the socially constructive values of anarchism – such as the belief in a natural order, or the vision of a self-managed collectivist economy – were not clearly conveyed in the band’s nihilistic lyrics. The scope and limits of Eskorbuto’s anarcho-punk characteristics are considered, before discussing the relationship of the band’s raw and confrontational message with the concept of punk-anarchism.","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"46 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89346682","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Red Days: Popular Music & the English Counterculture 1965‐1975, John Roberts (2020) 《红日:流行音乐与英国反主流文化1965 - 1975》，约翰·罗伯茨(2020)
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00154_5
Stan Erraught
{"title":"Red Days: Popular Music & the English Counterculture 1965‐1975, John Roberts (2020)","authors":"Stan Erraught","doi":"10.1386/punk_00154_5","DOIUrl":"https://doi.org/10.1386/punk_00154_5","url":null,"abstract":"Review of: Red Days: Popular Music & the English Counterculture 1965‐1975, John Roberts (2020)Colchester and New York: Minor Compositions, 197 pp.,ISBN 978-1-57027-364-3, p/bk, GBP £18.00","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75963467","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Lightning Striking: Ten Transformative Moments in Rock & Roll, Lenny Kaye (2021) 雷击:摇滚中的十个变革时刻，伦尼·凯伊(2021)
Punk and Post-Punk Pub Date : 2022-06-01 DOI: 10.1386/punk_00152_5
Rupert Loydell
{"title":"Lightning Striking: Ten Transformative Moments in Rock & Roll, Lenny Kaye (2021)","authors":"Rupert Loydell","doi":"10.1386/punk_00152_5","DOIUrl":"https://doi.org/10.1386/punk_00152_5","url":null,"abstract":"Review of: Lightning Striking: Ten Transformative Moments in Rock & Roll, Lenny Kaye (2021)London: White Rabbit, 965 pp.,ISBN 978-1-47461-5-105, e-book, GBP £20","PeriodicalId":37071,"journal":{"name":"Punk and Post-Punk","volume":"10 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87873155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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