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Genre pragmatics of Shakespeare’s comedy: Love’s Labour’s Lost 莎士比亚喜剧:《爱的徒劳》的体裁语用学
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-2-84-101
I. Shaytanov
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引用次数: 0
The space dimension of alternative history: Popular science, transmedia storytelling, and the contemporary agenda 另类历史的空间维度:大众科学、跨媒体叙事与当代议程
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-3-100-118
Ekaterina Lapina-Kratasyuk
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引用次数: 0
Death and utopia, or The inevitable path to dehumanization of the “new man” 死亡与乌托邦，或“新人”非人化的必然之路
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-3-340-345
S. Maslinskaya
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引用次数: 0
Traveling back in time through text (on Ge Fei’s “Jinse”) 通过文字回到过去(在葛飞的“Jinse”中)
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-4-136-151
Kseniia Baliuta
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引用次数: 0
Promenade “They met in Moscow”: Cultural recycling of the film in the scenery of VDNKh 漫步“他们在莫斯科相遇”:电影在VDNKh风景中的文化回收
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-1-140-160
N. Semenova
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引用次数: 0
From site to territory: Hypothesis on the in situ theatre landscape in France 从场地到地域:对法国原地剧院景观的假设
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-1-10-26
Aurélie Mouton-Rezzouk
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引用次数: 0
Stage practices in situ: Which creation of value? 现场舞台实践:哪一种价值创造?
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-1-27-41
Daniel Urrutiaguer
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引用次数: 0
Alone in the theatre: The phenomenon of a performance for a single spectator 独自在剧院:一场演出只有一个观众观看的现象
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-1-78-89
Yulia A. Kleiman
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引用次数: 0
Intervention as a means to make a political theatre 干预是一种制造政治舞台的手段
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-1-66-77
K. Matvienko
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引用次数: 0
Two Kostroma charters of the 17th century from the collection of the Moscow University Library 莫斯科大学图书馆收藏的两份17世纪的科斯特罗马宪章
Shagi/ Steps Pub Date : 2022-01-01 DOI: 10.22394/2412-9410-2022-8-3-186-197
A. Lifshits
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引用次数: 0
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