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Bulletin of the Detroit Institute of Arts最新文献

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Luxury and Propriety: Edo-Period Noh Costumes and Samurai Women's Garments in the Detroit Institute of Arts 奢华与礼制:在底特律艺术学院展出的江户时期能服和女武士服装
Bulletin of the Detroit Institute of Arts Pub Date : 2014-01-01 DOI: 10.1086/DIA43493632
J. Denney
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引用次数: 0
Making Maiolica 制作Maiolica
Bulletin of the Detroit Institute of Arts Pub Date : 2013-01-01 DOI: 10.1086/dia43493614
Timothy H. Wilson
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引用次数: 0
The Impact of Hispano-Moresque Imports in Fifteenth-century Florence 西班牙-摩洛哥进口对15世纪佛罗伦萨的影响
Bulletin of the Detroit Institute of Arts Pub Date : 2013-01-01 DOI: 10.1086/dia43493615
Timothy H. Wilson
{"title":"The Impact of Hispano-Moresque Imports in Fifteenth-century Florence","authors":"Timothy H. Wilson","doi":"10.1086/dia43493615","DOIUrl":"https://doi.org/10.1086/dia43493615","url":null,"abstract":"aesthetic or, indeed, monetary value is, to some degree, part of Christendom's debt to the Islamic world, which had been producing gorgeously decorated ceramics for some six hundred years before the flowering of Italian maiolica in the fifteenth and sixteenth centuries.1 The Nasrid kingdom of Andalucía was the last outpost of Islam in Western Europe. It was founded, with its capital at Granada, in 1238, and lasted until it was overwhelmed by the armies of the united Christian kingdoms of Castile and Aragon in 1492. From the thirteenth century, potters in the port of Malaga had made a speciality of luster, adding blue derived from imported cobalt to the palette, and achieved astonishing kiln virtuosity. The colossal wing-handled vases made by Malagan potters to decorate the Alhambra Palace in Granada (fig. 1) are, both technically and artistically, among the most brilliant and virtuoso achievements in world ceramics.","PeriodicalId":36609,"journal":{"name":"Bulletin of the Detroit Institute of Arts","volume":"87 1","pages":"8 - 13"},"PeriodicalIF":0.0,"publicationDate":"2013-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/dia43493615","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60998914","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Collecting Italian Renaissance and Later Ceramics at the DIA from William Valentiner to Today 从威廉·瓦伦蒂纳到今天，在DIA收集意大利文艺复兴时期和后来的陶瓷
Bulletin of the Detroit Institute of Arts Pub Date : 2013-01-01 DOI: 10.1086/DIA43493617
A. Darr
{"title":"Collecting Italian Renaissance and Later Ceramics at the DIA from William Valentiner to Today","authors":"A. Darr","doi":"10.1086/DIA43493617","DOIUrl":"https://doi.org/10.1086/DIA43493617","url":null,"abstract":"The first maiolica pieces were purchased for the museum by Ralph Harman Booth, president of both the City of Detroit Arts Commission and the museum's Board of Trustees, on a trip to Berlin in the summer of 192 1, probably in consultation with Wilhelm Bode, a noted German museum director, art expert, and critic, and his protégé Valentiner. Born in Karlsruhe, Germany, in 1880, Valentiner received a graduate degree in the history of art from the University of Heidelberg, where he came to the attention of Bode, who hired him in 1906 as his personal assistant at the Kaiser Friedrich Museum in Berlin. Both men were knowledgeable about Italian ceramics.","PeriodicalId":36609,"journal":{"name":"Bulletin of the Detroit Institute of Arts","volume":"87 1","pages":"20 - 25"},"PeriodicalIF":0.0,"publicationDate":"2013-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/DIA43493617","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60998711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Cultural Context of Maiolica in Renaissance Italy 文艺复兴时期意大利马爵利卡陶瓷的文化背景
Bulletin of the Detroit Institute of Arts Pub Date : 2013-01-01 DOI: 10.1086/DIA43493616
P. Simons
{"title":"The Cultural Context of Maiolica in Renaissance Italy","authors":"P. Simons","doi":"10.1086/DIA43493616","DOIUrl":"https://doi.org/10.1086/DIA43493616","url":null,"abstract":"Professor, History of Art, University of Michigan The rise of Italian maiolica is a quintessential phenomenon of the Renaissance, the result of technical innovation and artistic skill, and an increasingly varied addition to the market of consumer items that served functions of display and conviviality.1 It was admired for its novelty, pleasurable visual effects, and ability to trump the ancients. In 1568, the painter Giorgio Vasari favorably contrasted maiolica with ancient pottery, which never had \"the lustrous glazing nor the charm and variety of painting\" evident in his own day.2 Spurred by local demand for Hispano-Moresque ceramics [see Wilson, \"The Impact of Hispano-Moresque Imports in Fifteenth-century Florence,\" this volume], Italian potters transformed utilitarian objects into increasingly colorful, diverse products, which in turn became export items. Early Italian pottery was decorated with simple forms and marked by a limited palette, like a green and brown jug from Orvieto (cat. no. 5) or mid-fifteenth-century pitcher from Florence ornamented with dark blue monstrous birds, a lion, and an oak-leaf pattern against a cream ground","PeriodicalId":36609,"journal":{"name":"Bulletin of the Detroit Institute of Arts","volume":"87 1","pages":"14 - 19"},"PeriodicalIF":0.0,"publicationDate":"2013-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/DIA43493616","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60999112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Diversity of Contemporary African American Art 当代非裔美国人艺术的多样性
Bulletin of the Detroit Institute of Arts Pub Date : 2012-01-01 DOI: 10.1086/DIA43492327
Valerie J. Mercer, Mora J. Beauchamp-Byrd, Mary Wilkinson, Stephanie James, Nancy Sojka, Courtney J. Martin
{"title":"Diversity of Contemporary African American Art","authors":"Valerie J. Mercer, Mora J. Beauchamp-Byrd, Mary Wilkinson, Stephanie James, Nancy Sojka, Courtney J. Martin","doi":"10.1086/DIA43492327","DOIUrl":"https://doi.org/10.1086/DIA43492327","url":null,"abstract":"Following were exposed World to War a wide II, range African of American influences artists a they gained entry to American art schools and art programs in colleges and universities and were able to study abroad, especially in Paris. As students, they were taught and mentored by some of the leading artists of the time. In succeeding decades, works by African Americans increasingly reflected various approaches and styles prevalent in American art, such as abstraction, the use of nontraditional materials to create fine art, the reconsideration of the figure, and the expression of a wide range of interests through choice of subject matter, which was not always about race.","PeriodicalId":36609,"journal":{"name":"Bulletin of the Detroit Institute of Arts","volume":"86 1","pages":"88 - 123"},"PeriodicalIF":0.0,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/DIA43492327","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"60998367","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Examining Identities 检查身份
Bulletin of the Detroit Institute of Arts Pub Date : 2012-01-01 DOI: 10.1086/DIA43492326
Valerie J. Mercer, Mary Wilkinson, Michael D. Harris, Nancy Sojka
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引用次数: 0
Expressions of Political and Social Consciousness 政治和社会意识的表达
Bulletin of the Detroit Institute of Arts Pub Date : 2012-01-01 DOI: 10.1086/DIA43492325
Valerie J. Mercer, Stephanie James, Courtney J. Martin, Amy M. Mooney, Nancy Sojka
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引用次数: 0
Collecting African American Art at the Detroit Institute of Arts 在底特律艺术学院收藏非裔美国人的艺术品
Bulletin of the Detroit Institute of Arts Pub Date : 2012-01-01 DOI: 10.1086/dia43492321
Valerie J. Mercer
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引用次数: 0
African American Artists Gain Access to the Fine Art Professions 非裔美国艺术家获得进入美术行业的机会
Bulletin of the Detroit Institute of Arts Pub Date : 2012-01-01 DOI: 10.1086/dia43492323
Valerie J. Mercer, K. Buick
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引用次数: 1
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