Valerie J. Mercer, Mora J. Beauchamp-Byrd, Mary Wilkinson, Stephanie James, Nancy Sojka, Courtney J. Martin
{"title":"当代非裔美国人艺术的多样性","authors":"Valerie J. Mercer, Mora J. Beauchamp-Byrd, Mary Wilkinson, Stephanie James, Nancy Sojka, Courtney J. Martin","doi":"10.1086/DIA43492327","DOIUrl":null,"url":null,"abstract":"Following were exposed World to War a wide II, range African of American influences artists a they gained entry to American art schools and art programs in colleges and universities and were able to study abroad, especially in Paris. As students, they were taught and mentored by some of the leading artists of the time. In succeeding decades, works by African Americans increasingly reflected various approaches and styles prevalent in American art, such as abstraction, the use of nontraditional materials to create fine art, the reconsideration of the figure, and the expression of a wide range of interests through choice of subject matter, which was not always about race.","PeriodicalId":36609,"journal":{"name":"Bulletin of the Detroit Institute of Arts","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2012-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/DIA43492327","citationCount":"0","resultStr":"{\"title\":\"Diversity of Contemporary African American Art\",\"authors\":\"Valerie J. Mercer, Mora J. Beauchamp-Byrd, Mary Wilkinson, Stephanie James, Nancy Sojka, Courtney J. Martin\",\"doi\":\"10.1086/DIA43492327\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Following were exposed World to War a wide II, range African of American influences artists a they gained entry to American art schools and art programs in colleges and universities and were able to study abroad, especially in Paris. As students, they were taught and mentored by some of the leading artists of the time. In succeeding decades, works by African Americans increasingly reflected various approaches and styles prevalent in American art, such as abstraction, the use of nontraditional materials to create fine art, the reconsideration of the figure, and the expression of a wide range of interests through choice of subject matter, which was not always about race.\",\"PeriodicalId\":36609,\"journal\":{\"name\":\"Bulletin of the Detroit Institute of Arts\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2012-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/DIA43492327\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin of the Detroit Institute of Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/DIA43492327\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of the Detroit Institute of Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/DIA43492327","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Following were exposed World to War a wide II, range African of American influences artists a they gained entry to American art schools and art programs in colleges and universities and were able to study abroad, especially in Paris. As students, they were taught and mentored by some of the leading artists of the time. In succeeding decades, works by African Americans increasingly reflected various approaches and styles prevalent in American art, such as abstraction, the use of nontraditional materials to create fine art, the reconsideration of the figure, and the expression of a wide range of interests through choice of subject matter, which was not always about race.