Muzealnictwo最新文献

{"title":"REFLEKSJE PO 43.EDYCJI KONKURSU NAWYDARZENIE MUZEALNEROKU SYBILLA 2022","authors":"Michał F. Woźniak","doi":"10.5604/01.3001.0053.8702","DOIUrl":"https://doi.org/10.5604/01.3001.0053.8702","url":null,"abstract":"-","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135369181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"O MĄDRĄ REFLEKSJĘNAD PRZYSZŁOŚCIĄ.SERIA „POMNIKIMUZEALNICTWAPOLSKIEGO” NIMOZ I PIW","authors":"Aldona Tołysz","doi":"10.5604/01.3001.0053.8608","DOIUrl":"https://doi.org/10.5604/01.3001.0053.8608","url":null,"abstract":"-","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136242552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"WORLD HISTORY OF THE MUSEUM: KRZYSZTOFPOMIAN’S STORY OF THE WORLD OF PEOPLEAND OBJECTS (1)","authors":"Tomasz F. de Rosset","doi":"10.5604/01.3001.0053.8607","DOIUrl":"https://doi.org/10.5604/01.3001.0053.8607","url":null,"abstract":"In spring 2023, the Gdansk publishers: słowo/obraz terytoria released the first volume of Krzysztof Pomian’sstudy Muzeum. Historia światowa [World History of theMuseum]. It launches the Polish edition of the monumentalthree-volume work published by Éditions Gallimard in Pariswhich is the first study of the universal history of the museum.This is more than a book, it’s a monument! (Plus qu’un livre,un monument!) is what Fabien Simode wrote in the l’OEilmonthly (March 2021). At present rarely are such historicallybroad studies released, possibly because of authors’ fear ofbeing potentially accused of postmodernist meta-narrative.In this case, the work is a comprehensive synthesis in view ofthe entailed chronology, geography, and thematic range. Thediscussed volume Od skarbca do muzeum [From a TreasureChamber to the Museum] recently published for Polish readerstackles the process of European collectorship crystalizingand first museums being its consequence, mainly Italian andseveral northern ones, from the Capitoline Museum in Rome(1471) up to London’s British Museum (1753). Subsequentvolumes are already being prepared. Titled L’ancrage européen,1789–1850, the second one is dedicated to the historyof the museum consolidating into a permanent and significantelement of European culture, close to the institution weknow today: started by the revolutionary Louvre (1793), thishistory is created by the vast part of the major museums oftoday’s Western Europe. Finally, volume three A la conquêtedu monde, 1850–2020 is the most extensive of them all bothchronologically and territorially, as well as in view of the numberof museums and their activity discussed. Author’s considerationsencompass museums’ expansion to Eastern Europeincluding Russia, and then eventually to the rest of the world:Asia, Africa, both Americas, mainly the territories connectedwith the West through colonial bonds; the United States, beingthe area where today’s dominating world centres havebeen formed, is analysed separately. At that point the book’stitle: world history, gains its full relevance, and relates both tothe interwar period in the democratic and totalitarian world,WW II, and to the long contemporary era.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"104 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136242558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CARL FRIEDRICH SCHULZ’S PAINTINGRE-DISCOVERED AT THE MUSEUM OF POST ANDTELECOMMUNICATION IN WROCLAW","authors":"Tomasz Suma, Agata Matyschok-Nyckowska","doi":"10.5604/01.3001.0053.7751","DOIUrl":"https://doi.org/10.5604/01.3001.0053.7751","url":null,"abstract":"The story of a painting by Carl Friedrich Schulz(1796–1866) from the collection of the Museum of Postand Telecommunication in Wroclaw is discussed. The workhas not as yet been presented to the public; neither has itbeen the object of researchers’ interest. Until the momentwhen this paper was written it had remained unstudied asfor its provenance and had not featured in any catalogueof artworks of Polish artistic collections. The paper is thusthe first presentation of Schulz’s painting being the resultof the investigation of Museum’s curators aiming at identifyingthe provenance and attribution of the previously unknownwork.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"70 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135066337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KRYPTONIM „MUZEUM”I INNE… O MOŻLIWOŚCIWYKORZYSTANIA ŹRÓDEŁZGROMADZONYCHW INSTYTUCIE PAMIĘCINARODOWEJ DO BADAŃNAD DZIEJAMI POLSKIEGOMUZEALNICTWAPO ROKU 1945","authors":"Piotr Majewski","doi":"10.5604/01.3001.0053.7679","DOIUrl":"https://doi.org/10.5604/01.3001.0053.7679","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139356138","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CONTRACTS IN MUSEUM OPERATIONS.PUBLIC-LAW ASPECTS","authors":"Adam Barbasiewicz","doi":"10.5604/01.3001.0053.7586","DOIUrl":"https://doi.org/10.5604/01.3001.0053.7586","url":null,"abstract":"In 2022, the Wydawnictwo UniwersytetuGdańskiego published Umowy w działalności muzeów.Zagadnienia publicznoprawne [Contracts in MuseumOperations. Public-law Aspects] by Paulina Gwoździewicz-Matan. It is a supplement to the book by Paulina Gwoździewicz-Matan. Iwona Gredka-Ligarska, and Prof. Wojciech W. KowalskiUmowy w działalności muzeów. Prawo cywilne. Prawo autorskie[Contracts in Museum Operations. Civil Law. Copyright].The study’s Author does not deal with the application of thecorpus of public law to museum operations, but with the selectedissues related to the specificity of museums’ activityaimed at amassing and protecting collections. The first sectionsof the study tackle the legal status of museums and theimpact of subsequent regulations of public law on the contractsconcluded by museums, beginning with the basic act,namely the Act on Museums. Subsequently, the Author proceedsto analysing the Act of 11 September 2019 on PublicProcurement Law as well as fiscal regulations in the contextof such contracts. In the following chapters, the applicationof the provisions of the Act on the Security of Personal Dataand regulations concerning the disclosure of contracts by themuseums which are public sector units are discussed. A valuablecomplement to the study can be found in a set of contracttemplates contained in an Annex; they actually translate intothe summing up of the conclusions presented in the study andalso resulting from the study Contracts in Museum Operations.Civil Law. Copyright. The Annex contains the set of contracttemplates most frequently used by museums. The discussedstudy should be found in the book collection of every individualdealing with the legal aspects of museum operations.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"64 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139357339","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"CREATION AND SALE OF NFTS AS ANOPPORTUNITY AND CHALLENGE FORCONTEMPORARY MUSEUMS","authors":"Olivia Rybak-Karkosz","doi":"10.5604/01.3001.0053.7143","DOIUrl":"https://doi.org/10.5604/01.3001.0053.7143","url":null,"abstract":"NFT gained widespread popularity in 2021, andworld museums are the ones that have taken an interestin it. It was due to the financial problems caused by theCOVID-19 pandemic. Creating an NFT of the museumsartwork and its sale is to be one of the solutions. In thispaper, the Author analyses challenges and opportunitiesregarding the creation and sale of NFTs by museums inthe eyes of Article 9 of the Act on Museums. This artilesemphasizes selected opportunities and challenges, suchas the instability of the value of cryptocurrency, viewersinterest in NFTs, the correlation between the ownership ofan NFT and the museums artwork, and, last but not least,the equipment and staffing requirements. Before makingthe final decision, museums would have to face them. Thepenultimate part of the paper includes Polish museumprofessionals opinions on this topic.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44511388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"HISTORY IN SCRAPS OF FABRIC. ON THEPROVENANCE OF SOME DOZEN FRAGMENTSOF LATE ANTIQUITY TEXTILES AT THEJAGIELLONIAN UNIVERSITY MUSEUM","authors":"Anna Głowa","doi":"10.5604/01.3001.0053.5980","DOIUrl":"https://doi.org/10.5604/01.3001.0053.5980","url":null,"abstract":"The importance of provenance research forplacing objects of originally unknown origins within a widerhistorical context is discussed. The issue is tackled on theexample of a less known group of historic objects at theJagiellonian University Museum: several dozens fragmentsof textiles from Egypt dating from Late Antiquity.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41960069","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MUSEUM OF THE SANDOMIERZ REGION:GENESIS AND DEVELOPMENT","authors":"Tomisław Giergiel","doi":"10.5604/01.3001.0053.5960","DOIUrl":"https://doi.org/10.5604/01.3001.0053.5960","url":null,"abstract":"The Museum of the Sandomierz Region wasone of the more thriving tourism-and-sightseeing-relatedinstitutions of the Second Polish Republic. The papers aimis to show the history of its establishment and developmentin the first years of its operation, previously in literatureshown only in very general terms, without resorting to allthe sources. The first historic piece: an urn excavated closeto Linw was donated for the collection by AleksanderPatkowski nicknamed father of Polish regionalism.An attempt is made to reconstruct the foundation ofthe Museums first collection. Table 1 shows the dynamicsof the acquisitions in subsequent years. Apart from singledonations, Museums heritage pieces came from amateurexcavations or individual donors, and with time artefacts wereprovided mainly by professional archaeological research. Theartefacts were considered worthy of display, that is why, in1921, the Museum was opened in a provisional facility. In 1923,a catalogue of the archaeological collection was published.The Museum proved to be successful logistically and interms of tourism and regionalism, this demonstrated by theturnout in the first years of its operation shown in Table 2. Theproblem of the lack of Museums permanent seat was solvedthrough acquiring a plot of land and having its own premisesraised. The story of the opening of the seat of the branch ofthe Polish Tourist and Sightseeing Society, PTK, and of theMuseum of the Sandomierz Region in 1925 is presented inthe paper. It was the first in Poland building owned by PTK,and the Museum took up much of its space. The processof organizing the institution climaxed with a permanentexhibition having been opened to the public. The Museumof the Sandomierz Region was the fourteenth institution ofthe type run by PTK after 1918. In the 1930s, it turned intoan icon of Polish tourism-and-sightseeing-related museology,while the presented reconstruction of its beginning revealsnumerous facts from the history of the activity of Polishsociety in the independent state.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43559762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"DESIGNING MUSEUM EXHIBITIONSCOMMUNICATION: REPORT AND RESEARCHANALYSIS","authors":"K. Mieczkowska","doi":"10.5604/01.3001.0053.4737","DOIUrl":"https://doi.org/10.5604/01.3001.0053.4737","url":null,"abstract":"Between March and August 2022, the NationalMuseum in Lublin mounted the first in Poland exhibition ofthe Polish painter Tamara Lempicka. The number of publicwho visited it reached 86,667, which made it an event of thehighest turn-out in Poland.An attempt to analyse the wonder of Lempickas communicationsuccess, the unwavering interest in her personalityand art, has been made by the Author. This effortwas helped through reaching the current carriers of herbrand, namely contemporary fashion designers, authorsof adverts, films, or literature pieces. The Author analysedthe results of the research conducted during the Exhibition,amounting to 1,544 surveys in total. The studys purposewas to verify publics satisfaction, locations visitors hadcome from, source of information on the Exhibition, efficiencyof the Museums communication endeavours,and the publics profile. The visitors considered thefollowing to have been the Exhibitions strongest points(by order of preference); exhibits, topic, layout, narrative,curators concept, and the design. Interestingly, when theExhibition was open to the public and the advertising andinforming campaign was being implemented, the administratorsof social media observed a significant increase inthe number of visitors, The Facebook profile witnessed theincrease by 54.8 per cent versus the previous five months,while the Instagram accounts visits grew by as many as202.6 per cent.Furthermore, also the campaign promoting the eventwas analysed; it was not limited either to the Internet orexternal advertising, but was also conducted at the venuewhere the Exhibition was held. The power of socialmedia was efficiently used and consciously managed by theExhibition organizers, which substantially contributed to popularizingthe project.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49337697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}