{"title":"博物馆的世界历史:krzysztofpomian关于人与物的世界的故事(1)","authors":"Tomasz F. de Rosset","doi":"10.5604/01.3001.0053.8607","DOIUrl":null,"url":null,"abstract":"In spring 2023, the Gdansk publishers: słowo/obraz terytoria released the first volume of Krzysztof Pomian’sstudy Muzeum. Historia światowa [World History of theMuseum]. It launches the Polish edition of the monumentalthree-volume work published by Éditions Gallimard in Pariswhich is the first study of the universal history of the museum.This is more than a book, it’s a monument! (Plus qu’un livre,un monument!) is what Fabien Simode wrote in the l’OEilmonthly (March 2021). At present rarely are such historicallybroad studies released, possibly because of authors’ fear ofbeing potentially accused of postmodernist meta-narrative.In this case, the work is a comprehensive synthesis in view ofthe entailed chronology, geography, and thematic range. Thediscussed volume Od skarbca do muzeum [From a TreasureChamber to the Museum] recently published for Polish readerstackles the process of European collectorship crystalizingand first museums being its consequence, mainly Italian andseveral northern ones, from the Capitoline Museum in Rome(1471) up to London’s British Museum (1753). Subsequentvolumes are already being prepared. Titled L’ancrage européen,1789–1850, the second one is dedicated to the historyof the museum consolidating into a permanent and significantelement of European culture, close to the institution weknow today: started by the revolutionary Louvre (1793), thishistory is created by the vast part of the major museums oftoday’s Western Europe. Finally, volume three A la conquêtedu monde, 1850–2020 is the most extensive of them all bothchronologically and territorially, as well as in view of the numberof museums and their activity discussed. Author’s considerationsencompass museums’ expansion to Eastern Europeincluding Russia, and then eventually to the rest of the world:Asia, Africa, both Americas, mainly the territories connectedwith the West through colonial bonds; the United States, beingthe area where today’s dominating world centres havebeen formed, is analysed separately. At that point the book’stitle: world history, gains its full relevance, and relates both tothe interwar period in the democratic and totalitarian world,WW II, and to the long contemporary era.","PeriodicalId":36577,"journal":{"name":"Muzealnictwo","volume":"104 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-08-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"WORLD HISTORY OF THE MUSEUM: KRZYSZTOFPOMIAN’S STORY OF THE WORLD OF PEOPLEAND OBJECTS (1)\",\"authors\":\"Tomasz F. de Rosset\",\"doi\":\"10.5604/01.3001.0053.8607\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In spring 2023, the Gdansk publishers: słowo/obraz terytoria released the first volume of Krzysztof Pomian’sstudy Muzeum. Historia światowa [World History of theMuseum]. It launches the Polish edition of the monumentalthree-volume work published by Éditions Gallimard in Pariswhich is the first study of the universal history of the museum.This is more than a book, it’s a monument! (Plus qu’un livre,un monument!) is what Fabien Simode wrote in the l’OEilmonthly (March 2021). At present rarely are such historicallybroad studies released, possibly because of authors’ fear ofbeing potentially accused of postmodernist meta-narrative.In this case, the work is a comprehensive synthesis in view ofthe entailed chronology, geography, and thematic range. Thediscussed volume Od skarbca do muzeum [From a TreasureChamber to the Museum] recently published for Polish readerstackles the process of European collectorship crystalizingand first museums being its consequence, mainly Italian andseveral northern ones, from the Capitoline Museum in Rome(1471) up to London’s British Museum (1753). Subsequentvolumes are already being prepared. Titled L’ancrage européen,1789–1850, the second one is dedicated to the historyof the museum consolidating into a permanent and significantelement of European culture, close to the institution weknow today: started by the revolutionary Louvre (1793), thishistory is created by the vast part of the major museums oftoday’s Western Europe. Finally, volume three A la conquêtedu monde, 1850–2020 is the most extensive of them all bothchronologically and territorially, as well as in view of the numberof museums and their activity discussed. Author’s considerationsencompass museums’ expansion to Eastern Europeincluding Russia, and then eventually to the rest of the world:Asia, Africa, both Americas, mainly the territories connectedwith the West through colonial bonds; the United States, beingthe area where today’s dominating world centres havebeen formed, is analysed separately. 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引用次数: 0
摘要
2023年春,格但斯克出版社:słowo/obraz terytoria出版了krzysztofpomian的研究博物馆第一卷。Historia światowa[博物馆的世界历史]。它推出了由Éditions Gallimard在巴黎出版的具有纪念意义的三卷本作品的波兰版,这是该博物馆全球历史的第一次研究。这不仅仅是一本书,更是一座纪念碑!(Plus qu 'un livre,un monument!)这是法比安·西莫德(Fabien Simode)在《l ' eilmonthly》(2021年3月)上写的。目前很少有如此广泛的历史研究发表,可能是因为作者担心被指责为后现代主义元叙事。在这种情况下,鉴于所涉及的时间、地理和主题范围,这项工作是一个全面的综合。最近为波兰读者出版的讨论卷《从宝库到博物馆》(Od skarbca do Museum)讲述了欧洲收藏的结晶过程,以及由此产生的首批博物馆,主要是意大利和几个北方博物馆,从罗马的卡比托利欧博物馆(1471年)到伦敦的大英博物馆(1753年)。后续卷已经在准备中。第二个展览名为《欧洲大革命,1789-1850》,致力于博物馆成为欧洲文化永久重要元素的历史,接近我们今天所知道的机构:由革命性的卢浮宫(1793)开始,这段历史是由今天西欧大部分主要博物馆创造的。最后,第三卷《A la conquêtedu monde, 1850-2020》在时间和地域上都是最广泛的,同时考虑到博物馆的数量及其所讨论的活动。作者考虑了罗盘博物馆向东欧(包括俄罗斯)的扩张,然后最终扩展到世界其他地区:亚洲、非洲、两个美洲,主要是通过殖民关系与西方相连的地区;美国是当今主要的世界中心形成的地区,因此要单独分析。在这一点上,这本书的标题:世界历史,获得了充分的相关性,并涉及到民主和极权世界的两次世界大战之间的时期,第二次世界大战,以及漫长的当代时代。
WORLD HISTORY OF THE MUSEUM: KRZYSZTOFPOMIAN’S STORY OF THE WORLD OF PEOPLEAND OBJECTS (1)
In spring 2023, the Gdansk publishers: słowo/obraz terytoria released the first volume of Krzysztof Pomian’sstudy Muzeum. Historia światowa [World History of theMuseum]. It launches the Polish edition of the monumentalthree-volume work published by Éditions Gallimard in Pariswhich is the first study of the universal history of the museum.This is more than a book, it’s a monument! (Plus qu’un livre,un monument!) is what Fabien Simode wrote in the l’OEilmonthly (March 2021). At present rarely are such historicallybroad studies released, possibly because of authors’ fear ofbeing potentially accused of postmodernist meta-narrative.In this case, the work is a comprehensive synthesis in view ofthe entailed chronology, geography, and thematic range. Thediscussed volume Od skarbca do muzeum [From a TreasureChamber to the Museum] recently published for Polish readerstackles the process of European collectorship crystalizingand first museums being its consequence, mainly Italian andseveral northern ones, from the Capitoline Museum in Rome(1471) up to London’s British Museum (1753). Subsequentvolumes are already being prepared. Titled L’ancrage européen,1789–1850, the second one is dedicated to the historyof the museum consolidating into a permanent and significantelement of European culture, close to the institution weknow today: started by the revolutionary Louvre (1793), thishistory is created by the vast part of the major museums oftoday’s Western Europe. Finally, volume three A la conquêtedu monde, 1850–2020 is the most extensive of them all bothchronologically and territorially, as well as in view of the numberof museums and their activity discussed. Author’s considerationsencompass museums’ expansion to Eastern Europeincluding Russia, and then eventually to the rest of the world:Asia, Africa, both Americas, mainly the territories connectedwith the West through colonial bonds; the United States, beingthe area where today’s dominating world centres havebeen formed, is analysed separately. At that point the book’stitle: world history, gains its full relevance, and relates both tothe interwar period in the democratic and totalitarian world,WW II, and to the long contemporary era.