博物馆展览设计传播:报告与研究分析

Q3 Arts and Humanities
K. Mieczkowska
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引用次数: 2

摘要

2022年3月至8月,卢布林国家博物馆举办了波兰画家塔玛拉·伦皮卡在波兰的首次展览。参观的公众人数达到86667人,这使它成为波兰最受欢迎的活动。作者试图分析伦皮卡成功传播的奇迹,以及对她的个性和艺术的坚定兴趣。这一努力得益于herbrand目前的载体,即当代时装设计师、广告、电影或文学作品的作者。作者对展览期间的研究结果进行了分析,共进行了1544次调查。这项研究的目的是验证公众的满意度、游客的来源、展览信息来源、博物馆沟通工作的效率以及公众的形象。参观者认为以下是展览的亮点(按偏好排序);展品、主题、布局、叙事、策展人概念和设计。有趣的是,当展览向公众开放,广告和宣传活动正在实施时,社交媒体管理员观察到访客数量显著增加。Facebook个人资料比前五个月增加了54.8%,而Instagram账户的访问量则增长了202.6%。此外,还分析了宣传活动;它不仅限于互联网或外部广告,而且还在展览举办地进行。展览组织者有效地利用和有意识地管理了社交媒体的力量,为项目的推广做出了重大贡献。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
DESIGNING MUSEUM EXHIBITIONSCOMMUNICATION: REPORT AND RESEARCHANALYSIS
Between March and August 2022, the NationalMuseum in Lublin mounted the first in Poland exhibition ofthe Polish painter Tamara Lempicka. The number of publicwho visited it reached 86,667, which made it an event of thehighest turn-out in Poland.An attempt to analyse the wonder of Lempickas communicationsuccess, the unwavering interest in her personalityand art, has been made by the Author. This effortwas helped through reaching the current carriers of herbrand, namely contemporary fashion designers, authorsof adverts, films, or literature pieces. The Author analysedthe results of the research conducted during the Exhibition,amounting to 1,544 surveys in total. The studys purposewas to verify publics satisfaction, locations visitors hadcome from, source of information on the Exhibition, efficiencyof the Museums communication endeavours,and the publics profile. The visitors considered thefollowing to have been the Exhibitions strongest points(by order of preference); exhibits, topic, layout, narrative,curators concept, and the design. Interestingly, when theExhibition was open to the public and the advertising andinforming campaign was being implemented, the administratorsof social media observed a significant increase inthe number of visitors, The Facebook profile witnessed theincrease by 54.8 per cent versus the previous five months,while the Instagram accounts visits grew by as many as202.6 per cent.Furthermore, also the campaign promoting the eventwas analysed; it was not limited either to the Internet orexternal advertising, but was also conducted at the venuewhere the Exhibition was held. The power of socialmedia was efficiently used and consciously managed by theExhibition organizers, which substantially contributed to popularizingthe project.
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来源期刊
Muzealnictwo
Muzealnictwo Arts and Humanities-Museology
CiteScore
0.30
自引率
0.00%
发文量
24
审稿时长
8 weeks
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