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NOSSA SENHORA DO DESTERRO DE LISBOA: DEPOIS DE CONVENTO E HOSPITAL, QUE FUTURO? 里斯本放逐圣母:在修道院和医院之后，未来是什么?
ARTis ON Pub Date : 2020-12-29 DOI: 10.37935/aion.v0i10.273
C. M. Soares, Maria João Baptista Neto, Ana Mehnert Pascoal, J. Cunha
{"title":"NOSSA SENHORA DO DESTERRO DE LISBOA: DEPOIS DE CONVENTO E HOSPITAL, QUE FUTURO?","authors":"C. M. Soares, Maria João Baptista Neto, Ana Mehnert Pascoal, J. Cunha","doi":"10.37935/aion.v0i10.273","DOIUrl":"https://doi.org/10.37935/aion.v0i10.273","url":null,"abstract":"O Hospital do Desterro, situado na Colina de Santana, em Lisboa, foi desativado em 2007, depois de ter sido um hospital de referência no domínio das doenças venéreas e da dermatologia durante mais de 150 anos. O edifício, concebido como mosteiro da ordem de Cister, em fi nais do século XVI, transporta consigo vários séculos de história, mas cuja coerência arquitetónica, as suas múltiplas utilizações tenderam a diluir. Alvo de um recente projeto de reutilização multifuncional de habitação, turismo, lazer e saúde, depois de largas décadas de discussão sobre a inadequabilidade das instalações para uso hospitalar, o debate voltou-se para a salvaguarda do edifício, com novas funções, e para a defesa dos seus valores históricos e patrimoniais. O presente estudo procura trazer novos dados históricos e novas leituras sobre o edifício do antigo Real Mosteiro de Nossa Senhora do Desterro, em particular para as duas últimas centúrias, enquanto as obras se mantêm suspensas e o seu futuro em aberto.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"23 6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123973305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Escrituras Monumentales y Arquitecturas Hospitalarias en la Península Ibérica (siglos XV-XVI)
ARTis ON Pub Date : 2020-12-28 DOI: 10.37935/aion.v0i10.262
Raúl Villagrasa-Elías
{"title":"Escrituras Monumentales y Arquitecturas Hospitalarias en la Península Ibérica (siglos XV-XVI)","authors":"Raúl Villagrasa-Elías","doi":"10.37935/aion.v0i10.262","DOIUrl":"https://doi.org/10.37935/aion.v0i10.262","url":null,"abstract":"Este artículo analiza la evolución y relación de diferentes elementos comunicativos en fachadas hospitalarias de la península ibérica durante los siglos XV y XVI. La iconografía estuvo presente para la identificación de estas instituciones dentro del entramado urbano, mientras que la heráldica se utilizó como una extensión representativa de los patrocinadores. A ello se añadió la utilización de escrituras monumentales con grafías góticas y humanísticas y funciones identificativas y conmemorativas. Este proceso de integración y diálogo de la escritura junto a la heráldica y la iconografía derivó en la incorporación de emblemas por parte de los hospitales, un símbolo propio que aglutinó múltiples significados.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121601443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
AN ACCOUNT OF MICHAEL FRIED’S GROUP DISCUSSION WITH FLUL’S PHD STUDENTS FROM ART HISTORY AND THEORY OF LITERATURE 迈克尔·弗里德与富尔的艺术史和文学理论博士生的小组讨论
ARTis ON Pub Date : 2019-12-26 DOI: 10.37935/AION.V0I9.251
T. Neto
{"title":"AN ACCOUNT OF MICHAEL FRIED’S GROUP DISCUSSION WITH FLUL’S PHD STUDENTS FROM ART HISTORY AND THEORY OF LITERATURE","authors":"T. Neto","doi":"10.37935/AION.V0I9.251","DOIUrl":"https://doi.org/10.37935/AION.V0I9.251","url":null,"abstract":"The modernist Art critic and Art historian Michael Fried was the fi rst invited speaker to the Lisbon Lectures in the Humanities, promoted by the School of Humanities of the University of Lisbon. Before presenting his conference ‘Facingness Meets Mindedness: On Manet’s Luncheon in the Studio and The Balcony’ regarding two paintings by Édouard Manet, Fried was also present in a fruitful group discussion with PhD students from Art History and Theory of Literature. The Art History doctoral candidates were able to present their questions, prepared beforehand in work sessions with Professor Pedro Lapa, regarding Professor Fried’s extensive body of work. By focusing mainly on his views as a critic, these notes by no means exhaust the matter, and will surely be be followed by more in-depth incursions of it. Many other matters came up during this discussion, such as Michael Fried’s historical investigations into Courbet, Manet, Caravaggio, and others. This brief account intends to give notice of this session and share it with the academic community, divulging Michael Fried’s coming to Portugal and his ideas.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116533919","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
CRITICAL DISCOURSE OF AFRICAN VERNACULAR ROOTED IMAGERIES IN PITIKA NTULI’S SCULPTURES 非洲方言的批评话语根植于皮蒂卡·图里的雕塑形象
ARTis ON Pub Date : 2019-12-26 DOI: 10.37935/AION.V0I9.246
S. James
{"title":"CRITICAL DISCOURSE OF AFRICAN VERNACULAR ROOTED IMAGERIES IN PITIKA NTULI’S SCULPTURES","authors":"S. James","doi":"10.37935/AION.V0I9.246","DOIUrl":"https://doi.org/10.37935/AION.V0I9.246","url":null,"abstract":"My paper presents a critical discourse on African vernacular rooted imageries in the contemporary sculptures of Ntuli, the ideas they convey to viewers and how Africanness is indicated in each depiction produced between 2007 and 2016. I read Ntuli’s contemporary sculptures as African vernacular rooted because he appropriates in them cultural imageries from engagement with African contexts. Five images of his sculptures and installations were purposively selected for thematic and visual analysis. I adopt visual hermeneutics theory, formal analysis and cultural history methods for the reading of each work. The narrative reveals that Ntuli’s vernacular imageries reflects black South African men and a woman rooted in past and present socio-political events in South Africa. The thematic interpretations of the imageries reveal ideas on massacre not merely during apartheid but in post-apartheid South Africa, torture of victims detained without trial, anti-racialism and reflection on a historical hero from Zulu culture.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134543572","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
THE IMAGE OF ART BETWEEN IDEOLOGY AND MODERNITY. ELBLĄG BIENNALES OF SPATIAL FORMS IN 1960’S POLAND 意识形态与现代性之间的艺术形象。ElblĄg 1960年代波兰的空间形式双年展
ARTis ON Pub Date : 2019-12-26 DOI: 10.37935/AION.V0I9.242
Elżbieta Błotnicka-Mazur
{"title":"THE IMAGE OF ART BETWEEN IDEOLOGY AND MODERNITY. ELBLĄG BIENNALES OF SPATIAL FORMS IN 1960’S POLAND","authors":"Elżbieta Błotnicka-Mazur","doi":"10.37935/AION.V0I9.242","DOIUrl":"https://doi.org/10.37935/AION.V0I9.242","url":null,"abstract":"In 1965 Gerard Kwiatkowski and Marian Bogusz organized the fi rst of the Spatial Forms Biennales in Elbląg – a city based in the so-called “Recovered Territories”. Selected artists, supported by ZAMECH mechanical plant and with the permission of the communist authorities, created several dozen huge metal sculptures known as “Spatial Forms”. This was the biggest experiment combining art and industry in Poland or even in Europe. The aim of the article is to juxtapose the role of this phenomenon, namely how the creators of the Biennales found a balance between artistic freedom and political limitations, these limitations were forced upon the artists in a way that might prompt one to recall, Foucault’s manner of “discipline” (Foucault, 1973). The author of the article also touches upon the question of the contemporary view of the Elbląg Biennale from the perspective of the avant-garde myth of social and collective participation in artistic creation.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"88 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124738753","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
JANELAS E PORTAS DA RESIDÊNCIA E ADMINISTRAÇÃO DOS GOVERNADORES DO GRÃO-PARÁ: O MOVIMENTO DAS IMAGENS EM ANTÔNIO JOSÉ LANDI grao - para州长住宅和行政管理的门窗:antonio jose LANDI中的图像运动
ARTis ON Pub Date : 2019-12-26 DOI: 10.37935/AION.V0I9.237
Mateus Carvalho Nunes, E. Trindade
{"title":"JANELAS E PORTAS DA RESIDÊNCIA E ADMINISTRAÇÃO DOS GOVERNADORES DO GRÃO-PARÁ: O MOVIMENTO DAS IMAGENS EM ANTÔNIO JOSÉ LANDI","authors":"Mateus Carvalho Nunes, E. Trindade","doi":"10.37935/AION.V0I9.237","DOIUrl":"https://doi.org/10.37935/AION.V0I9.237","url":null,"abstract":"Investiga-se neste trabalho, a partir de uma perspectiva trans-histórica, como o arquiteto bolonhês Antônio José Landi (1713-1791) manejou modelos de matrizes ornamentais italianas de diferentes temporalidades e tradições estilísticas em seus desenhos para os projetos da Residência e Administração dos Governadores do Grão-Pará entre 1759 e 1767, na operação imagética de seu pathosformel. O trabalho analisa uma pequena seleção de duas pranchas que contêm desenhos de portas e janelas em elevação, executados por Landi no Brasil, parte da coletânea de desenhos dos projetos para a edifi cação, em comparação com 50 gravuras executadas como exercício profi ssional do arquiteto na Itália. Estas gravuras compõem um conjunto de imagens feitas a partir de desenhos de artistas italianos de destaque nos séculos XVI a XVIII, imagens sobreviventes que Landi escolheu ativamente como suas próprias referências a serem manejadas para constituição de sua própria identidade projetual.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"59 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114076186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
FICHA TÉCNICA 首页的
ARTis ON Pub Date : 2019-03-15 DOI: 10.37935/aion.v0i3.228
C. M. Soares
{"title":"FICHA TÉCNICA","authors":"C. M. Soares","doi":"10.37935/aion.v0i3.228","DOIUrl":"https://doi.org/10.37935/aion.v0i3.228","url":null,"abstract":"Glycerin: (CAS number: 56-81-5 / EINECS number: 200-289-5) = % > 39,9% Aqua: (CAS number: 7732-18-5 / EINECS number: 231-791-2 ) = % > 39,9% * Crocus Sativus extract (CAS number : 84604-17-1 / EINECS number 283-295-0) = % < 20% * Potassium sorbate (CAS number : 24634-61-5 / EINECS number 246-376-1)=% >= 0,3 * Sodium Benzoate ((CAS number : 532-32-1 / EINECS number 208-534-8)=% >= 0,5 * Sustancia natural compleja (100% pura y natural). Producto obtenido de la agricultura ecológica certificado ES-ECO-027-RI EU AGRICULTURE","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"155 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127350961","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
PORTUGUESE AZULEJOS AND OTHER NATIONAL ARTS 葡萄牙azulejos和其他民族艺术
ARTis ON Pub Date : 2018-12-30 DOI: 10.37935/aion.v0i8.213
Nuno Rosmaninho
{"title":"PORTUGUESE AZULEJOS AND OTHER NATIONAL ARTS","authors":"Nuno Rosmaninho","doi":"10.37935/aion.v0i8.213","DOIUrl":"https://doi.org/10.37935/aion.v0i8.213","url":null,"abstract":"In this article I intend to link the identity appropriation of the azulejo to a source common to most artistic discourse in the nineteenth and twenty-first centuries. I am convinced the national assumptions concerning the azulejo followed six phases which I have linked to different identity mutations that could be summarized as unceasing historicist approaches, which are characterological and long-term. Historicism prevailed until the end of the nineteenth century. A passion for characterological principles followed, which was conveyed by Reynaldo dos Santos with unsurpassable strength. However, when the Estado Novo’s identity pattern started to decline, art historians focused on researching unchanged structures. First, traces of Portuguese originality, though ephemeral, were sought after. Second, researchers attempted to show that the azulejo is an expression of Portuguese sensibility which, with its ups and downs, remained throughout the centuries. Third, by inventorying and analysing, they tried to integrate the azulejo in the structural attributes of Portuguese art.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116315414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
SANTOS SIMÕES AND THE AZULEJO IDENTITY IN PORTUGAL 桑托斯simÕes和葡萄牙的阿祖莱霍身份
ARTis ON Pub Date : 2018-12-30 DOI: 10.37935/AION.V0I8.216
J. Monteiro
{"title":"SANTOS SIMÕES AND THE AZULEJO IDENTITY IN PORTUGAL","authors":"J. Monteiro","doi":"10.37935/AION.V0I8.216","DOIUrl":"https://doi.org/10.37935/AION.V0I8.216","url":null,"abstract":"The present article focuses on the work of João Miguel dos Santos Simões (1907-1972), a researcher, historian, scholar and promoter of Portuguese azulejos and their use in Portugal, as well as the founder of the National Azulejo Museum. Santos Simões played a very important role in the identification both of the azulejo’s specific characteristics and of their use in Portugal. He was, in the 20th century, one of the most important promoters of the azulejo as a distinctly Portuguese art form. His main theoretical contribution concerns the recognition of the azulejo’s unique expression in Portugal — and, by extension, in Brazil. Its use gave rise to monumental decorations and helped shape the architecture in original ways. Apart from identifying the main characteristics of the use of azulejos in Portugal, Santos Simões also compared it to the situation in other countries, namely in Spain. Moreover, he studied the azulejo as a touristic phenomenon, a subject whose topicality warrants, according to the author of the present article, a detailed examination.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"56 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123369876","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
THE CONTEMPORARY AZULEJO: AN IDENTITY ISSUE? 当代azulejo:身份问题?
ARTis ON Pub Date : 2018-12-30 DOI: 10.37935/aion.v0i8.221
Inês Leitão
{"title":"THE CONTEMPORARY AZULEJO: AN IDENTITY ISSUE?","authors":"Inês Leitão","doi":"10.37935/aion.v0i8.221","DOIUrl":"https://doi.org/10.37935/aion.v0i8.221","url":null,"abstract":"One of the aspects that has supported the idea of the azulejo (tile) as a cultural heritage of the Portuguese identity is its continuous employment since the end of the fifteenth century until today, now having become a part of the projects of artists, architects and designers. This article seeks to ponder upon the relationship that contemporary authors have established, or not, with this appreciation of the azulejo as an art connected to identity, discerning the reasons that have led them to select it for their pieces.","PeriodicalId":363677,"journal":{"name":"ARTis ON","volume":"78 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123123255","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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