AN ACCOUNT OF MICHAEL FRIED’S GROUP DISCUSSION WITH FLUL’S PHD STUDENTS FROM ART HISTORY AND THEORY OF LITERATURE

ARTis ON Pub Date : 2019-12-26 DOI:10.37935/AION.V0I9.251
T. Neto
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Abstract

The modernist Art critic and Art historian Michael Fried was the fi rst invited speaker to the Lisbon Lectures in the Humanities, promoted by the School of Humanities of the University of Lisbon. Before presenting his conference ‘Facingness Meets Mindedness: On Manet’s Luncheon in the Studio and The Balcony’ regarding two paintings by Édouard Manet, Fried was also present in a fruitful group discussion with PhD students from Art History and Theory of Literature. The Art History doctoral candidates were able to present their questions, prepared beforehand in work sessions with Professor Pedro Lapa, regarding Professor Fried’s extensive body of work. By focusing mainly on his views as a critic, these notes by no means exhaust the matter, and will surely be be followed by more in-depth incursions of it. Many other matters came up during this discussion, such as Michael Fried’s historical investigations into Courbet, Manet, Caravaggio, and others. This brief account intends to give notice of this session and share it with the academic community, divulging Michael Fried’s coming to Portugal and his ideas.
迈克尔·弗里德与富尔的艺术史和文学理论博士生的小组讨论
现代主义艺术评论家和艺术史学家迈克尔·弗里德是里斯本大学人文学院举办的里斯本人文讲座的第一位受邀演讲者。在发表关于Édouard马奈的两幅画的会议“面相与思想:马奈在工作室的午餐和阳台”之前,弗里德还与艺术史和文学理论的博士生进行了富有成果的小组讨论。艺术史博士候选人能够提出他们的问题,在与佩德罗·拉帕教授的工作会议上事先准备好,关于弗里德教授的广泛工作。这些笔记主要集中在他作为评论家的观点上,并没有穷尽这个问题,而且肯定会有更深入的入侵。在这次讨论中出现了许多其他问题,比如迈克尔·弗里德对库尔贝、马奈、卡拉瓦乔等人的历史调查。这篇简短的文章旨在通知这次会议,并与学术界分享,透露迈克尔·弗里德来葡萄牙的情况和他的想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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