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Popular Viennese Electronic Music, 1990–2015: A Cultural History (Ewa Mazierska) 流行维也纳电子音乐，1990-2015:文化史(Ewa Mazierska)
Dancecult Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.08
Anita Jóri
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引用次数: 0
Sweet Harmony: Rave|Today (Philly Adams & Kobi Prempeh, curs.) 甜蜜和谐:狂欢|今日(费城·亚当斯和科比·普雷佩，curs)
Dancecult Pub Date : 2019-11-11 DOI: 10.12801/1947-5403.2019.11.01.07
C. Christodoulou
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引用次数: 0
My Practice of Live Performance of Spatial Electronic Dance Music 空间电子舞曲现场表演实践
Dancecult Pub Date : 2019-07-15 DOI: 10.12801/1947-5403.2019.11.01.16
S. Lavoie
{"title":"My Practice of Live Performance of Spatial Electronic Dance Music","authors":"S. Lavoie","doi":"10.12801/1947-5403.2019.11.01.16","DOIUrl":"https://doi.org/10.12801/1947-5403.2019.11.01.16","url":null,"abstract":"In this commentary I will discuss the technical implementation of sound spatialisation in EDM (electronic dance music) performance practice and outline my compositional approaches involving these techniques. The use of space as a musical parameter in EDM is becoming more common as the accessibility of the technology increases. The technical means of performance and the sonic material combine to create a unique musical aesthetic and listening experience in EDM culture. An historical overview of compositions using spatial considerations as a main musical parameter will situate my work within this artistic practice. Different implementations and propositions of sound spatialisation, as well as the principal locations dedicated to this form of activity will be discussed to contextualise my work. \u0000 \u0000 \u0000A fundamental part of my research concerns the use of spatialisation tools and techniques to enhance EDM through an immersive sound experience. Concepts and notions of musical 'flow’ and live improvisation have shaped this research and the compositional and performance aesthetics that have come to underpin my creative practice. Furthermore, the idea of immersivity and the sublime have informed my compositional thinking, and this will be assessed in relation to my objective to create an enhanced listening experience in my live performances. A discussion of the blurred roles of composer/producer/performer will demonstrate how I consider my live performance practice to redefine what a composer of EDM can be. Thus, I consider this research to propose a viable model for modern EDM composers.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2019-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87207543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Playing with Something That Runs: Technology, Improvisation, and Composition in DJ and Laptop Performance (Mark J. Butler) 玩的东西运行:技术，即兴创作，和组成在DJ和笔记本电脑性能(马克J.巴特勒)
Dancecult Pub Date : 2018-11-22 DOI: 10.12801/1947-5403.2018.10.01.09
Toby Young
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引用次数: 0
Girl (dir. Kandeyce Jorden)
Dancecult Pub Date : 2018-11-22 DOI: 10.12801/1947-5403.2018.10.01.05
Maren Hancock
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引用次数: 0
Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding 循环模式的运动跨越编织，epiplokki和现场编码
Dancecult Pub Date : 2018-11-22 DOI: 10.12801/1947-5403.2018.10.01.01
Alex McLean, Giovanni Fanfani, Ellen Harlizius-Klück
{"title":"Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding","authors":"Alex McLean, Giovanni Fanfani, Ellen Harlizius-Klück","doi":"10.12801/1947-5403.2018.10.01.01","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.01","url":null,"abstract":"This article hosts an interdisciplinary exploration of cyclic rhythmic structures, bringing together historical references to ground understanding of algorithmic electronic dance music, and in particular the algorave movement. The role of pattern in uniting dance, music and language is investigated in the ancient practice of weaving, in ancient Greek choral lyric, and contemporary live coding. In this context the TidalCycles environment is introduced, with some visual and audio examples. Cyclic metrical patterns in ancient Greek are then explored in detail, particularly the metrical transformations of Epiplokē. Finally, this jump between contemporary and ancient practice leads us to consider algorave itself as a Luddite movement, its proponents engaged in an unravelling of technology.","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86869204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 5
Popular Music, Digital Technology and Society (Nick Prior) 流行音乐、数字技术与社会(尼克·普赖尔)
Dancecult Pub Date : 2018-11-22 DOI: 10.12801/1947-5403.2018.10.01.08
Andreas Rauh
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引用次数: 0
Introduction to Algorithmic EDM 算法EDM导论
Dancecult Pub Date : 2018-11-22 DOI: 10.12801/1947-5403.2018.10.01.00
Shelly Knotts, N. Collins
{"title":"Introduction to Algorithmic EDM","authors":"Shelly Knotts, N. Collins","doi":"10.12801/1947-5403.2018.10.01.00","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.00","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72682691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Luuma, Between Code and Controllerism Luuma，在代码和控制器之间
Dancecult Pub Date : 2018-11-22 DOI: 10.12801/1947-5403.2018.10.01.15
Chris Keifer
{"title":"Luuma, Between Code and Controllerism","authors":"Chris Keifer","doi":"10.12801/1947-5403.2018.10.01.15","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.15","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83765424","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Saboritmico: A Report from the Dance Floor in Mexico Saboritmico:墨西哥舞池报道
Dancecult Pub Date : 2018-11-22 DOI: 10.12801/1947-5403.2018.10.01.11
Emilio Ocelotl, Luis N. Del Angel, M. Teixido
{"title":"Saboritmico: A Report from the Dance Floor in Mexico","authors":"Emilio Ocelotl, Luis N. Del Angel, M. Teixido","doi":"10.12801/1947-5403.2018.10.01.11","DOIUrl":"https://doi.org/10.12801/1947-5403.2018.10.01.11","url":null,"abstract":"","PeriodicalId":36263,"journal":{"name":"Dancecult","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85662435","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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