Cyclic Patterns of Movement Across Weaving, Epiplokē and Live Coding

Q2 Arts and Humanities
Alex McLean, Giovanni Fanfani, Ellen Harlizius-Klück
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引用次数: 5

Abstract

This article hosts an interdisciplinary exploration of cyclic rhythmic structures, bringing together historical references to ground understanding of algorithmic electronic dance music, and in particular the algorave movement. The role of pattern in uniting dance, music and language is investigated in the ancient practice of weaving, in ancient Greek choral lyric, and contemporary live coding. In this context the TidalCycles environment is introduced, with some visual and audio examples. Cyclic metrical patterns in ancient Greek are then explored in detail, particularly the metrical transformations of Epiplokē. Finally, this jump between contemporary and ancient practice leads us to consider algorave itself as a Luddite movement, its proponents engaged in an unravelling of technology.
循环模式的运动跨越编织,epiplokki和现场编码
本文对循环节奏结构进行了跨学科的探索,汇集了对算法电子舞曲的基本理解的历史参考,特别是算法运动。在古代的编织实践中,在古希腊的合唱抒情中,在当代的现场编码中,研究了图案在结合舞蹈、音乐和语言方面的作用。在这种情况下,介绍了TidalCycles环境,并提供了一些视觉和音频示例。然后详细探讨了古希腊的循环格律模式,特别是epiplok æ的格律转换。最后,当代和古代实践之间的这种跳跃使我们认为算法本身是一种勒德运动,它的支持者参与了一种对技术的拆解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Dancecult
Dancecult Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.60
自引率
0.00%
发文量
0
审稿时长
32 weeks
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