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Apparatus最新文献

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Michael Goddard: Guerilla Networks: An Anarcheology of the 1970s Radical Media Ecologies 迈克尔·戈达德：游击网络：20世纪70年代激进媒体生态的无政府主义
Apparatus Pub Date : 2020-10-02 DOI: 10.17892/APP.2020.00010.214
Michal Klodner
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引用次数: 0
Kovács András Bálint: A kör bezárul. Tarr Béla filmjei 安德拉斯·巴林特·科瓦茨：本轮比赛结束。贝拉·塔尔的电影
Apparatus Pub Date : 2020-10-02 DOI: 10.17892/APP.2020.00010.216
Ivan Forgacs
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引用次数: 1
Katherine M. H. Reischl: Photographic Literacy: Cameras in the Hands of Russian Authors Katherine M. H. Reischl:摄影素养:俄罗斯作家手中的相机
Apparatus Pub Date : 2020-10-02 DOI: 10.17892/APP.2020.00010.210
Oksana Maistat
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引用次数: 0
Julie A. Buckler, Julie A. Cassidy, and Boris Wolfson (eds.): Russian Performances: Word, Object, Action Julie A. Buckler, Julie A. Cassidy和Boris Wolfson(编):俄罗斯表演:文字，对象，行动
Apparatus Pub Date : 2020-10-02 DOI: 10.17892/APP.2020.00010.213
I. Glišić
{"title":"Julie A. Buckler, Julie A. Cassidy, and Boris Wolfson (eds.): Russian Performances: Word, Object, Action","authors":"I. Glišić","doi":"10.17892/APP.2020.00010.213","DOIUrl":"https://doi.org/10.17892/APP.2020.00010.213","url":null,"abstract":"","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45777634","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ewa Mazierska, Matilda Mroz and Elżbieta Ostrowska (eds.): The Cinematic Bodies of Eastern Europe and Russia. Between Pain and Pleasure Ewa Mazierska, Matilda Mroz和Elżbieta Ostrowska(编):《东欧和俄罗斯的电影体》。痛苦与快乐之间
Apparatus Pub Date : 2020-10-02 DOI: 10.17892/APP.2020.00010.217
Anna Batori
{"title":"Ewa Mazierska, Matilda Mroz and Elżbieta Ostrowska (eds.): The Cinematic Bodies of Eastern Europe and Russia. Between Pain and Pleasure","authors":"Anna Batori","doi":"10.17892/APP.2020.00010.217","DOIUrl":"https://doi.org/10.17892/APP.2020.00010.217","url":null,"abstract":"","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46370570","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
John Heartfield: One Man’s War 约翰·哈特菲尔德：一个人的战争
Apparatus Pub Date : 2020-10-01 DOI: 10.17892/APP.2020.00010.183
Gracia Ramirez
{"title":"John Heartfield: One Man’s War","authors":"Gracia Ramirez","doi":"10.17892/APP.2020.00010.183","DOIUrl":"https://doi.org/10.17892/APP.2020.00010.183","url":null,"abstract":"","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48672567","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Icy Water, Acid, and Free Forests: The New Ecocinema from East-Central Europe 冰水、酸性和自由森林：来自中东欧的新生态电影
Apparatus Pub Date : 2020-10-01 DOI: 10.17892/APP.2020.00010.227
Lukas Brašiškis, Masha Shpolberg
{"title":"Icy Water, Acid, and Free Forests: The New Ecocinema from East-Central Europe","authors":"Lukas Brašiškis, Masha Shpolberg","doi":"10.17892/APP.2020.00010.227","DOIUrl":"https://doi.org/10.17892/APP.2020.00010.227","url":null,"abstract":"Lukas Brasiskis und Masha Shpolberg interviewen drei aufstrebende Filmemacher / Videokunstler uber die Klimakrise, die Kraft des bewegten Bildes und die reiche, aber noch nicht gepragte Umweltgeschichte Ostmitteleuropas.","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47601890","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Elena Vogman: Sinnliches Denken – Eisensteins exzentrische Methode 埃琳娜·沃格曼：感性思维——爱森斯坦的古怪方法
Apparatus Pub Date : 2020-09-30 DOI: 10.17892/APP.2020.00010.211
Szilvia Ruszev
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引用次数: 0
The Semiotics of Insurrection: Farocki and Ujică's Videograms of a Revolution 起义的符号学:法罗基和乌希科伊的革命录像
Apparatus Pub Date : 2020-09-30 DOI: 10.17892/APP.2020.00010.209
Nenad Jovanovic
{"title":"The Semiotics of Insurrection: Farocki and Ujică's Videograms of a Revolution","authors":"Nenad Jovanovic","doi":"10.17892/APP.2020.00010.209","DOIUrl":"https://doi.org/10.17892/APP.2020.00010.209","url":null,"abstract":"Der Fokus auf die Chronologie der rumanischen Revolution von 1989 und die sparsame Verwendung von Autorenkommentaren in Videogramme einer Revolution (1992, Deutschland) von Harun Farocki und Andrej Ujică verbergen die tiefere thematische Beschaftigung des Films mit Signifikation. Damit die Revolution erfolgreich sein konnte, mussten die mit dem Regime von Nicolae Ceaușescu verbundenen Zeichen durch neue ersetzt werden. Es war jedoch erforderlich, dass Letzteres den Zuschauern des nationalen Fernsehens – dem wichtigsten Mediensender der Revolution – bekannt vorkam, um verstanden zu werden. Einige der fruheren Kommentare zu Videogramme weisen auf dieses Paradox hin, bieten jedoch keine ausfuhrliche Analyse der komplexen und sich entwickelnden Dynamik zwischen den verschiedenen Zeichen im Film: zwischen jenen, die von den Vertretern des Regimes verwendet wurde, und jenen, die die Revolutionare verwendeten und jenen Zeichen, die Videogramme als ein spezifisches Kinowerk markieren. In diesem Artikel, der die bedeutungsbildenden Implikationen in Videogramme beleuchtet, wird argumentiert, dass die Beschaftigung des Films mit der Produktion und Rezeption von Zeichen als Mittel der Reflexivitat fungiert, was charakteristisch fur Farockis gesamtes Werk ist.","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43141610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Chronicles of a Great Non-Encounter: The Idiot by Andrei Tarkovsky 安德烈·塔可夫斯基的《一次伟大的不相遇编年史:白痴》
Apparatus Pub Date : 2020-09-30 DOI: 10.17892/APP.2020.00010.139
A. Apostolov
{"title":"Chronicles of a Great Non-Encounter: The Idiot by Andrei Tarkovsky","authors":"A. Apostolov","doi":"10.17892/APP.2020.00010.139","DOIUrl":"https://doi.org/10.17892/APP.2020.00010.139","url":null,"abstract":"Der Artikel widmet sich einer der am wenigsten untersuchten Episoden der scheinbar grundlich erforschten Biographie Andrej Tarkovskijs: der nie realisierten Verfilmung des Romans Der Idiot . Dieser Film – der nur auf dem Papier existierte – wird hier aus einer Zeitperspektive betrachtet, wobei ich mich hauptsachlich auf Tarkovskijs Tagebucheintrage zu Der Idiot stutze, die im Laufe eines ganzen Jahrzehnts immer wieder in seinen Tagebuchern auftauchten. Eine solches langfristige Vorhaben ermoglicht es, eine einzelne Idee im Kontext der Entwicklung von Absichten und Uberzeugungen des Regisseurs zu analysieren, da die Kommentare zu Der Idiot fast immer die Fragen widerspiegelten, die er sich bei der Arbeit an anderen Filmen stellte, als ob der Roman Dostojevskijs als eine Art Indikator, oder \"Spiegel\", diente, um eigene Entscheidungen damit in Einklang zu bringen. Wahrend ich im Rahmen einer \"dokumentarischen\" Rekonstruktion bleibe, werde ich auch versuchen, Verallgemeinerungen und Annahmen uber einige Schlusselmotive von Tarkovskijs Werk zu formulieren: uber sein vielfaltiges Interesse an Dostojevskijs Personlichkeit und seiner Poetik, seine kunstlerische Wahrnehmung weiblicher Figuren, seine Herangehensweise an Verfilmungen literarischer Werke usw. Abschliesend mochte ich klarstellen, dass die Grunde, warum Tarkovskij seine Idee nicht umgesetzt hat, nicht auf den Widerstand von Goskino beschrankt sind, auf den gewohnlich bei der Diskussion von Der Idiot – sicherlich einer der bedeutendsten nicht realisierten Filme in der Geschichte des sowjetischen Kinos – Bezug genommen wird.","PeriodicalId":36127,"journal":{"name":"Apparatus","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-09-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42074781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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