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Un incendio invisible de Sara Mesa como una crítica implícita al «Homo consumericus» 萨拉·梅萨的《看不见的火》是对“消费者”的含蓄批评
Studia Romanica Posnaniensia Pub Date : 2022-03-30 DOI: 10.14746/trop.2022.491.003
Marta Kobiela-Kwaśniewska
{"title":"Un incendio invisible de Sara Mesa como una crítica implícita al «Homo consumericus»","authors":"Marta Kobiela-Kwaśniewska","doi":"10.14746/trop.2022.491.003","DOIUrl":"https://doi.org/10.14746/trop.2022.491.003","url":null,"abstract":"The paper is an attempt at shedding light on the issues related to the dystopian vision of postmodern society metonymically represented by Vado, an imaginary city, in the novel Un incendio invisible written by Sara Mesa. This abandoned urban space causes us to reflect on crucial topics in postmodern society, such as incorporation into unknown place, redefinition of the concept of parenthood, liquid and perverse love, social inequalities, abandoned elders, consumption, role of shopping malls and their significance, human alienation, all phenomena that we find in the novel. The city of Vado plays symbolic role in that piece, hence its devastation and ruin show a close connection with the consumer society and the actions of Homo consumericus. We base our analysis on the philosophical and sociological postulates of Gilles Lipovetsky, Zygmunt Bauman, Erich Fromm and anthropological one of Marc Augé, as well as on the proposal of how to read a novel by Javier del Prado Biezma in order to describe the nature of all these mentioned problems and expose the criticism of Homo consumericus concealed in the novel.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44885443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
David Becerra Mayor, Después del acontecimiento: el retorno de lo político en la literatura Española tras el 15-m. Bellaterra Edicions, 2021.173 pp. 大卫·贝塞拉·马约尔，《事件之后:1500万之后西班牙文学中政治的回归》。他的父亲是一名律师，母亲是一名律师。
Studia Romanica Posnaniensia Pub Date : 2022-03-30 DOI: 10.14746/strop.2022.491.006
Christian Claesson
{"title":"David Becerra Mayor, Después del acontecimiento: el retorno de lo político en la literatura Española tras el 15-m. Bellaterra Edicions, 2021.173 pp.","authors":"Christian Claesson","doi":"10.14746/strop.2022.491.006","DOIUrl":"https://doi.org/10.14746/strop.2022.491.006","url":null,"abstract":"","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46918056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Medellín como una representación de la decadencia de Colombia en Casablanca la bella de Fernando Vallejo 麦德林在费尔南多·瓦列霍的《卡萨布兰卡》中代表了哥伦比亚的颓废
Studia Romanica Posnaniensia Pub Date : 2022-03-30 DOI: 10.14746/strop.2022.491.001
Barbara Curzytek
{"title":"Medellín como una representación de la decadencia de Colombia en Casablanca la bella de Fernando Vallejo","authors":"Barbara Curzytek","doi":"10.14746/strop.2022.491.001","DOIUrl":"https://doi.org/10.14746/strop.2022.491.001","url":null,"abstract":"The article analyses the representation of Medellín in Fernando Vallejo’s 2013 novel Casablanca la bella in the context of Zygmunt Bauman’s liquid modernity concept and other cultural theories of the urban, which can be applied to Colombia in the context of omnipresence of violence. The analysis proves that the narrator-protagonist, disappointed with the modernity in Colombian context, is incapable of accepting the changes that the city as well as the country have suffered during his life and uses the descriptions of the urban space for social criticism. The conclusion is that the narrator-protagonist obsessively tries to re-actualize the past and persists in linking to it as he does not see any point of reference in the present nor any positive perspective for Colombia in a foreseeable future.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48930913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pensar a través de la ciudad: La trabajadora de Elvira Navarro y Lectura fácil de Cristina Morales 通过城市思考:埃尔维拉·纳瓦罗的《工人》和克里斯蒂娜·莫拉莱斯的《易读》
Studia Romanica Posnaniensia Pub Date : 2022-03-30 DOI: 10.14746/strop.2022.491.004
Magda Potok
{"title":"Pensar a través de la ciudad: La trabajadora de Elvira Navarro y Lectura fácil de Cristina Morales","authors":"Magda Potok","doi":"10.14746/strop.2022.491.004","DOIUrl":"https://doi.org/10.14746/strop.2022.491.004","url":null,"abstract":"In so-called “crisis novels” that appeared in Spain following the economic collapse of 2008, the city comes to represent not only the scene of the explicit dramatic situations of the characters (poverty, precarity, unemployment, evictions, homelessness, occupy movement, street protests, or gaps in social services) but also the imagery of decay and conflict. The city comes across as an uncomfortable space, characterised by inhospitable peripheries and abandoned constructions, which is consonant with the sense of helplessness and extreme loneliness of the protagonists. However, in contrast to the paralysis and the nervous breakdown evident in La trabajadora (2014) by Elvira Navarro (alienating perspective), Cristina Morales’s Lectura fácil (2018) represents the urban space as a battlefield that leads to the awareness-raising and the politicization of the experience of a crisis (revolutionary perspective). Both novels, focused on “the right to housing”, come to reveal a great deal of indignation and protest against the neo-liberal policies and the contemporary capitalist city, responsible for exclusion and inequality. Their demands coincide with the political proposal of “the right to the city” (Lefebvre, 1968; Harvey 2013), which raises the possibility of living a worthy life in the city, with an equitable distribution of resources and respect for different sensitivities.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46738209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ana Laura Zavala Díaz, Cuerpo, enfermedad y escritura. Narrativa Mexicana del Porfiriato. Universidad Nacional Autónoma de México/Instituto de Investigaciones Filológicas, 2021. 246 pp. 安娜·劳拉·扎瓦拉diaz，身体、疾病和写作。Porfiriato的墨西哥叙事。墨西哥国立自治大学/语言学研究所，2021年。246 pp。
Studia Romanica Posnaniensia Pub Date : 2022-03-30 DOI: 10.14746/strop.2022.491.007
Raquel Mosqueda Rivera
{"title":"Ana Laura Zavala Díaz, Cuerpo, enfermedad y escritura. Narrativa Mexicana del Porfiriato. Universidad Nacional Autónoma de México/Instituto de Investigaciones Filológicas, 2021. 246 pp.","authors":"Raquel Mosqueda Rivera","doi":"10.14746/strop.2022.491.007","DOIUrl":"https://doi.org/10.14746/strop.2022.491.007","url":null,"abstract":"","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45520265","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Entre la distopía y la heterotopía: espacios de la crisis en las novelas de Isaac Rosa 在反乌托邦和异端之间：艾萨克·罗莎小说中的危机空间
Studia Romanica Posnaniensia Pub Date : 2022-03-15 DOI: 10.14746/strop.2022.491.005
Łukasz Smuga
{"title":"Entre la distopía y la heterotopía: espacios de la crisis en las novelas de Isaac Rosa","authors":"Łukasz Smuga","doi":"10.14746/strop.2022.491.005","DOIUrl":"https://doi.org/10.14746/strop.2022.491.005","url":null,"abstract":"This paper analyses urban spaces of crisis in Isaac Rosa’s novels La mano invisible (2011), La habitación oscura (2013), and the graphic novel Aquí vivió. Historia de un desahucio (2016) by Cristina Bueno and Isaac Rosa. It explores the dystopian and realistic elements in Rosa’s fiction and proposes to read his works through the lens of Michel Foucault’s essay on other spaces. The article argues that the unusual, quasi-dystopian spaces are of a double nature, typical for heterotopias, and play a significant role in the manner in which Rosa depicts the consequences of the economic crisis in Spain at the beginning of the 21st century.aper analyses urban spaces of crisis in Isaac Rosa’s novels La mano invisible (2011), La habitación oscura (2013), and the graphic novel Aquí vivió. Historia de un desahucio (2016) by Cristina Bueno and Isaac Rosa. It explores the dystopian and realistic elements in Rosa’s fiction and proposes to read his works through the lens of Michel Foucault’s essay on other spaces. The article argues that the unusual, quasi-dystopian spaces are of a double nature, typical for heterotopias, and play a significant role in the manner in which Rosa depicts the consequences of the economic crisis in Spain at the beginning of the 21st century.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43668852","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Le traducteur et son image. Étude des couvertures d’ouvrages de traductologie 翻译人员及其形象。翻译书籍封面研究
Studia Romanica Posnaniensia Pub Date : 2021-12-22 DOI: 10.14746/strop.2021.484.012
E. Skibińska
{"title":"Le traducteur et son image. Étude des couvertures d’ouvrages de traductologie","authors":"E. Skibińska","doi":"10.14746/strop.2021.484.012","DOIUrl":"https://doi.org/10.14746/strop.2021.484.012","url":null,"abstract":"The front cover of a book usually contains the title, the authors’names, the publisher’s logo and an illustration. All these elements announce the content of the book, and the paraverbal elements (illustration, typographical arrangement…) can also be used to awaken the curiosity of the potential reader. This article deals with the reproductions of art works chosen by the editors for the front covers of Translation Studies books. Cover illustrations are treated here as a kind of “definition of translator’s work through a pictorial metaphor”, i.e. as a representation of how translation can be understood or as an indication of its important features. The analysis of these illustrations shows the various means used by the publishers of Translation Studies books to define translation through pictures.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47436322","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Audiodescription des arts plastiques. Autoportrait de Dora Maar 视觉艺术的音频描述。朵拉·马尔的自画像
Studia Romanica Posnaniensia Pub Date : 2021-12-22 DOI: 10.14746/strop.2021.484.006
Anna Wendorff
{"title":"Audiodescription des arts plastiques. Autoportrait de Dora Maar","authors":"Anna Wendorff","doi":"10.14746/strop.2021.484.006","DOIUrl":"https://doi.org/10.14746/strop.2021.484.006","url":null,"abstract":"The article addresses the problem of intersemiotic translation: translating images into words. The first part deals with the issue of image hermeneutics. Following this, eye tracking research is briefly described and museum audio description for the blind and visually impaired is introduced. A case study of Self-portrait of Dora Maar is carried out, highlighting the importance of sight in the artist’s work. The text tries to answer the following questions: Who and using which techniques and strategies should translate images into words for recipients with visual disabilities, so that the translation is satisfactory and adapted to their perception? How to provide a visually impaired person with an aesthetic experience without imposing our own perception of the image on them?","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43906018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Former à la traduction multimodale 多模态翻译培训
Studia Romanica Posnaniensia Pub Date : 2021-12-22 DOI: 10.14746/strop.2021.484.010
Sophie Léchauguette
{"title":"Former à la traduction multimodale","authors":"Sophie Léchauguette","doi":"10.14746/strop.2021.484.010","DOIUrl":"https://doi.org/10.14746/strop.2021.484.010","url":null,"abstract":"Many books designed for international distribution combine text blocks and images. Their layout offers hybrid messages organized on the visual space of a double page. Texts both in the original language and in translation must fit into limited spaces or boxes positioned around illustrations. Thus, translators practice multimodal translation, writing texts that preserve or enhance the cohesion between visual and textual messages. This skill requires some training. Unfortunately, while theoretical writings on pragmatic translation acknowledge its intersemiotic nature, few training programs address this aspect. The creation of a course on multimodal translation would be a valued addition to any translator training program. The concept of a hybrid translation unit offers a way of structuring material to introduce both intersemiotic and multimodal translation in professional curricula. The author draws on her professional experience to discuss the role of illustrations in grasping meaning through practical examples. She suggests generalizable translation strategies to strengthen text-image cohesion, or even generate text from images alone, while adapting the book in translation to its intended readership.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47841039","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Transmettre aux aveugles le comique d’une production multimédia. Étude d’un cas 向盲人传达多媒体制作的喜剧。案例研究
Studia Romanica Posnaniensia Pub Date : 2021-12-22 DOI: 10.14746/strop.2021.484.005
T. Tomaszkiewicz
{"title":"Transmettre aux aveugles le comique d’une production multimédia. Étude d’un cas","authors":"T. Tomaszkiewicz","doi":"10.14746/strop.2021.484.005","DOIUrl":"https://doi.org/10.14746/strop.2021.484.005","url":null,"abstract":"In this paper the author demonstrates the limits of audio description in the transfer of the humorous effects of a film comedy which constitute the “semantic dominant” of this kind of production. The analysis is illustrated by examples from Philippe de Chauveron’s film, À bras ouverts (2017). In this form of intersemiotic translation, the lack of certain visual data can block the possibility of understanding the comic by blind or visually impaired people. The author tries to propose some solutions to this problem in the form of creative audio description.","PeriodicalId":35131,"journal":{"name":"Studia Romanica Posnaniensia","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47356998","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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