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Journal of Visual Art Practice最新文献

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Writing with images, outside academia 学术界之外的图像写作
Journal of Visual Art Practice Pub Date : 2023-07-03 DOI: 10.1080/14702029.2023.2195732
James Elkins
{"title":"Writing with images, outside academia","authors":"James Elkins","doi":"10.1080/14702029.2023.2195732","DOIUrl":"https://doi.org/10.1080/14702029.2023.2195732","url":null,"abstract":"ABSTRACT The author presents reasons for doubting the uses of images in art history and art theory. Fine art images conventionally function as illustrations of arguments presented in text, which is counter to their putative value as the objects of scholarly attention. The author describes his reasons for leaving art history, and the essay concludes with excerpts from a forthcoming novel in order to show how images can have very different relations to their surrounding text, and how academic writing might be expanded to accommodate other voices.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"59 1","pages":"111 - 132"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139364330","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
pause 暂停
Journal of Visual Art Practice Pub Date : 2023-07-03 DOI: 10.1080/14702029.2022.2157958
J. R. Carpenter
{"title":"pause","authors":"J. R. Carpenter","doi":"10.1080/14702029.2022.2157958","DOIUrl":"https://doi.org/10.1080/14702029.2022.2157958","url":null,"abstract":"ABSTRACT pause is an excerpt of a body of work begun during my time as Writer in Residence at the University of Alberta, in Treaty 6 Territory, 2020–2021. This writing was generated through a daily writing practice undertaken in collaboration with Christine Stewart and informed by an ongoing walking, talking, listening with notokwew muskwa manitokan (old woman bear). This practice attempts, through pause and attention, to acknowledge the territory in which this writing becomes possible.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"59 1","pages":"307 - 314"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139363710","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Integrated foundation studio and art history at the School of the Art Institute of Chicago 芝加哥艺术学院的综合基础工作室和艺术史
Journal of Visual Art Practice Pub Date : 2023-04-21 DOI: 10.1080/14702029.2023.2184975
J. Elkins, M. Wong, T. Briggs
{"title":"Integrated foundation studio and art history at the School of the Art Institute of Chicago","authors":"J. Elkins, M. Wong, T. Briggs","doi":"10.1080/14702029.2023.2184975","DOIUrl":"https://doi.org/10.1080/14702029.2023.2184975","url":null,"abstract":"","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82022635","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Indelible marks: Beth Harland’s absorption 不可磨灭的痕迹:贝丝·哈兰的专注
Journal of Visual Art Practice Pub Date : 2023-01-02 DOI: 10.1080/14702029.2023.2174713
I. Heywood
{"title":"Indelible marks: Beth Harland’s absorption","authors":"I. Heywood","doi":"10.1080/14702029.2023.2174713","DOIUrl":"https://doi.org/10.1080/14702029.2023.2174713","url":null,"abstract":"ABSTRACT The article traces Beth Harland's approach to painting practice in light of her engagement with Michael Fried's interpretation of eighteenth and nineteenth century painting and her fascination with Marcel Proust's À la recherche du temps perdu. The contrast between reflection on phenomena of inner life and a painting’s audience address is explored through a reading of passages from Nietzsche’s The Gay Science, Proust's Contre Sainte-Beuve and Fried's writing about theatricality and absorption. Harland’s practical and theoretical explorations of the situation and possibilities of contemporary painting, illuminated by her engagement with notions of theatricality and absorption, are then outlined. After considering Hans Belting’s views on seriality and processes of re-working, the article concludes by suggesting that Harland sought and achieved a buoyant working relationship between formational contraries, avoiding both hypostatisation and easy compromise.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"11 1","pages":"61 - 74"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82649365","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rothko and resonance 罗斯科与共振
Journal of Visual Art Practice Pub Date : 2023-01-02 DOI: 10.1080/14702029.2023.2172106
S. Morley
{"title":"Rothko and resonance","authors":"S. Morley","doi":"10.1080/14702029.2023.2172106","DOIUrl":"https://doi.org/10.1080/14702029.2023.2172106","url":null,"abstract":"ABSTRACT I take Mark Rothko at his word when he claims that an encounter with his paintings involves ‘companionship’ and argue that this insight reflects the artist’s recognition that an observer and his work are in a relationship in which, as the German sociologist Hartmut Rosa puts it, ‘both sides speak with their own voice’. To understand what this might mean, I first discuss Rosa’s theory of ‘resonance’ and its importance for the study of art. Then, I explore ‘resonance’ in relation to Rothko, relating it to how he manipulated the language of painting to de-centre the normative visual perception of the observer, but also how he potentially opens this observer up to radically non-normative psychological and somatic experiences. The de-centring involves making space for an active relationship with Rothko’s paintings which shifts the observer from the focused, outer-directed and controlling attention that usually dominates visual perception towards a more inwardly directed but more porous mode enacted under conditions of essential uncontrollability.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"116 1","pages":"75 - 92"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79169663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contemporaneity and views from Expatria: past and current landscape practices 当代性和外籍人士的观点:过去和现在的景观实践
Journal of Visual Art Practice Pub Date : 2023-01-02 DOI: 10.1080/14702029.2022.2162278
Ioannis Galanopoulos-Papavasileiou, Shane Hulbert
{"title":"Contemporaneity and views from Expatria: past and current landscape practices","authors":"Ioannis Galanopoulos-Papavasileiou, Shane Hulbert","doi":"10.1080/14702029.2022.2162278","DOIUrl":"https://doi.org/10.1080/14702029.2022.2162278","url":null,"abstract":"ABSTRACT Views from Expatria: Photographing Place and the Self in Transience echoes the contradictory contexts of accelerated global migration and the recent pandemic border closures and controls. These conditions contribute creative parallels and new relationships to an escalating interest in concepts of place, home, expatriation and transience in contemporary society. As a creative-based research initiative using landscape photography as both a tool and methodology, the project reflects aesthetic trends, legacies and current debates about landscape photography and its contemporaneity. The paper critiques the literature and community of practitioners around concepts of non-place, home, transience and expatriation, and concepts central to the featured artist’s photographic project Views from Expatria (2021). The paper also seeks to explore ways in which the practice is informed by contemporary photographic theories and practices.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"12 1","pages":"29 - 45"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72886528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Michael Fried’s theatricality and the practice of painting 迈克尔·弗里德的戏剧性和绘画实践
Journal of Visual Art Practice Pub Date : 2023-01-02 DOI: 10.1080/14702029.2023.2170849
B. Harland
{"title":"Michael Fried’s theatricality and the practice of painting","authors":"B. Harland","doi":"10.1080/14702029.2023.2170849","DOIUrl":"https://doi.org/10.1080/14702029.2023.2170849","url":null,"abstract":"ABSTRACT This article is the posthumous publication of a lecture given by the artist and academic Beth Harland (1964–2019). It was originally presented at a conference on Theatricality, at Lancaster University in 2017. This paper begins by working through the arguments of Michael Fried, to situate the key terms of theatricality and absorption, before then turning to contemporary painting practice (with notable reference to the work of Tomma Abts) to advance her reading of ‘an absorptive mode of address within contemporary painting’. This article also situates Harland's own art practice.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"65 1","pages":"47 - 59"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72968481","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Political atmospherics: climate visualisations at the Manifest Data Lab 政治气氛:Manifest数据实验室的气候可视化
Journal of Visual Art Practice Pub Date : 2022-12-22 DOI: 10.1080/14702029.2022.2151192
T. Corby, G. Baily, Jonathan Mackenzie, L. Sime, Giles Lane, Erin Dickson, George Roussos
{"title":"Political atmospherics: climate visualisations at the Manifest Data Lab","authors":"T. Corby, G. Baily, Jonathan Mackenzie, L. Sime, Giles Lane, Erin Dickson, George Roussos","doi":"10.1080/14702029.2022.2151192","DOIUrl":"https://doi.org/10.1080/14702029.2022.2151192","url":null,"abstract":"ABSTRACT This paper presents an overview of emerging research at the Manifest Data Lab a collective of artists and climate scientists who employ climate data experimentally in public settings. We discuss one of our projects The Carbon Chronicles, a reverse-engineered climate data set, projected on prominent public buildings in London during the period of COP26. Our approach examines the potential of climate data visualisations to operate as a public form that surface issues of climate justice and historic responsibilities. We report on the project’s methodological framing, production and associated artistic strategies. GRAPHICAL ABSTRACT","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"73 1","pages":"1 - 7"},"PeriodicalIF":0.0,"publicationDate":"2022-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79699685","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artistic sousveillance in the societal surveillant assemblage – on Dragonfly Eyes and Eye Contact 社会监视组合中的艺术监视——蜻蜓的眼睛和目光接触
Journal of Visual Art Practice Pub Date : 2022-10-12 DOI: 10.1080/14702029.2022.2123628
Zimu Zhang
{"title":"Artistic sousveillance in the societal surveillant assemblage – on Dragonfly Eyes and Eye Contact","authors":"Zimu Zhang","doi":"10.1080/14702029.2022.2123628","DOIUrl":"https://doi.org/10.1080/14702029.2022.2123628","url":null,"abstract":"ABSTRACT Built on theoretical frameworks of surveillant assemblage, sousveillance and other surveillance and biopolitical scholarship, I analyze two Chinese art projects, Dragonfly Eyes (2017), an experimental film by Xu Bing and Eye Contact (2016), a performance piece by Ge Yulu, as artistic sousveillance to resist surveillance biopower in a control society. I put the two works in dialogue as their shared yet different strategies critically engage with the surveillant assemblage, DIY technology and biopolitical production. Apart from problematizing the algorithmic violence and biopower of the global and also local surveillant assemblage, both art projects also contribute to more-than-human configurations of the surveillance system. I also point out that as these two surveillance artworks are symptomatic of surveillance systems, they may embody mimetic violence and post considerations for more ethical reflections in artistic sousveillance.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"83 1","pages":"9 - 27"},"PeriodicalIF":0.0,"publicationDate":"2022-10-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83778238","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Note on Agamben on art criticism and the art object as medium 阿甘本关于艺术批评和艺术对象作为媒介的观点
Journal of Visual Art Practice Pub Date : 2022-10-02 DOI: 10.1080/14702029.2022.2131044
J. Lechte
{"title":"Note on Agamben on art criticism and the art object as medium","authors":"J. Lechte","doi":"10.1080/14702029.2022.2131044","DOIUrl":"https://doi.org/10.1080/14702029.2022.2131044","url":null,"abstract":"ABSTRACT The ‘Note’ shows that Agamben’s book, The Man Without Content, raises the question of art criticism and in so doing also raises questions relating to the nature of art and the medium.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"97 1","pages":"305 - 309"},"PeriodicalIF":0.0,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74980707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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